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FADE IN AWARDS COMEDY COMPETITION

Submit Your Screenplay, Teleplay, Short Film or Web Series!

"I had a wonderful experience with the Fade In Awards and I would recommend any aspiring writer to enter the competition. The Fade In staff is a very knowledgeable and experienced group of industry professionals.” – Jon Bokenkamp, showrunner, NBC's "The Blacklist"

Welcome to the Fade In Awards, now in its 29th year. We’ve created nine distinct contests for you to compete in. Each is specifically tailored to the genre or format of your project. And we don't use third-party readers! Submit a script, web series or short film to the Fade In Awards Comedy Competition.

“After winning [the Fade In Awards], we optioned [our award-winning] script to a prominent producer who had made one of the 'Speed' films. The award gave us motivation and encouragement, which has huge value when starting out.” – Danny Kravitz, "The Marksman"

Hollywood A-list buyers and reps call the Fade In Awards one of the best screenplay contests and short film competitions in the world. Over 28 years experience discovering, mentoring and promoting emerging screenwriters and filmmakers. Our winners have gone on to sign with major Hollywood talent agencies ICM, UTA, IPG (formerly APA), CAA, WME; write/direct hit feature films and television shows (e.g., NBC's "The Blacklist," "The Marksman" (2020), "Cold Pursuit" (2019), "Blades of Glory," "Adam," "Your Honor (2021)," "Office Christmas Party," "If Only"," Clay Pigeons," "Preston Tylk") and; win Academy Awards ("Culture").

"The Blacklist" Executive Producer/Creator Jon Bokenkamp calls his decision to enter the Fade In Awards, “The most important moment in my career.” “When CBS Studios producer Todd Nelson encouraged me to submit, my inclination was to say, ‘No.’ I remember thinking there was no way I could afford it. But my script 'Preston Tylk' won and got me an [CAA] agent. It was huge for me.” Bokenkamp went on to work with Angelina Jolie and Halle Berry on "Taking Lives" and "Perfect Stranger," respectively.

The Fade In Awards deliver by working closely with Grand Prize winners to make sure their contest submission gives them the best chance at launching their filmmaking career.

The Fade In Awards Comedy Competition is open to aspiring screenwriters and TV writers of screenplays and teleplays, and filmmakers of both web series and short films. Judges are looking for fresh, high-concept, humorous stories set in compelling, grounded worlds. Should be character-driven and written in a unique voice or filmed with an eye for detail. Genre-benders welcome (e.g., Romantic Comedy, Action Comedy, Dark Comedy, Dramedy, etc.).

"I owe my success to Fade In. These guys don't just promise access - they deliver it!" - Frank Baldwin, "Your Honor"

Enter today. You’re just a submission away from being discovered!

FADE IN ADVISORY BOARD*
Frank Darabont
Steven de Souza
Scott Frank
James Gray
Nicholas Kazan
Scott Rosenberg
Eric Roth
David O. Russell
Ed Solomon
Robin Swicord

*Not the competitions’ judges.

OUR WINNERS WORK!

• After Jon Bokenkamp entered his thriller "Preston Tylk," he signed with ICM, he was hired to write a feature for director William Friedkin, has since directed "Tylk" and sold his documentary "After Sunset" to AMC, wrote features for Julia Roberts, Halle Berry ("Perfect Stranger"), and Angelina Jolie ("Taking Lives"). Jon's new show on NBC, "The Blacklist" is a hit!

• After Patricia Weitz entered her TV pilot in 2024, she signed with The Gersh Agency.

• After Alan Jenkins entered his true story pilot, "SCOTUS," Leverage signed on to produce.

• After Danny Kravitz won First Prize for his script "Easy Out," he co-wrote "The Marksman" starring Liam Neeson, in theaters January 2021.

• After Alan Jenkins entered his true story pilot, "SCOTUS," Leverage gave it to Oscar-winning/Emmy-winning writer Stephen Gaghan, who is currently attached to showrun.

• After Josh Gordin and Will Speck entered their short "Culture," both signed with ICM, "Culture" was nominated for an Academy Award™ and they went on to direct Will Ferrell in "Blades of Glory" and Jennifer Aniston in "The Switch."

• After Darryl Wimberley entered his noir Kaleidoscope, he signed with ICM. He now has a two-book deal with St. Martin's Press and Kaleidoscope has also been published as a novel.

• After George Olson entered his script "Tesla," he signed with Endeavor.

• After Grant Jerkins entered his project "An American Crime," we gave it to Fade In Advisory Board member, Oscar-nominated screenwriter Nick Kazan who, along with writer Terry Curtis Fox, adapted it for the screen. Oscar-nominated director Barbet Schroeder is attached to helm.

• After Mike Murphy entered his script "Clackers," he landed an option and within months began filming. Now titled "Javelina," you can look for Murphy's film in theatres soon.

• After Matt Krentz and Vernon Whitlock entered their action franchise, "The Blaze Brothers," they signed with APA and landed a deal with American Original Entertainment.

