Experiencing Interruptions?

Desync

A young Filipina filmmaker attempts to overwrite a painful memory of her mother with a perfect narrative.

  • Minerva Marie Navasca
    Director
    Kamayan, Guardians
  • Asa Kazerani
    Producer
  • Chen Sing Yap
    Writer
  • Minerva Marie Navasca
    Writer
  • Laura King
    Director of Photography
  • Chen Sing Yap
    Editor
  • Dee Talusan
    Production Designer
  • Sarah Saunders
    Sound Designer
  • Elliot Beer
    Re-Recording Mixer
  • Holly de Vaal
    Production Manager
  • Jadyn Nasato
    Key Cast
    "Ana"
  • Jennifer Villaverde
    Key Cast
    "Celine"
  • Angelica Alejandro
    Key Cast
    "Joyce"
  • Tatiana Ashton
    Key Cast
    "Francesca"
  • Wilfred Moeschter
    Music by
  • Ellie O’Brien
    Casting Director
  • Minerva Marie Navasca
    Transmedia
  • Chen Sing Yap
    Associate Producer
  • Emilia Mieres
    1st Assistant Director
  • Kellsie McCullough
    2nd Assistant Director
  • Xander Pham
    Script Supervisor
  • Brianne Harvie
    Story Editor
  • Nathalie Cocq
    Props Masters
  • Xavier Liska
    Props Masters
  • Nathalie Cocq
    Set Decorator
  • Keaton James Browning
    Art PA
  • Alex Morris
    Production Design Consultant
  • Victoria Bacani
    Costumer
  • Jeff Pollock
    Camera Operator
  • Tarneem Allati
    1st Assistant Camera
  • Rowan Mikolic-O'Rourke
    2nd Assistant Camera
  • Eric Génier
    DMT
  • Kyle Mathers
    BTS Photographers
  • Gaetano Segreto
    BTS Photographers
  • Leo Wei
    Production Sound Mixers
  • Greyson Barit
    Production Sound Mixers
  • Cameron Coddington
    Production Sound Mixers
  • Rachel Millares
    Boom Operators
  • Isaac Stacey
    Boom Operators
  • Jacob Lea
    Gaffer
  • Khairul Hafizh Said
    1st Electric
  • Marco Ciardullo
    Key Grips
  • Evan Jones
    Key Grips
  • Keyana Sinclair
    Makeup & Hair
  • Kellsie McCullough
    Makeup & Hair
  • Safa Kay
    Makeup & Hair
  • Holly de Vaal
    Location Manager
  • Erin Zhao
    Set PA
  • Chen Sing Yap
    Post Supervisor & Online Editor
  • Hugo Hum
    Colourist
  • Eric Génier
    Assistant Editor
  • Sam Koabel
    ADR Engineers
  • Sarah Saunders
    ADR Engineers
  • Chen Sing Yap
    Producer
  • Project Type:
    Short, Student
  • Runtime:
    12 minutes
  • Completion Date:
    November 1, 2023
  • Production Budget:
    2,200 USD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English, Tagalog
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Chen Sing Yap
  • Digital Cinema Package:
    Unavailable
  • Canadian Cinema Editors Awards
    Toronto
    Canada
    No Screening
    Student Merit Award
  • UFVA Carole Fielding Grant Winner
    Savannah
    United States
    Private Screening
  • Reelworld Film Festival
    Toronto
    Canada
    November 3, 2023
    World Premiere
    Outstanding Short Film Producer
  • Canadian Film Festival
    Toronto
    Canada
    March 22, 2024
  • TIFF Next Wave
    Toronto
    Canada
    April 14, 2024
    Best Writing
  • National Film Festival for Talented Youth
    Seattle, WA
    United States
    April 27, 2024
    US Premiere
    Programmers Pick
  • Canadian Society of Cinematographers Awards
    Toronto
    Canada
    May 4, 2024
    No Screening
    Best Student Cinematography Winner
  • FascinAsian Film Festival
    Calgary, AB and Winnipeg, MB
    Canada
    May 4, 2024
    Alberta Premiere
    Best Performance in a Short Film
  • Gawad CCP Para sa Alternatibong Pelikula at Video
    Manila
    Philippines
    August 5, 2024
    Asia Premiere
  • Binisaya World
    Cebu City
    Philippines
    August 18, 2024
  • Imagine This Women’s International Film Festival
    New York City
    United States
    September 20, 2024
    New York Premiere
  • REC-Filmfestival
    Berlin
    Germany
    September 20, 2024
    European Premiere
  • Cordillera Film Festival
    Reno, NV
    United States
    September 28, 2024
    Nevada Premiere
    Best Student Film
  • Millennial X Nuit Blanche Film Festival
    Etobicoke, ON
    Canada
    October 5, 2024
  • Bushwick Film Festival
    New York City
    United States
    October 17, 2024
  • Hamilton Film Festival
    Hamilton, ON
    Canada
    October 19, 2024
  • Micheaux Film Festival
    Los Angeles, CA
    United States
    October 22, 2024
    California Premiere
    Outstanding Student Project
  • Forest City Film Festival
    London, ON
    Canada
    October 22, 2024
    Best Short Narrative
  • Durham Region International Film Festival
    Oshawa, ON
    Canada
    October 26, 2024
    Best Student Film
  • SCAD Savannah Film Festival
    Savannah, GA
    United States
    October 26, 2024
    Southeast Premiere
    Honourable Mention
  • Singapore Youth Film Festival

