The Steak
A birthday ceremony preparation gets upside down as something horrible takes place.
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Kiarash Dadgar MohebiDirector
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Kiarash Dadgar MohebiWriter
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Ali NarimaniWriter
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Kiarash Dadgar MohebiProducer
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Faranak KhamisKey Cast
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Amin SimiarKey Cast
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Panisa PeyvaghtKey Cast
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Sadeq Es-haqiArt Director
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Farzad ShahabDOP
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Amin EnteshariVisual Effects
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Amin JafariSound Recorder
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Abdolreza HeydariSound Designer
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Faraz ModiriSet and Custome Designer
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Mohsen AsdaghpourStill Photographer
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Parisa GardeshiMake-up Artist
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Project Type:Short, Student
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Genres:Drama, War
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Runtime:8 minutes 13 seconds
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Completion Date:July 1, 2023
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Country of Origin:Iran, Islamic Republic of
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Country of Filming:Iran, Islamic Republic of
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Language:No Dialogue
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - Sooreh University of Tehran
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The 19th Nahal International student short film festival IranTehran
Iran, Islamic Republic of
July 1, 2023
National Premiere (Iran)
Official Selection Best Picture / Official Selection Best Director (winner) /Official Selection Best Cinematography / Official Selection Best Sound Design (winner) / Official Selection Best Set Design (winner) / Official Selection Best Visual Effects (winner)
Distribution Information
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LUCID HORIZON FILMSDistributorCountry: Iran, Islamic Republic ofRights: All Rights
Kiarash Dadgar, b. 1994, a film and theatre artist from Iran. He received his M.A. in Dramatic Literature from the Soore Art University of Tehran and worked on several projects in Iranian short films, series and theatre productions. He also worked as a producer in some short films that one of them “Jouissance” was premiered at BUSAN International Film Festival (2022). He directed his first short film “Steak” in 2023 and is waiting for his film's world premiere.
Introducing a formalistic approach, this short film delves into the dramatic transformation that can occur within mere minutes. Through the skillful use of a continuous 360-degree tilt, the narrative employs a metaphorical technique that masterfully juxtaposes the beginning and the ending, creating a remarkable disparity of outcomes. As a filmmaker, I find immense fascination in exploring stories centered around the concept of war. It is my belief that war issues hold a universal quality, allowing viewers to comprehend the inherent bitterness they entail. By choosing to eliminate dialogue entirely, this film invites the audience to interpret the story through the characters' actions and visual symbolism, thus transcending cultural or geographic boundaries. Additionally, this film serves as the inaugural installment of a compelling trilogy exploring war narratives through a formalistic lens. Currently, I am passionately crafting the second piece of this series, driven by a desire to further explore the depth and complexity of these themes.