No Dollars For The Dead

On the run and wounded, a young man pushes forward, burdened by pain and two heavy leather bags. As he navagates the unforgiving landscape, each step becomes a test of endurance, secrecy, and survival.

  • Kyle Brisebois
    Director
    My Quarantine
  • Kyle Brisebois
    Writer
    My Quarantine
  • Sara Nyitrai
    Producer
    My Quarantine
  • Kyle Brisebois
    Producer
    My Quarantine
  • Travis Patty
    Key Cast
  • Kyle Brisebois
    Edited
    My Quarantine
  • Kyle Brisebois
    Sound
    My Quarantine
  • Project Type:
    Short
  • Genres:
    Western, Drama, Suspense
  • Runtime:
    12 minutes 38 seconds
  • Completion Date:
    June 12, 2025
  • Production Budget:
    300 CAD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English
  • Shooting Format:
    Digital
  • Film Color:
    Black & White
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Wild Bunch Film Festival
    Tucson Arizona
    United States
    October 23, 2025
    World Premier
    Official Selection/Awards Nominated
  • Wild Bunch Film Festival
    Tucson
    United States
    October 23, 2025
    World Premier
Director Biography - Kyle Brisebois

Kyle Brisebois was born in Drayton Valley, Alberta, Canada.
Currently Living in Edmonton, Alberta, Canada.
His first short film “My Quarantine” was an official selection of the 2021 Micromania Film Fest and the Lift-Off Global Network First Time Filmmaker Sessions. His short film “No Dollars For The Dead” was an official selection of the 10th Annual Wild Bunch Film Festival out of Tucson Arizona and the 2026 Royal Gorge Film Festival out of Canon City Colorado.

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Director Statement

This short film is the second I’ve ever made, and I approached it as both a creative challenge and a personal education. I leaned into the familiar tropes of the western as a framework. Not to imitate them, but to test myself against them. I treated this short as a self-directed film school, learning by throwing myself into the deep end and allowing mistakes, revisions, and discoveries to shape the final work. We shot the film in a single day, but I lived with it for years in the edit. Returning to the material over time allowed me to see my own growth reflected back at me, and to understand how much filmmaking is shaped by patience and determination. This film represents not just my next step as a filmmaker, but a conversation with a genre that continues to influence how I see storytelling and myself as a filmmaker.