• After Frank Baldwin entered his genre film, he signed with the William Morris Agency [WME], landed writing assignments with Sony Pictures and director Sam Raimi, DreamWorks and director Philip Noyce, and Paramount and director Pierre Morel. His film, Cold Pursuit, hit theaters in 2019 and can currently be seen on HBO.

• After Mike Walsh entered his screenplay, he signed with Ken Sherman & Associates and optioned two projects.

• After Howard Kingkade entered his short, "Hole in the Paper Sky," the script was produced starring Jessica Biel, Gary Marshall and Jason Clarke.

• After James R. Rothenberg entered his script, "The Last Resort," he signed with Original Artists.

• After Haven Turleygood entered his genre film "Irish," he signed with Endeavor and landed a writing assignment with Arnold Kopelson and another with Joel Silver.

• After Matt Healy entered his dark comedy "Clay Pigeons," Healy signed with ICM, "Pigeons" was produced by Ridley and Tony Scott with David Dobkin directing and Healy landed a two-picture deal with Warner Bros.

• After Max Mayer entered his drama "Adam," he directed and sold the film at the Sundance Film Festival to Fox Searchlight. The film played in theatres to rave reviews.

• After Eric Howell entered his short "Ana's Playground," he signed with UTA and Anonymous Content. Now he's shooting his first feature in Paris.

• After Bandar Albuliwi entered his script "Radicalized," he signed with Luber Roklin and appeared in the Trades.

• After Gustavo Freitas entered his script "Lost Coyote" and attended the 2020 Hollywood Pitch Festival, he optioned his award winner to Buffalo 8.

These are just some of our finalists' success stories. Will you be next?

Awards & Prizes

GRAND PRIZE
2025 Hollywood Pitch Festival VIP Pass.
Meet your choice of approximately 200 A-list Hollywood Buyers & Reps.
$1,000 cash money
Expert script analysis
NextLevelScribe.com mentor session
Winning Project marketed to 3,000+ buyers and reps.

FIRST PRIZE: $500 Cash plus 20 Greenlightmymovie.com submissions ($750 value)

SECOND PRIZE: $250 Cash plus 15 Greenlightmymovie.com submissions ($450 value)

Rules & Terms

1. Electronic entries must be accompanied by the following:

Completed official entry form.
An entry fee, as specified for each contest, in U.S. dollars if entering before the Early Deadline; an increased entry fee, as specified for each contest, in U.S. dollars if entering after the Early Deadline but before the Final Deadline.
One completed, original screenplay, teleplay or short script in standard industry format (with a fully-executed title page) submitted as a PDF; Or, link to one web series episode or short film. NOTE: You may enter as many times as you like. However, each entry must be made online separately with a separate entry form and entry fee, as indicated above. Applications will only be accepted online. Submitted material will not be returned.
2. Submissions must be an original work of the applicant/writing/directing team and not based, in whole or part, on another author’s work (unless underlying material is in public domain or underlying rights are in applicant’s possession).

3. Fade In Awards are open to filmmakers worldwide and thus are not limited to only U.S. entries. All entries must be in English or, if submitting video, subtitled.

4. Writing and directing teams are welcome to apply. If selected as finalists, both team members will determine how the applicable prize will be divided/shared.

5. Submissions may not be under option or with attachment(s) at the time of entry nor at the time the material is chosen as a Finalist or Grand Prize winner. If said submission has been optioned or sold during the judging period, the contestant will automatically be disqualified.

6. Judging consists of two rounds: Semifinals and Finals. Applicants will be notified of their advancement via email and on its website on the Notification Dates.

7. Applicant understands creative revisions may be required prior to setting up meetings/marketing to Hollywood buyers and representatives and therefore agrees to the process as outlined by the Fade In staff. Applicant also understands that if chosen as a finalist it is a requirement to sign both a general release and a W-9 tax form to receive all prizes.

8. Fade In reserves the right to grant less than or no awards, at its sole discretion, if a lesser number of, or no entries meet the submissions requirements and/or industry standards of excellence.

9. Fade In reserves the right to revoke or disqualify any finalist for a) breach of these terms, b) unprofessional behavior, as deemed by Fade In staff.

10. I have read and accept Fadeinonline.com’s No Refund Policy.

Questions? fadeinmagazine@gmail.com
7 Reviews
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  • Annie Bio

    This festival was very organized and I was happy to be a part of it. I got semi finalist for my Comedy series title PAY YOUR BILL. I will definitely submit again and I totally recommend for others to submit.

    August 2024
    Helpful
  • Naomi Lisner

    I always read about the festivals before entering. The Fade in Awards in on my list of festivals that I have huge respect for. I was thrilled to be a semi finalist here. It's well run and when you have prizes that look out for the writer, which is what they do - then its hard to go past the Fade In Awards when looking for what festivals to submit for.

    August 2022
    Helpful
  • Erin Elizabeth Keefer

    Great competition with professional communication!

    August 2021
    Helpful
  • Jon Mishner

    Honored to be one of the winners in the comedy competition. Thanks, Fade In!

    August 2020
    Helpful
  • Eric Mayne

    We are deeply honored that our script, Pipe Dream, was named a semi-finalize in this prestigious competition. It helped inspire us to move forward with industry outreach.

    August 2020
    Helpful