"At the cinema, we do not think - we are thought." - Jean-Luc Godard
#๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—บ๐—ฒ
Brevity is the spice of life! In a joking tone, I once commented to a good friend that I was a wanderer between worlds. Interestingly, I didn't realize how much this thoughtless joking analagogy was a realistic assessment of my creative personality.
I've been writing since I was 15 (year 2001), for a total of over 20 years (including narrative book publications, journalism for print & online music magazines & blogs, readings, poetry slams, etc.). In the semi-, as well as professional film business I'm on the road since the year 2015. "In between" I studied philosophy / media studies & pedagogy (University of Osnabrรผck). I dedicate my life to art and the transmission of aesthetic & artistic experiences! Radical programmatic aestheticism related to the creative work and in addition a good portion of sense for the co-creation of social realities (media education).
#๐˜๐—ฒ๐˜…๐˜
New Novel Coming 2023/2024!
Trรคuma: Dokumente einer eigenwilligen Existenz [Experimental Novella - 2007]
Surreale Serenade Sieben: Die verwirrende Verarbeitung der Verstรถrung eines Menschen, welcher das verbindende Verstehen verlernt hat [Poetry-Prose Collection - 2006]
#๐—ณ๐—ถ๐—น๐—บ
WHEN DUSK TURNS DARK / In der Dรคmmerung [Experimental Feature Film - 2021]
WALK.MAN / Laufe, Mann! [Short Film - 2023]
THE LOST LUSTRE Trilogy:
OUTSIDE THIS WORLD = THE LOST LUSTRE 3 / Jenseits Dieser Welt = Der verlorene Glanz 3 [Short Film - 2022]
THE LOST LUSTRE 2 / Der verlorene Glanz 2 [Short Film - 2022]
THE LOST LUSTRE / Der verlorene Glanz [Short Film - 2021]
HARARI-KIRI, OR: THE FLOWERS OF WRATH / Harari-Kiri, oder: Die Blumen des Zorns [Short Film - 2022 - in production]
ZWIEWELT XS [revisited] [Experimental Short Film - 2021]
THE SHOES OF LADY LESCAIRE / Die Schuhe der Madame Lescaire [Short Film - 2020]
Founder of MANNSCHAFT MURNAU [2017]
#๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜†
A PORTRAIT OF THE MOVIE ANALYST AS A YOUNG MAN / Ein Portrait des Filmanalytikers als junger Mann: Wolfgang M. Schmitt [2019]
ARTISTS UNLIMITED ULTD. [2018]
ROCK'N'ROLL TURBORAINER [2018]
#๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น
METROPOLIS IN DER Dร„MMERUNG [Experimental Mash-Up - 2020]
NASTROVJE! NOWGOROD! [Experimental Mash-Up - 2017]
#๐—ฎ๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น
HIGHMOTION HAIKU #1 - #4 [Super Short Film Poetry - 2022]
THE RECITER RECITES: SEASON 1 "Wilson" / Der Rezitator rezitiert: Staffel 1 "Wilson" [Mini Web Series - 2020]
#๐—บ๐—ผ๐—ฟ๐—ฒ?
ASK ME. PLEASE. For magic and the magic word. THX!
