Waiting Up To Meet The Wolf
This debut 3-channel short is a quiet call to action for humanity to reverse the decline of dark skies, told via memories from the director’s childhood and adult life. Coalescing the past, present and future, the film weaves these stories around those of the Moonlight Tower, a short-lived 19th century lighting technology.
The film’s shaky visuals and day as night audio track are part of a deliberately off-kilter viewing experience, echoing the nocturnal ‘jet-lag’ felt across the natural world when darkness is lost. Shot on 16mm and hand-processed using eco-reversal techniques that complement the subject matter and message, the film poses the question but leaves the audience to decide the fate of our attitude towards darkness.
Made with the help of a 2022 Greenlight Grant from MediaNet (Canada).
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Anthony CarrDirector
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Anthony CarrWriter
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Project Type:Documentary, Experimental, Short, Other
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Runtime:6 minutes 40 seconds
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Completion Date:November 20, 2023
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Production Budget:1,000 USD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:16mm
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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Chroma Art Film FestivalMiami
United States
August 17, 2024
Honourable Mention -
Buzz CinemaLeighton Buzzard
United Kingdom
October 4, 2024
Offical Selection -
SEFF - Smaragdni eco film festivalDuga Resa
Croatia
September 25, 2024
Offical Selection -
BIDEODROMO International Experimental Film and Video FestivalBilbao
Spain
October 15, 2024
Offical Selection -
Canberra Short Film FestivalCanberra
Australia
November 1, 2024
Offical Selection -
Antimatter (Media Art)Victoria
Canada
October 17, 2024
Offical Selection -
Rencontres Internationales Sciences & Cinémas (RISC)Marseilles
France
December 14, 2024
Offical Selection -
West Virginia Mountaineer Short Film FestivalMorgantown
United States
April 10, 2025
Offical Selection -
Films Of ReturnOnline
September 19, 2025
Official Selection -
Lowther's Short SupportLytham Saint Annes
United Kingdom
November 25, 2025
Official Selection -
Lightspeed Film ExhibitionVictoria
Canada
January 23, 2026
Official Selection -
Harkat 16mm Film FestivalMumbai
India
November 28, 2025
Official Selection -
Living With Buildings XCoventry
United Kingdom
January 28, 2026
Official Selection -
Short Circuit Film Festival and TourTofino
Canada
April 13, 2026
Official Selection -
Short Circuit Film Festival and TourVictoria
Canada
May 2, 2026
Offical Selection -
Cauldron Interntion Film and Video FestivalSalt Lake City
United States
May 8, 2026
Offical Selection
Born in London (UK), Anthony Carr is a Canadian-based visual artist working in photography, sculpture and moving image. Having exhibited widely, in 2021 Carr was awarded the inaugural Glover Rayner Prize (UK) for sustainable photography and a Greenlight film production grant from MediaNet (Canada).
His debut short film Waiting Up To Meet The Wolf (2023) has been screened at various film festivals including amongst others Buzz Cinema Festival, UK; Bideodromo International Experimental Film and Video Festival, Spain; Antimatter (Media Art), Canada; the Canberra Short Film Festival, Australia; 15th edition of Rencontres Internationales Sciences & Cinémas (RISC), France, and at West Virginia Mountaineer Short Film Festival, USA. Whilst his micro short timelapse animation Observing A Baker's Dozen: A Lunar Study in Variations of Size and Shape is featured in haus a rest’s online zine (issue no. 51, 2024) on the theme of Art and Science Collaborations. It has also been screened in Desaturated with Analogue Ensemble, Ramsgate, UK (2024) and at The Desert Festival, Central Australia (2020).
Notable recent shows of his artwork include born of isolation (after Eric), arc.hive artist run centre, Victoria, BC, Canada (solo) and You Are Welcome, Pat Martin Bates Gallery, Victoria Arts Coun-cil, BC, Canada (both 2024).
Anthony Carr's artistic practice is rooted in experimentation and process, celebrating the materiality and alchemy of the analogue medium. Adopting a slow photographic approach, Carr looks to reveal something beyond human perception while embracing the accidental. He is particularly interested in and excited by the intersection of art and science.