Mesopotamia, TX
Two strangers wait for a Solar Eclipse amid a crowd of eclectic Texans.
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Lucy GamadesWriter + DirectorVanitas, Is That a Mime?, A Little Tent
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Michael SpencerProducer
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Nicky MaindirattaCastThe Social Ones, Unbreakable Kimmy Schmidt, Halal in the Family
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Megan GreenerCastVanitas, Awake, The Green Veil
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Matthew MarinoDirector of Photography
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Zach StrumCamera OperatorThe Panty Symphonic, The Bicycle Thief
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Project Type:Short
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Genres:Drama, comedy
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Runtime:19 minutes 28 seconds
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Completion Date:February 2, 2025
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:16mm
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Clermont-Ferrand International Short Film FestivalClermont-Ferrand
France
World Premiere
Official Selection -
Indy Shorts International Film FestivalIndianapolis, IN
United States -
San Antonio Film FestivalSan Antonio, TX
United States -
INTERFILM FestivalBerlin
Germany
November 5, 2025 -
PÖFF ShortsTallinn
Estonia -
Court C'est CourtCavaillon
France -
Séquence Court-MétrageToulousse
France
Distribution Information
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Manifest PicturesDistributorCountry: WorldwideRights: All Rights
Lucy is a Texas-born writer, director and producer with a style that has been described as "Altman-esque" and "cheerfully macabre."
Her film MESOPOTAMIA, TX premiered at the 2025 Clermont-Ferrand Int'l Short Film Festival. Her latest script was a quarter-finalist in the Slamdance screenplay competition, which called it “deliciously disturbing." Her writing has been recognized by ScreenCraft, the Inroads Fellowship, and the Script Lab.
She has worked full-time for A+E Networks and Condé Nast, overseeing post on projects for clients like Revlon, Ulta, Pfizer, A&E, the History Channel, Starbucks, Toyota, and more.
If aliens had a tourism industry, they would visit Earth for its eclipses. There is an infinitely small chance that a planet’s moon would cover its sun perfectly like ours does; a million little things need to line up, and they do.
We needed the right crew, the right location, the right cloud cover. We hauled three 16mm cameras to the top of a rock I visited on a seventh grade field trip. We learned too much about different weather models around the kitchen table, rehearsed the script like a play in the backyard, and shotgunned Lone Stars on the porch when it was all over.
The reactions to the eclipse in the film are genuine, and were shared by everyone there: cast, crew and spectators alike. A million little things needed to line up, and they did.
-- Lucy Gamades, writer + director