White Rose
After escaping wounded from a forest, a young woman is taken in by a seemingly kind family. She soon discovers that the normalcy of this home hides a horror of which she has already been a part.
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Gonzalo Rodríguez-BerzosaDirector
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Niccoló BalistreriDirector
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Niccoló BalistreriWriter
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Gonzalo Rodríguez-BerzosaWriter
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Johnson MaculaDirector of Photography
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Ainhoa Alarcón GarcíaProducerHe didn't do anything to me
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Noemí MolinaKey Cast"Daniela"
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Pepe ClederaKey Cast"Abuelo"
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Pau RamosKey Cast"Carlos"
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Project Title (Original Language):Rosa Blanca
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Project Type:Short
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Genres:Horror, Psychological Horror
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Runtime:13 minutes 42 seconds
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Completion Date:December 31, 2025
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Production Budget:1,000 EUR
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Country of Origin:Spain
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Country of Filming:Spain
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Language:Spanish
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Shooting Format:Digital
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Aspect Ratio:2:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - The Core School
Niccolò Balistreri, originally from Argentina, and Gonzalo Rodríguez-Berzosa, from Tres Cantos, are emerging filmmakers with a bold vision of genre cinema, specializing in exploring violence and the human psyche from a profound psychological perspective. Their work is characterized by the creation of dense and evocative atmospheres, where every visual and auditory element contributes to immersing the viewer in a world where the familiar becomes unsettling and the everyday, threatening.
Their approach to directing actors seeks to capture the emotional complexity of the characters, emphasizing subtle gestures, silences charged with tension, and internal conflicts that reflect the fragility and darkness of the human condition. Influenced by the likes of suspense and psychological horror, as well as by filmmakers who explore structural and domestic violence, Balistreri and Rodríguez-Berzosa construct stories that combine suspense, horror, and social commentary, with an obsessive attention to aesthetics and narrative.
In their projects, trauma, memory, and psychological manipulation are narrative drivers that not only generate tension and terror but also explore how identity and relationships are shaped by oppression, fear, and family conflict. Their films challenge the viewer to look beyond the surface, to confront the invisible violence, and to feel part of the emotional conflict that runs through each story, placing the viewer at the heart of the dramatic tension.
Rosa Blanca (White Rose) stems from a desire to explore terror through the everyday, avoiding explicit depictions and focusing fear on human behavior. The family becomes a space for controlling and normalizing violence, where silence and rituals replace direct aggression.
The staging is built on restraint: close-ups, lingering gazes, and an approach to directing actors based on minimal gestures. The white rose functions as a symbol of trauma and repressed memory, articulating a narrative where the threat never disappears, only disguises itself as normality.