Gónô Tmutul: Building a House of Stories
Billie Riley had been calling Dr. Cristina Juan everyday for weeks, determined to speak with her. In the early seventies, she had lived among the Tboli people around Lake Sebu, one of the southernmost parts of the Philippines and while there, she assembled a small but extensive collection of textiles, jewellery, and weapons. Now, she was turning seventy and realised that if she didn’t find a clear path to return these objects, they would end up in a bin in Oxfam and the meaning of these objects would be lost.
When she finally got through, Dr. Juan agreed to meet her and look at some of Billie’s collection.
At the meeting’s end, Billie agreed to join her on a journey to give back her beautiful collection.
The film is everything that follows.
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Jovi JuanDirectorHYPER_EXT
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Benjie M. ManuelDirector
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Jovi JuanWriterHYPER_EXT
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Maria Cristina JuanWriter
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Maria Cristina JuanProducer
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Benjie M. ManuelProducer
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Billie RileyKey Cast
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Marian Pastor RocesKey Cast
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Benjie ManuelKey Cast
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Maria Cristina JuanKey Cast
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Project Type:Documentary
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Genres:Ethnographic Film, Filipino, Tboli, Repatriation
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Runtime:34 minutes
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Completion Date:October 31, 2025
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Production Budget:5,000 USD
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Country of Origin:Philippines
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Country of Filming:Philippines
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Language:Cebuano, English, Tagalog
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Art Beats FestivalKuala Lumpur
Malaysia
August 16, 2023
Malaysian Premiere
Special Mention -
Euroseas ConferenceJakarta
Indonesia
November 28, 2023
Indonesian Premiere
Plenary Session Screening -
Tboli Senior High SchoolLake Sebu
Philippines
January 4, 2024 -
Ambient Images II: University of the Philippines School of EthnomusicologyQuezon City
Philippines
October 24, 2024
Philippine Theatrical Premiere -
Museum Ethnographers Group (MEG) Conference 2025Liverpool
United Kingdom
April 24, 2025
Plenary Session Screening
Jovi Juan is an artist, documentary filmmaker, writer, and technologist living in London and Baguio, Philippines. He began his career as an assistant to the renowned minimalist sculptor Donald Judd and went on to a teaching position at the University of the Philippines where he taught Art History, Photography and Installation. While there, he also served as a film critic and editor to several widely circulated newspapers and magazines. After returning to the United States, he completed a Masters at the Interactive Telecommunications Program at New York University and later worked as a designer and programmer at the digital studio R/GA Interactive. From 2006-2020, he led interactive graphics teams at The Wall Street Journal as art director and technical director in New York and London, where his work garnered recognition from The Loeb Foundation, the Society of News Design, The Webby Awards, and The British Journalism Awards. He recently finished a short film he wrote and directed called "HYPER▣EXT" which premiered at the Shout Out Festival in Manila in September. His art has been exhibited in New York, London, San Francisco, Marfa, Texas, and Cebu City, Philippines.
Benjie Manuel is the School Head at Tboli Sebù Senior High School, the first stand-alone senior high school for Department of Education Indigenous Peoples Education (IPEd) program in the country. He is a culture bearer, cultural worker and an artesanal work advocate. Gónô Tmutul is his first film
Maria Cristina Juan has an MA in Museum, Heritage and Material Culture Studies from SOAS,University of London, and a PhD in Comparative Literature from the University of the Philippines Diliman. She is a member of the Faculty at the SOAS School of Languages Cultures and Linguistics and is the project head of Philippine Studies at SOAS , an interdisciplinary forum for Philippine-related teaching,research and cultural production in the U.K. She has implemented several digital humanities projects at SOAS, including Digital Filipiniana (2018) and is the Principal Investigator for two AHRC funded projects on Decolonizing South East Asian Sound archives with a focus on BBC broadcasts, and a Digital Reconstruction of the Lost Library of San Pablo as a result of the British Invasion of the Philippines in 1762.
When we brought Billie's collection back, we weren't quite ready for the outpouring of emotion. The return filled the room with a closeness, a true intimacy—and not just with each other, but with the objects themselves. The t’nalak textiles , the horse whips, the spears— these embody so much. They were never meant to be sold for money, but were meant to connect families in their exchange, as part of the cosmological warp and weft of that particular place. The emergence of capital markets shredded the fibre of those connections, but in that moment, something of that old order was restored. That we captured it on film feels near miraculous, and we felt we needed to document that, and share it here.