    Singapore
    November 2, 2024
    Singapore Premiere
    Best Editing & Best Screenplay (Open Youth)
  • Early Bird International Student Film Festival
    Sofia
    Bulgaria
    November 4, 2024
  • Ottawa Canadian Film Festival
    Ottawa, Ontario
    Canada
    November 7, 2024
    Jury Prize
  • Vancouver Asian Film Festival
    Vancouver, BC
    Canada
    November 7, 2024
    BC Premiere
    Best Director for a Canadian Short
  • FilAm Creative Film Festival
    Los Angeles CA
    United States
    November 9, 2024
  • Yellowknife Film Festival
    Yellowknife NWT
    Canada
    November 8, 2024
  • San Diego Asian Film Festival
    San Diego, CA
    United States
    November 11, 2024
    San Diego Premiere
  • Mighty Niagara Film Festival
    St Catharines ON
    Canada
    November 16, 2024
    Niagara Premiere
  • YOUKI Film Festival
    Wels
    Austria
    November 21, 2024
    Austrian Premiere
  • Cucalorus Film Festival
    Wilmington NC
    United States
    November 22, 2024
    North Carolina Premiere
  • Cornwall Film Festival
    Cornwall
    United Kingdom
    November 20, 2024
    UK Premiere
  • Winter Film Festival
    New York City
    United States
    February 20, 2025
  • Pendance Film Festival
    Toronto ON
    Canada
    February 28, 2025
  • Sedona Film Festival
    Sedona AZ
    United States
    February 27, 2025
    Arizona Premiere
  • DisOrient Film Festival
    Eugene OR
    United States
  • Athena Film Festival
    New York City
    United States
    March 9, 2025
  • Colorado Dragon Boat Film Festival
    Denver CO
    United States
    March 16, 2025
  • Cleveland International Film Festival
    Cleveland OH
    United States
    April 1, 2025
  • Nitehawk Shorts
    New York City
    United States
    April 5, 2025
  • CrowdPicks Film Festival
    Oakville ON
    Canada
    April 7, 2025
  • Sundar Prize Film Festival
    Vancouver BC
    Canada
    April 12, 2025
    Best Student Film
  • Cascadia International Women’s Film Festival
    Bellingham WA
    United States
    April 26, 2025
  • CineYouth Film Festival
    Chicago
    United States
    April 27, 2025
  • Diaspora Film Festival
    Incheon
    May 17, 2025
  • IGNITE! Youth Festival
    Vancouver
    Canada
    May 17, 2025
  • Festival Accès Asie
    Montreal
    Canada
    May 30, 2025
    Relève Filministes Award
  • Okotoks Film Festival
    Okotoks
    Canada
    June 7, 2025
  • Eye2Eye Film Festival
    Cobourg
    Canada
    June 8, 2025
    Honourable Mention - Writing
  • Vancouver Short Film Festival
    Vancouver
    Canada
    June 15, 2025
    Best Director & Best Student Film
  • Nickel Independent Film Festival
    St Johns NL
    Canada
    June 18, 2025
  • Oakville Film Festival
    Oakville
    Canada
    June 21, 2025
    Best Student Film
  • NewFilmmakers Los Angeles Monthly Film Festival
    Los Angeles
    United States
    July 12, 2025
  • CBC Short Film Face Off

    Canada
    September 6, 2025
    Finalist
Director Biography - Minerva Marie Navasca

Minerva Navasca (she/her), the director of Desync, is a Filipina immigrant director and producer, entering her final year of the Bachelors of Film and Television program at Sheridan College. She is best known for her short documentaries “Guardians” (2021), and “Kamayan” (2020), which has been showcased in local and international festivals such as the 2022 TIFF Next Wave, the 2021 Regent Park Film Festival, and the 2022 CineYouth Film Festival.

In all avenues of her work, she aims to explore hyper-personal stories of cultural dysphoria and girlhood with intimate specificity. She grounds her films in her own experiences, stating “I want to make films about subjects that make me uncomfortable”. And so, Minerva delves into perspectives steeped in anxiety and internalised shame, stemming from her cultural background, queerness, and other aspects of her identity.

Minerva aims to re-frame disregarded narratives by prioritising Asian voices both in front and behind the camera. Through embracing the fearful challenge of vulnerability, Minerva hopes to spark conversations that alleviate audiences of the same shame she endured growing up. She continues to push for authentic BIPOC representation in media, and supports equal artistic opportunity, regardless of class and economic background, in Toronto’s schools and film industry.

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Director Statement

Due to the impoverished backgrounds of the majority of Filipino people, hard work has been the answer to living a better life. This mindset infects generations into believing that grit and resilience is necessary in order to get the work done, while repressing uncomfortable emotions to do so. This mindset carries over into immigrant and first generational families. Even though their new lifestyles have more opportunity for improvement, these families have not harnessed the tools necessary to communicate the need for support. Even after achieving the "American dream", immigrant communities are more isolated than ever; and so, the cycle continues.

In Desync, we see our protagonists believe that the way to earn love is to try harder, and end up destroying their relationship in the attempt to do so. Showcasing mental health conflicts within immigrant families is not only necessary in terms of establishing representation in media, but necessary to spark up a conversation about why immigrant families cannot showcase their love towards one another, even if they care for each other so much. We preserve the authenticity of the film by establishing a BIPOC-led team, with the creative leads being majority BIPOC and women-led.