Young Plato
Dare to think for yourself.
A Primary School headmaster in Belfast’s Ardoyne housing estates invokes the wisdom of the ancient Greek philosophers to fight poverty, drug dealers and the IRA – restoring hope in the heart of a battered community.
An inspiring documentary from the filmmakers of School Life, YOUNG PLATO charts the dream of Elvis-loving school headmaster Kevin McArevey – a maverick who is determined to change the fortunes of an inner-city community plagued by urban decay, sectarian aggression, poverty and drugs. The all-boys primary school in post-conflict Belfast, Northern Ireland, becomes a hot house for questioning violence, as the headmaster sends his young wards home each day armed with the wisdom of the ancient Greek philosophers.
The boys challenge their parents and neighbours to forsake the prejudice that has kept this low-level civil war on the boil for decades.
YOUNG PLATO hums with the confidence of youth, a tribute to the power of the possible.
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Neasa Ní ChianáinDirectorSchool Life (In Loco Parentis), Frank Ned & Busy Lizzie, Fairytale of Kathmandu, The Stranger
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SOILSIÚ FILMS - Lead ProducerProducerSoilsiú is a Film and Television company with a 22 year track record producing documentary features and series, short animation and short fiction.
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David RaneProducer
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Kevin McAreveyKey Cast"Headmaster"
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Project Type:Documentary
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Genres:Observational Doc
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Runtime:1 hour 43 minutes
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Completion Date:November 1, 2021
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Country of Origin:Ireland
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Country of Filming:Ireland
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Language:English
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Sydney Film FestivalSydney
Australia
June 9, 2022
Australian Premiere
Audience Award for Best Documentary Top Five -
Virgin Media Dublin International Film FestivalDublin
Ireland
February 26, 2022
Winner of the Irish Council for Civil Liberties Human Rights on Film Award 2022 -
Irish Film & Television Academy
Ireland
Winner of the IFTA Awards for the Best Feature Documentary 2022 -
20th Thessaloniki Documentary FestivalThessaloniki
Greece
March 3, 2022
Premiere
Winner of the Special Jury Award, Thessaloniki Documentary Festival 2022 -
One World International Human Rights Documentary Film Festival
Czech Republic
March 28, 2022
Winner of the Best Film award from the Regional Jury of One World Human Rights Documentary Festival 2022 -
Greenwich International Film Festivalgreenwich
United Kingdom
May 2, 2022
Greenwich International Film Festival Documentary Honorable Mention Award -
Millennium Docs Against Gravity Film Festival
Poland
March 6, 2022
Lower Silesia Grand Prix Award -
Millennium Docs Against Gravity Film Festival
Poland
Zwierciadło Award Best Film on Psychology -
DocEdge 2022
New Zealand
June 16, 2022
Through the Generations Award -
Encounters - South African International Documentary FestivalZambia
South Africa
May 31, 2022
Premiere
Special Mention
Distribution Information
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Antidote FilmsDistributorCountry: AustraliaRights: All Rights
Neasa Ní Chianáín, director, is one of Ireland's most established documentary talents.
Neasa trained at the National College of Art & Design in Dublin, and worked as a freelance Art Director on Irish feature film and television projects, before switching to docs in 2001. She has directed 9 single docs (4 feature length) and one tv series.
The docs include ‘Frank Ned & Busy Lizzie’, which won Best Feature Doc at The Celtic Film Festival 2004, and was sold around the world, including ZDF, ARTE and YLE. ‘Fairytale of Kathmandu’ world premiered at IDFA 2007, in the Silver Wolf Competition. It was then invited to over 30 more international Festivals including Seattle (North American Premiere) and Edinburgh (UK premiere). 'Fairytale' won 3 Best Documentary/Director awards and screened on YLE and Canvas. 'The Stranger', funded by MEDIA, RTÉ and The Irish Film Board, had it's world premiere at the 67th Locarno Film Festival.
Her last film, 'In Loco Parentis' (aka 'School Life'), has been a world-wide success, premiering in competition at both IDFA 2016 and Sundance 2017. 'School Life' won the Special Jury Prize in the Golden Gate Awards at the San Francisco Film Film, and an Audience Award (Prix du Public) at visions du Reel in Nyon. Neasa was also chosen to take part in the Sydney Film Festival's 'Europe! Voices of Women in Film', which selected 10 of Europe's most promising women directors.
