Private Project

La Casa del Migrante

Inside the seemingly abandoned property at 3200 South Kedzie Avenue in the South Side of Chicago is La Casa del Migrante, a vibrant, bustling home of Mexican immigrant artists seeking to improve their native and local communities through their craft. The documentary short, La Casa del Migrante, brings audiences into this community hub as its very existence is threatened after the Chicago Southwest Development Corporation (CSDC) bought the property from the city of Chicago and placed an order of demolition on its residents. A story of clashing desires, La Casa del Migrante examines the fragility and sanctity of community spaces amid trends of displacement in the South Side.

  • Olivia Yarvis
    Director
  • Yaakov Gottlieb
    Director
  • Samuel Heller
    Director
  • Olivia Yarvis
    Producer
  • Yaakov Gottlieb
    Producer
  • Samuel Heller
    Producer
  • Brent Huffman
    Producer
  • Olivia Yarvis
    Editors
  • Yaakov Gottlieb
    Editors
  • Samuel Heller
    Editors
  • Project Type:
    Documentary, Short, Student
  • Runtime:
    25 minutes
  • Completion Date:
    March 17, 2022
  • Country of Origin:
    United States
  • Language:
    English, Spanish
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - Northwestern University
  • American Documentary Film Festival
    Palm Springs, California
    United States
    April 11, 2022
    World Premiere
    Official Selection
  • 38th International Documentary Association Awards
    Los Angeles, California
    United States
    Nominee, David L. Wolper Student Documentary Award
Director - Olivia Yarvis, Yaakov Gottlieb, Samuel Heller
Director Statement

At its core, La Casa del Migrante is a human rights story that allows viewers to directly confront the realities of urban displacement. Although our film is Chicago-based, eviction and gentrification are issues that affect communities domestic and foreign, and which require community advocacy. By zooming into a shocking story that likely has not been heard beyond Chicago, we hope our film can give a personalized face to an issue that likely plagues a community close to each of our viewers. We hope that our film will show the immediacy of these issues and prompt audiences to advocate against such injustices happening in their own backyards. In viewing our film, we implore viewers to consider how we as a society, and more specifically how governments and cities, view community spaces. When spaces like Chicago Southwest Development Corporation’s campus are installed, whose needs are we prioritizing? Those of the developer or those of the community in which these spaces are introduced? Our film is ultimately of and for the residents of La Casa del Migrante and their loved ones. As our subjects continue to protest in and outside of court, we hope our film will both bring awareness to their mission as a community hub and prompt viewers to reflect on the sanctity of the communities in their lives.