Enis Mulè
Born in Palermo Sicily
Enis Mulè ventures into the world of directing with his first documentary movie HAWALA. While it is his first experience as a director, he had had accumulated a significant artistic experience. He had debuted as a mime in theatre shows and in experimental dance notably in the TaoArt of Taormina and at the Ancient Greece Theater of Taormina and of Segesta.
In addition to his presence on stage as a mime, he addresses issues related to integration.
His passion for cinema and photography has led him to the organization in the production sector. He acted as a selector of documentaries and films, as well as an artistic reviewer and film programmer at the "MigrArti Film Fest” Film Festival in Sicily in 2018. This festival focused on crucial themes such as integration, peace and brotherhood among peoples, thus reflecting Enis' commitment to promoting positive messages through cinematic art.

SABAH BENZIADI
My name is Sabah Benziadi, born in Algiers, Algeria. HAWALA is the first documentary feature film that I’ve directed together with Ennis Mulè, an experience that has enriched me humanely and emotionally. My artistic career spans different areas: I am a theater, dance and short film direction teacher. I am also a choreographer and director of photography.
For years I have passionately dedicated myself to the research and experimentation of the movements of the body and the visual arts in experimental cinema.
I have had the privilege of being a dancer and choreographer for the maestro Franco Battiato and to play the role of Artistic Director of the festival of cinema MigrArti Film Fest at Caltabellotta.
I have collaborated with various television and film festivals, and multimedia productions, contributing to my creative vision. I am the author of multiple works of drama, dance and experimentations that I’ve had the opportunity to give life to on the stages of antic theatres.
Moreover, I have had the honor to be part of the jury of the 71st edition of Mostra del cInema di Venezia, in the session Orizzonte C I C A E, and of being the president of the jury at the International Film Festival of Zagora. These roles allow me to actively contribute to the valorization and the promotion of cinematographic art at the international level