Neasa is currently in post-production on a new feature documentary, 'The Alexander Complex', funded by Screen Ireland, Blue Ice and Irish Sec 481 tax credit, and has just completed production on 'Young Plato', a feature documentary funded
by Screen Ireland, BBC, ARTE, Eurimages, Northern Ireland Screen and many other funds.
Ever since my children started attending school, I really began to appreciate how education can influence the development of a child and shape their path into adulthood. While making the documentary In Loco Parentis (School Life), I witnessed first-hand the transformative effect inspirational teachers could have on their young wards’ lives. The headmaster of Headfort was an avid proponent of critical thinking and the Socratic method of teaching.
Watching him give children the space to discuss and argue different points of view, on a variety of subjects, was riveting. But if there was a fly in the ointment, it was that this was a private school with children from wealthy backgrounds, and there was the danger that this approach to education was a privilege for a selected few.
When Declan introduced me to Holy Cross Boys school, and told me that philosophy was being taught there, I was hooked. Holy Cross Boys School was everything Headfort wasn’t: a state school, in one of Belfast’s toughest neighbourhoods, an area still scarred by sectarian struggle. Everywhere was walled, fenced and gated, amplifying the notion of ‘turf, dividing and containing people with opposing political loyalties and perceptions.
Nationalist Ardoyne did not benefit from any significant ‘peace money’ that poured into Belfast after the Good Friday agreement in 1998. As a community they were largely left to fend for themselves. Poverty, drugs, suicide and dissident paramilitarism continued to gnaw at the families in Ardoyne, posing a serious threat to the future of their young children.
But inside Holy Cross Boys school, there was hope. Kevin McArevey, the maverick headmaster, fearless and steadfast in his belief in philosophy and critical thinking, was a philosopher and a clown all at the same time. His passion was infectious and his charisma persuasive. Kevin didn’t like waiting around for Educational Boards to sanction his ideas. He went full steam ahead and showed what making philosophy a core subject in his school
could do. Around him the school staff had created an oasis, where the children, and often their parents, were supported by an incredibly dedicated team who were also determined to make a difference. From the caretaker to the kitchen staff, the classroom assistants to the teachers, all were genuinely doing everything possible to improve the lives of their students and ultimately their community.
This film is a testimony to that journey.
As an observational filmmaker, my process is always to try and join the circle, become part of the community, live in the world I’m trying to understand and not position myself as a voyeur but as one of the group. Luckily Kevin and his team afforded Declan and I that privilege and allowed us to completely immerse ourselves in the world of the school. We were really touched by how welcome the staff made us feel, regardless of how difficult life became, there was always a strong spirit of generosity served up with big dollops of humour. This openness to let a film crew in, even in the most challenging of times, (post Brexit and during the Covid pandemic), came, I believe from the team’s great sense of pride in what Holy Cross Boys School had achieved, both with and for its students.
Academically the school enjoys phenomenal success, but my interest lay with the children who were not so academically gifted. The head of Special Needs, Jan Marie Reel explained to me that often the kids who struggled with academia where the very kids who were targeted by the dissidents, the drug dealers and organised crime. In a community where unemployment is high and opportunities scarce, kids who can’t use education as a route to a
better future are often targeted by the unscrupulous. Making the right choices can easily become a matter of life and death in a community like Ardoyne. Learning to think for oneself, to reflect, analyse and plan, quickly becomes an essential life skill.
Watching Kevin taking the lofty ideas of philosophy and distilling them down into accessible lessons for 4 to 11 year olds was so inspiring. Giving children, especially young boys, the tools to recognise and cope with anxiety, anger, aggression, despair now seems incredibly obvious.
In western society indiscriminate violence amongst boys has become disturbingly prevalent, so by creating empathy for different points of view, maybe there could be less polarization
amongst communities and more tolerance of ‘the other’.
The importance of critical thinking in the age of fake news has become essential. We’ve seen first-hand how huge numbers of people can easily be manipulated to act against their own
interests, how they can be persuaded to put the wrong people in power.
If teaching philosophy and critical thinking to children from a young age became the norm and not the exception, then maybe the next generations would be well equipped to navigate
through life and make better choices.
With all the challenges the human race is now faced with, if we are to have any chance of survival, Kevin’s mantra ‘Think, think, Respond!’ seems like a pretty good first lesson to me.