Experiencing Interruptions?

Wild Card

Bishop and Kali star in this playful, improvised film inspired by an intriguing card game. Hidden around the room are playing cards, each revealing a surprising nonsexual body part, like “elbow.” Together the two devise experiments around the cards, creatively exploring sensation with shared warmth and good humor. Their collaborations grow more daring, and the heat builds between them. Featuring electropop music by Dutch band Sheila & The Kit and an original dream-pop musical score by Jasper Slijderink and Marnix Dorrestein.

  • Bishop Black
    Key Cast
  • Kali Sudhra
    Key Cast
  • Jennifer Lyon Bell
    Director / Writer / Producer
    Adorn, Second Date, Silver Shoes, Skin.Like.Sun, Matinée, Headshot
  • Jonathan Massey
    Director of Photography / Editing / Color grading / Compositing
    Five Broken Cameras, Adorn, Second Date (VR)
  • Bart Peters
    Second Camera
    Transketeers, Queer Amsterdam, Trans*Tapes
  • Julia ter Horst
    Co-producer / Assistant director / Location manageer
    Adorn, Second Date (VR)
  • Lucas van Eck
    Location sound recordist
    Fobia, Heldin van Maxima, VPRO Backlight
  • Emma Eberlijn
    Camera assistant / Gaffer
  • Rivka Koops
    Art director
    Comedy in Minor, Spangas , Film Dromen
  • Julia Timmerman
    Costume design
    Centraal, No H8ro, HARD
  • Robin van der Linde
    Hair stylist
    Adorn
  • Demi James
    Makeup artist
    Second Date (VR)
  • Maud van de Boogert
    Production assistant
  • Feline Swaab
    Production assistant
  • Zoe D'Amaro
    Additional camera / Behind the scenes
    Ocean's Twelve
  • Maan Limburg
    Stills photographer
  • Mark Bakker
    Graphic design
  • GAMMA
    Title sequence animation
  • Tessah Joseph
    Transcription
  • Julia ter Horst
    Transcription
    Adorn, Second Date (VR)
  • Sheila and the Kit
    Music: "Good Love Stories"
  • Jasper Slijderink
    Original music compositions
    Rechts in Beeld, Verstopt, Vader In De Tuin, Het Israël van Heertje en Bromet , Uit Elkaar
  • Marnix Dorrestein
    Original music compositions
    Buiten is het Feest
  • SWA
    Post production sound design
    Adorn
  • Project Type:
    Experimental, Short
  • Genres:
    Erotic, Feminist
  • Runtime:
    30 minutes
  • Completion Date:
    December 19, 2020
  • Country of Origin:
    Netherlands
  • Country of Filming:
    Netherlands
  • Language:
    English
  • Shooting Format:
    4K
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography

Forever wishing that all movies had longer and better sex scenes, Harvard graduate Jennifer Lyon Bell decided to mix arthouse cinema with hot explicit sex in her own work. With Blue Artichoke Films (Amsterdam), she creates erotic fiction films and documentaries that illuminate the riveting, intimate, and sometimes delightfully awkward side of sex.

Her award-winning films screen at international festivals, cinemas, and museums all over America, Europe, Japan, and South America. Her trilogy SILVER SHOES premiered at the London ICA (Institute of Contemporary Arts), screened by invitation at the Schwules Museum Berlin, and was awarded the “Movie Of The Year” grand prize at the Feminist P*rn Awards in Toronto. Her explicitly erotic fiction film MATINÉE has won three Best Film awards including one from the Melbourne Underground Film Festival which it won by jury prize — even though the film was technically banned from the festival by the Australian Classification Board for its intense sexual content. Her love/porn collaboration with La Fille D’O, SKIN.LIKE.SUN., has been embraced by sexologists at home and abroad for its unusually realistic depiction of female pleasure. And her artistic erotic documentary HEADSHOT, which screened at the Cannes Short Film Corner at its launch, was screened by a philosophical talk show in Europe on primetime television to half a million viewers. Taking a journey into new media, her virtual reality 3D 360° immersive experience film SECOND DATE, created in collaboration with VR pioneers Condition One in San Francisco, was nominated for a VR award at the Raindance Film Festival (London) at its World Premiere, was invited by top documentary film festival CPH*DOX in Copenhagen, and recently screened at the EYE Filmmuseum in Amsterdam. ADORN, a music-driven erotic game, has won multiple Best Film awards and will be screening at the EYE Filmmuseum this March 2021 as part of the Cinedans FEST film festival. Her newest film WILD CARD has just launched.

In addition to filmmaking, Jennifer teaches and curates erotic-themed film programs and exhibitions for museums, arts institutions, and festivals, including one of the longest running exhibitions ever at The Museum of Sex/New York (MOSEX). She was a co-director of Amsterdam’s own Rated X Amsterdam Alternative Erotica Film Festival, and a consultant for the Dutch EYE FilmMuseum’s erotic archive. She enjoys writing and presenting on porn; she gave the closing keynote, “Empathy and Pornography,” at the first ever Sex And The Cinema film studies conference at the University of Kent and has written for the Film Studies journal as well as various art publications. SXSW festival invited her last year to teach her workshop “From Fantasy To Film: Erotic Movie Design.” A trailblazer, she taught at the Dutch Film Academy (NFTA) in what may be the first ever erotic film workshop offered at a national film school. She was the alternative newspaper Amsterdam Weekly’s first and only sex columnist, “Ladywood”. Her current workshops include alternative/feminist p*rn, historical stag films, cognitive film theory approaches to erotic film, and the self-empowering creative workshop “From Fantasy To Film: Design Your Own Erotic Movie” which she has taught all over the world. www.blueartichokefilms.com

Add Director Biography
Director Statement

The most exciting part of a real-life erotic relationship is the part that is hardest to capture on camera on a set: The feeling of delicious confidence that something good is going to happen together, but a freedom of mind in having literally no idea how exactly it will play out moment-to-moment. So to recapture this experience for Wild Card, I created a card game that was designed to purposely divert the actors’ attention away from classical sexual play, to distract from the typical sexual script. Their improvisation would encourage them to experiment and communicate about other bodily sensations while engaging with the game. In the end, I believe this is a distinctly modern approach to sexuality; no longer can we assume we know what our partners want, just because of their gender or presentation. Our erotic options are rich and endless, and communication illuminates our path toward each other.

With Wild Card I was especially fortunate to work with two actors who were friends (not romantically involved!) and clearly cared for one another right from the beginning. I have always enjoyed the interplay of clumsiness/awkwardness with the clear-minded lust of pure sexual chemistry, but here they added another ingredient of their own: Affection. Their warmth towards each other saturates every frame, and it feels so very much like love.