Nostalgic Onion

In a romantic world, a girl arrives abroad. Before she even opens her suitcases, she feels nostalgy for her country. Through dance, we will see her regrets, her sadness and her doubts.

  • Eva Campos Suárez
    Director
  • Eva Campos Suárez
    Writer
  • Marta Kosieradzka
    Key Cast
  • David Menéndez Auckland
    Sound mix
  • Eva Campos Suárez
    Sound mix
  • Aimée de Tarlé
    Music
  • Alexandrina Loretani
    Special Thanks
  • Plat Artístic
    Producer
  • Project Title (Original Language):
    Ceba Nostàlgica
  • Project Type:
    Short, Other
  • Genres:
    Screendance, Dancefilm, Romantic
  • Runtime:
    3 minutes 14 seconds
  • Completion Date:
    September 14, 2015
  • Production Budget:
    20 EUR
  • Country of Origin:
    Belgium
  • Country of Filming:
    Belgium
  • Language:
    English
  • Shooting Format:
    Full HD
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Eva Campos Suárez

(Born in 1991 in Sabadell, Spain)

After finishing her studies in Fine-Arts at University of Barcelona in 2013, she decided to move to Brussels, where she started a life as a freelance photographer and videographer with at first contact of the choreographer Marie Martinez.

Then a new world opened in front of her: dance, performance, theater and circus disciplines, mixed or not. She discovered rooms/halls where the presentations of artistic projects took place and where she could have contact with the artists. There she met a lot of international artists and she learned plenty of new concepts. In that journey, a lot of new ideas came and she decided to start them when she met and worked with Ana Cembrero Coca and La Ignorancia, a big reference to her.

Interested already in the screendance/videodance/filmdance, she encountered Marta Kosieradzka with whom she created a nice team and they two together have done several dance shortfilms, the most important are THE THREE ODDEST WORDS trilogy and CONCERT OF THE SAXOPHONE AND A SPINE. So she became a filmmaker and found her way of making dance film.

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