Fags
On a warm star drunk night, a young gay couple, Isaac and Arlo, are confronted by a stranger’s slur. Hand in hand, they reclaim the word through Isaac’s poem, transforming an act of hate into a moment of love, art, and queer pride.
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Hunter SomerledDirector
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Hunter SomerledWriter
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Hunter SomerledProducer
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James-paul MountstevensProducer
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Jez UnderwoodKey Cast"Issac"
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James-paul MountstevensKey Cast"Arlo"
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Marz CooperKey Cast"Tradie"
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Bryce PadovanEditor
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Dominic "Mini" AltamoreDirector of Photography
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Joel McNamaraAssistant Camera
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Adrien MarksScript Supervisor
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Zoe StragalinosProduction Assistant
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MinimaeMusic
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Weston SymesVisual Effects Artist
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Project Type:Experimental, Short
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Genres:LGBTQIA+, Drama, Poetry Film
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Runtime:2 minutes 37 seconds
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Completion Date:October 30, 2025
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Production Budget:3,000 AUD
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Country of Origin:Australia
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Country of Filming:Australia
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Language:English
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Shooting Format:B-RAW
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
Hunter Somerled is a Naarm/Melbourne-based emerging filmmaker and writer whose work centres queer Australian voices through intimate, lyrical storytelling. Currently studying Creative Writing and Screen & Cultural Studies at the University of Melbourne, his films blend poetry, vulnerability, and defiance, often exploring the complexities of identity and desire within the overstimulating twenty-first century.
He founded Green Carnation Productions to develop community-rooted projects, with the main focus of voicing the untold creative works of young Australians who identify as part of the LGBTQIA+ community.
His latest short film, Fags, adapted from his poem ‘Faggots’, reclaims a slur by transforming hate into art and pride. Hunter is committed to creating emotionally charged cinema that amplifies and celebrates the queer experience.
One night after a late bartending shift, my partner and I walked home through Melbourne’s CBD, hand in hand. As we passed a tradesman, he hurled a slur at us, faggots. The word hit like a bolt of lightning. I felt a rush of anger, the urge to shout back, to meet violence with violence. But when I told my partner how I felt, we found ourselves in a conversation about morality. Acting on those impulses wouldn’t heal anything; in fact, it would only mirror the hatred we’d just encountered.
So instead, I asked myself how I could reclaim my pride, my queer pride, without surrendering to spitefulness. The next day, a poem clawed its way out of me, and through writing it, I felt something soften. Art became the place where I could transmute the moment, turning harm into something tender and defiant.
When the poem was later selected for publication in the BlueBird Anthology, I realised the story still wasn’t finished. I wanted to give the words a body, a pulse, a world. That impulse became its visual adaptation: a short film that brings the poem to life and transforms a moment of bigotry into one of love, resilience, and reclamation.