Experiencing Interruptions?

what remains of nothing

decided to leave his hometown, a young man gets on his car, ready even to neglect the uncertainties that oppress him. The journey that awaits him, however, gives him the opportunity to look back, one last time, before each road turns into a farewell.

  • Mattia de Gennaro
    Director
  • Mattia de Gennaro
    Writer
  • Alessandra Quacquarelli
    Key Cast
  • Mattia de Gennaro
    Key Cast
  • Davide d'Addato
    First Assistant Directors
  • Gabriele Ciavarella
    First Assistant Directors
  • Davide d'Addato
    Director Of Photography
  • Davide d'Addato
    Camera Operators
  • Gabriele Ciavarella
    Camera Operators
  • Davide d'Addato
    Editing
  • Gabriele Ciavarella
    Editing
  • Gabriele Ciavarella
    Sound Design
  • Davide d'Addato
    Color Grading
  • Marina Di Benedetto
    Runner
  • Project Title (Original Language):
    quello che resta di niente
  • Project Type:
    Experimental, Short, Student
  • Genres:
    Drama
  • Runtime:
    10 minutes
  • Completion Date:
    February 8, 2024
  • Production Budget:
    0 EUR
  • Country of Origin:
    Italy
  • Country of Filming:
    Italy
  • Language:
    Italian
  • Shooting Format:
    DGI SCOPE (2.39) 2048x858
  • Aspect Ratio:
    2.39
  • Film Color:
    Black & White
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Academy of Fine Arts of Foggia
  • Digital Cinema Package:
    Unavailable
  • REC – Racconti Emergenti sul Campo
    Molfetta
    March 5, 2024
    Italian Premiere
    Finalist / Second place
  • Festival Intercomunale di Cinema Amatoriale
    Brescia
    April 14, 2024
    Official Selection / Best Short Film Award
  • Scrittura e Immagine Short Film Festival
    Pescara
    April 18, 2024
    Official Selection
  • Duemila30
    Milano
    June 30, 2024
    Official Selection
  • Lift-Off Filmmaker Sessions - hosted by Lift-Off Global Network
    Iver Heath - Buckinghamshire
    United Kingdom
    June 3, 2024
    UK Premiere
    Official Selection
  • CORTOCIRCUITI Short Film Festival
    Bari
    Italy
    August 1, 2024
    People's Choice / Students' Choice Apulian Student Short Film - Honorable Mention
  • Mònde – Festa del Cinema sui Cammini
    Monte Sant'Angelo
    Italy
    July 16, 2024
    Opening screening of the Festival preview
  • BUEISFF - British University International Students Film Festival
    Al Shorouk City, Cairo
    Egypt
    August 14, 2024
    North African Premiere
    Official Selection
  • Enigma Film Festival
    Spinazzola
    Italy
    August 23, 2024
    Screenings dedicated to the students of the Academy of Fine Arts of Foggia
  • Chiaroscuro International Film Festival
    Bergamo
    Italy
    September 27, 2024
    Official Selection
  • Student Film Festival
    Foggia
    Italy
    November 23, 2024
    Official Selection / Best Director - University Award
  • Cinetreddì
    Parma
    Italy
    November 14, 2024
    Official Selection
  • Mònde – Festa del Cinema sui Cammini
    Monte Sant'Angelo
    Italy
    October 4, 2024
    Matinèe reserved for schools - Cinema residence
  • Out of Bounds Film Festival
    Molfetta
    Italy
    December 19, 2024
    Official Selection
Director Biography - Mattia de Gennaro

Mattia de Gennaro is an Italian director and screenwriter.
From October 2021 he attend the course of "Cinema, photography and audiovisual" at the Academy of Fine Arts of Foggia (Italy). In 2022 he debut with the short film "janelas verdes' dream", winning the second place at the "Rotary Art Award Medusa - XXII edition". In the same year he writes and directs first "on brothers and other evils", a short film produced in collaboration with the "Piccolo Teatro" of Foggia and then "AKKA", realized within "Fossi Art Village" during "Residenze AKKA", which has won nominations and prestigious awards, such as the "Honorable Mention" of the Student World Impact Film Festival and the "Young Director Award" at the Cefalù Film Festival, during which he was also awarded the "Honorable Mention" of the Jury.
"what remains of nothing" is his last work.

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Director Statement

g. was shorter than me. Actually, she still is. Who knows if she suffers. If, in some way, she wishes it were not so. That day, she looked down at me, trying to stay above me and cover me completely, to not let me find out what was on the other side, the one towards which, inevitably, I was destined to go. It had been a few hours since we had finished lunch. A succession of dishes, laughter, glances and sweaty hugs from a summer that’s now, gone. I saw them overlap in the hurry of an impromptu lunch, which ended up being crushed by the imminent arrival of a train that, soon, would leave, with or without me. It was September, but it could have been any other month. I told g. I was afraid. Then I cried. She was not surprised. She smiled as she comforted me. As if she had always known, but choose to stay silent. Because, if you don’t announce it, fear doesn’t exist. Some time later, I thought it had been a miracle. I never cry, I didn’t even back then. I never healed. At that moment, all the revenge of the wounded exiled vanished suddenly, leaving me exposed under the shadow of the building in which I had grown up. Then, a month later, it saw me return. It was not enough even the rise of the small figure of g., landing in her softness in my tired arms, to protect me from the impetuous, sad, melancholy that have been my twenty years of life. So, g. walked away... still looking at me. As we said goodbye, we decided to take a picture, a selfie. I hugged her, invading her winged shoulders with my chest. The thick beard that curled on my face ended up brushing her cheek, in an awkward attempt to leave a smile imprinted on that painful memory. I succeeded. Fortunately, I think. Who knows what would have happened. If she hadn’t been there, if I hadn’t cried, if I hadn’t smiled, right after, under the guise of the sunglasses that, from after that day, I don’t wear anymore, where I hid, hoping to disappear and end up elsewhere, anywhere else, where I could feel safe. Eventually, g. left and I ran home, aware that my bags weren’t ready yet. I left shortly after. I still have the train ticket. Maybe it’s still valid. To go back and write another story.