Dead Letter
In the world of espionnage, a Dead Letter is a way to deliver an item to another spy. An idiot spy delivers the dead letter (flowers) to a romantic civilian instead of his spy counterpart, who then has to reclaim the flowers without being intercepted by an enemy spy.
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Patricia HetheringtonDirector
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Fiona YoungWriter
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Patricia HetheringtonProducer
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Colm FieldProducer
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Ashley BelgraveProducer
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Stine OlsenKey Cast
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Vicky MurdochKey Cast
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Neil FitzgeraldKey Cast
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Armando Tavares Da SilvaKey Cast
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Project Type:Short
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Genres:spy, comedy
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Runtime:4 minutes 33 seconds
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Completion Date:October 31, 2014
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Production Budget:2,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Cannes Short Film CornerCannes, France
May 13, 2015
Patricia Hetherington is a New Zealand filmmaker who has been based in London since 2012. She has worked with Shiftwork Productions, This Big Productions, and her own Production Company, Busy Kiwi Productions. She runs a collaborative filmmaking project named 'Action On The Side' and has taught film production and producing at Hult International Business School.
When asked to direct this project, I thought of my authorial style. I had directed a couple of shorts and produced many more: this was to be my first directed short in the UK.
The film opens with a series of shots. I have experimented with soundscapes, taking images of locations, editing them with the ambient sound of a location. These serve to orient the viewer: London, brick, a closed off space. This is a common theme in my work.
The color of Dead Letter is key for setting the mood: from the actor's costumes to the color scheme of the location. Splashes of red brighten the metallic grey, brown and beige hues of the film. The flowers - the catalyst for the action - are bright, contrasting against the dreary normality of the character's costumes.
The story is told through subtlety: subtext, small movements, eyes darting, constraint. To me this represents natural life, how people truly interact, a British sensibility.