Witch Woman
"A dazzling, contemporary style of stop-motion animation is used to depict one of the oldest stories dating back to ancient times: men's fear of women and of the power of motherhood. In the film, people and objects glide and stutter through space, fluid and staccato at the same time, as the reality around them warps and shifts."
- Christopher Rohde, Mirror Mountain Film Festival
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Pixie CramDirector
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Pixie CramWriter
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Pixie CramProducer
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Myrielle Bernier-AcunaKey Cast"Midwife"
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Tina Le MoineAnimators
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Rachel GrayAnimators
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Adam SaikaleyMusic
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Mike EssoudryMusic
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Kevin KomaranskiSound Design
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Thea YeatmanCostumes
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Gabby EwenProps
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Pixie CramEditing
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Kara BlakeEditing
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Project Type:Animation, Experimental, Short
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Runtime:5 minutes
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Completion Date:August 1, 2022
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Country of Origin:Canada
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Country of Filming:Canada
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Ottawa International Animation FestivalOttawa
Canada
September 22, 2022
World Premiere
Official Selection - Canadian Panorama -
Les Sommets du cinéma d'animationMontréal
Canada
May 13, 2023
Québec Premiere
Official Selection - Canadian Competition -
Dawson City International Short Film FestivalDawson City
Canada
April 14, 2023
Yukon Premiere
Official Selection -
Mirror Mountain Film FestivalOttawa
Canada
July 21, 2023
Official Selection - Best Local Film Nominee -
Vidéo de femmes dans le parcMontreal
Canada
October 11, 2023 -
OurToba Film FestWinnipeg
Canada
June 8, 2024
Manitoba Premiere
Winner: Best Film -
Nickel Independent Film FestivalSt. John's
Canada
June 15, 2024
Atlantic Canada Premiere
Official Selection -
Gimli International Film FestivalGimli, Manitoba
Canada
July 24, 2024
Program: Best of Manitoba Film Festivals -
Fluxus Experimental Film FestivalHamilton, Ontario
Canada
September 20, 2024
Southern Ontario
Official Selection -
Cindependent Film FestivalCincinnati
United States
September 21, 2024
US Premiere
Nominated for Best Off-Kilter Short -
Montana Film FestivalMisoula
United States
October 5, 2024
Montana Premiere
Official Selection
Distribution Information
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Winnipeg Film GroupDistributorCountry: WorldwideRights: All Rights
Pixie Cram is a writer-director, media artist and stop-motion animator who lives in Ottawa. Her films range from live action fiction, to object stop-motion, to pixilation experiments with actors. Her work has screened at festivals and art galleries across Canada as well as in the US, Europe and China. On top of her own art practice, she works as a freelance videographer and editor.
Witch Woman grew out of pixilation experiments with dancers that I conducted in the summer of 2020. Convinced that the techniques we explored would lend themselves well to a story about magical occurrences, spectral evidence, and hysteria, I arrived at the theme of the 17th Century Witch Hunts. In my research I learned that midwives were among the most persecuted because of their intimate knowledge of childbirth and of plants that could alter the course of a pregnancy. This became the subject matter of the film.
Please note that there is a section in the film where a garbled Russian nursery rhyme is spoken by faces that appear on the wall. This is intended as an incantation, a musical element, and is not intended to be understood by the audience. I created subtitles for this section but ultimately decided not to use them as it placed the emphasis on reading the words instead of experiencing the scene.
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Witch Woman est née d'expériences de pixilation avec des danseurs que j'ai menées au cours de l'été 2020. Convaincue que les techniques que nous avons explorées se prêteraient bien à une histoire sur les événements magiques, les preuves spectrales et l'hystérie, j'ai choisi le thème de la chasse aux sorcières au XVIIe siècle. Au cours de mes recherches, j'ai appris que les sages-femmes étaient parmi les plus persécutées en raison de leur connaissance intime de l'accouchement et des plantes susceptibles de modifier le cours d'une grossesse. C'est ce qui est devenu le sujet du film.
Veuillez noter qu'il y a une section du film où une comptine russe brouillée est prononcée par des visages qui apparaissent sur le mur. Il s'agit d'une incantation, d'un élément musical, qui n'est pas destiné à être compris par le public. J'ai créé des sous-titres pour cette section, mais j'ai finalement décidé de ne pas les utiliser car cela mettait l'accent sur la lecture des mots plutôt que sur l'expérience de la scène.