Experiencing Interruptions?

Finnish and paranoid dream

How to talk about the future when it seems there is no future? Maybe everything exploded and it only remains a voice full of images flowing. What is all this? The future? A prologue to the future?

  • Jimena Aguilar
    Director
  • Jimena Aguilar
    Writer
  • Jimena Aguilar
    Producer
  • Mantrixa
    Producer
  • Camila Peralta
    Key Cast
    "Narrator"
  • Mantrixa
    Animation Designer
  • Jimena Aguilar
    Original Score
  • Mantrixa
    Film Editor
  • Felipe Rubio
    Director of photography
  • Felipe Rubio
    Sound Designer
  • Jimena Aguilar
    Art Director
  • Mantrixa
    Art Director
  • Mantrixa
    Additional Sound
  • Mantrixa
    Graphic Design
  • El Delirio Cine
    Distributor
  • Project Title (Original Language):
    Sueño finlandés y paranoico
  • Project Type:
    Animation, Experimental, Short, Other
  • Genres:
    Sci-Fi, Drama, Fantasy
  • Runtime:
    7 minutes
  • Completion Date:
    February 19, 2024
  • Production Budget:
    2,000 USD
  • Country of Origin:
    Argentina
  • Country of Filming:
    Argentina
  • Language:
    Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Distribution Information
  • El Delirio Cine
    Distributor
    Country: Worldwide
    Rights: All Rights
  • El Delirio Cine
    Sales Agent
    Country: Worldwide
    Rights: All Rights
Director Biography - Jimena Aguilar

Jimena Aguilar is a director, scriptwriter, playwright, musician and composer. She received several awards including the Premio Internacional Dramaturgia Invasora (Spain), the Premio Rozenmacher de Nueva Dramaturgia (Festival Internacional de Buenos Aires, Argentina), Premio ARTEI Mention (Argentina), Premio EDIE (Argentina). She participated in numerous projects directing, writing, in charge of the sound design, composing and performing music. 

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Director Statement

I wrote this script a few years ago, in part motivated by an investigation that I was undertaking for a stage play in which I was immersed at that time, and also due to the memory and in response to a song by David Byrne from 1985 called "In the future." I couldn't find a scenic form for this material and that was when I called Mantrixa, with whom we had already worked on the visuals of two stage productions that I directed, and I asked him if he was interested in generating some audiovisual material that would dialogue with the script I had wroten. So he told me that he was starting to experiment with the generation of images and videos using artificial intelligence, and that was when the integral concept of this proposal made complete sense and the crossover was simply wonderful.