  • Writer (7 Credits)
    WALK.MAN
    Short
    Outside This World2023
    Experimental, Short
    The Lost Lustre 22022
    Experimental, Short
    The Lost Lustre2021
    Short
    When Dusk Turns Dark2021
    Experimental, Feature
    The Shoes of Lady Lescaire2020
    Short, Other
    A Portrait of the Movie Analyst as a young Man2019
    Documentary
  • Director (7 Credits)
    WALK.MAN
    Short
    Outside This World2023
    Experimental, Short
    The Lost Lustre 22022
    Experimental, Short
    The Lost Lustre2021
    Short
    When Dusk Turns Dark2021
    Experimental, Feature
    The Shoes of Lady Lescaire2020
    Short, Other
    A Portrait of the Movie Analyst as a young Man2019
    Documentary
  • Acting (3 Credits)
    Outside This World2023
    Experimental, Short
    The Lost Lustre 22022
    Experimental, Short
    The Lost Lustre2021
    Short
  • Producer (2 Credits)
    When Dusk Turns Dark2021
    Experimental, Feature
    A Portrait of the Movie Analyst as a young Man2019
    Documentary
  • Director of Photography (1 Credit)
    Outside This World2023
    Experimental, Short
College
University of Osnabrueck
Philosophy / Media Science / Education Science
2012 โ€“ 2022
Nickname
Amadeus
Birth City
Baia Mare, Romania
Height
1,80 m
Gender
Male
MANNSCHAFT MURNAU stays for...
emotion.
๐— ๐—ข๐—ฉ๐—˜ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—›๐—˜๐—”๐—ฅ๐—ง. ๐—”๐—ก๐—— ๐—ง๐—›๐—˜ ๐—ฃ๐—œ๐—–๐—ง๐—จ๐—ฅ๐—˜ ๐—ช๐—œ๐—Ÿ๐—Ÿ ๐— ๐—ข๐—ฉ๐—˜ ๐—ง๐—ข๐—ข.
Neither tricky camera movements, nor big budget, nor elaborate special effects can nourish what the soul longs for. Meaning is what creates emotion. Emotion is created by distinctive, unique stories that touch us directly and instinctively. Stories that are intimate and have inner greatness. Stories that cannot be fully represented by a headline or a personal data sheet. We want to move images to move feelings and thoughts. Feelings that grab you and make you still. The basis for this is a precise script waiting for the camera. After all, the poetry of a film travels through the heart into the head. And not because smart academics think the film is somehow politically important. A film stays in our memory through emotion. It becomes a part of ourselves because it is we ourselves who find ourselves on the screen. Our desire, our dreaming, our fantasizing. That is the true drama of good stories. Stories that we want to tell from now on.
expression.
๐—ž๐—œ๐—Ÿ๐—Ÿ ๐—ฌ๐—ข๐—จ๐—ฅ ๐——๐—”๐—ฅ๐—Ÿ๐—œ๐—ก๐—š๐—ฆ. ๐— ๐—”๐—ฅ๐—ฅ๐—ฌ ๐—ง๐—›๐—˜ ๐—ฅ๐—˜๐—ฆ๐—ง.
Creating art is more than just indulging in nice color and shape experiments designed as fun for intellectual elites. Art is there to bring people closer in touch with themselves. Film as art shows people beyond clichรฉs and surfaces. For this we don't need recipes, but craftsmanship and aesthetic sensibility to merge form and content into a unity. Film is there to open up untapped worlds of the inner self. To entertain means: to make life bigger and deeper for a few hours than it presents itself to us in everyday routine. This is superelevated reality. The magic of film.
existence.
๐—ฆ๐—›๐—ข๐—ช, ๐——๐—ข๐—ก'๐—ง ๐—ง๐—˜๐—Ÿ๐—Ÿ. ๐—˜๐—ซ๐—œ๐—ฆ๐—ง๐—˜๐—ก๐—–๐—˜ ๐—”๐—ฆ ๐—”๐—ฅ๐—ง.
Being a human means much more than merely being a random product of evolution. Likewise, it also means more than merely philosophizing in a sophisticated way about life, world and god. We want to look behind the facade and the superficial analytical. To take existence in its entirety as an occasion to "talk about it cinematically". That is our understanding of "SHOW, DON'T TELL".
"In order to understand the world, one has to turn away from it on occasion." - Albert Camus
"If you look for a meaning, you'll miss everything that happens." - Andrei Tarkovsky
"It's not where you take things from โ€” it's where you take them to." - Jean-Luc Godard
"At the cinema, we do not think - we are thought." - Jean-Luc Godard
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