Experiencing Interruptions?

Virtual Memory

Once there was a time when images were made from head to hand.

Devices came into being which allowed the chemical capture of light.

Persistence of vision, motion.

Electrical capture of light. Distribution and broadcast, reception with the set.

Computers - the pixel - a fraction of light - more like pointillism, a comic.

The speed, multiplicity of transmission - active viewership.

The generation of synthetic images to replicate the real, not necessarily in terms of realism of representation, but in terms of realism in interaction.

Interaction, an extension of active viewing. Randomness increases.

Screen being replaced by an immersive experience. Projection of a holographic image.

Virtual becomes a replacement space.

  • Julie Goldstein
    Director
  • Erika Mijlin
    Writer
  • Artifact Pictures
    Producer
  • Julie Goldstein
    Editor
    From Philadelphia to the Front
  • Julie Goldstein
    Sound / Image Design
  • Project Type:
    Documentary, Experimental, Short
  • Runtime:
    22 minutes 44 seconds
  • Completion Date:
    January 1, 2019
  • Country of Origin:
    United States
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • David Lynch Graduate School of Cinematic Arts
    Fairfield, Iowa
    United States
    February 10, 2019
  • Los Angeles International Short Film Festival ~ Independent Shorts Awards
    Los Angeles, California
    United States
    Best Director (Female), Best Editing
  • South Film and Arts Academy Festival
    Rancagua
    Chile
    April 16, 2019
    Best Historical Film, Best Editing
  • Gold Movie Awards
    London
    United Kingdom
    Best Experimental
  • Mindfield Film Festival
    Albuquerque, New Mexico
    United States
    Gold Award Best Experimental Short Film, Silver Award Best Director, Bronze Award Best Editing
  • Global Shorts
    Los Angeles
    United States
    Honorable Mention
  • MADRIFF • Madrid Indie Film Festival
    Madrid
    Spain
    Official Selection
  • Oniros Film Awards™
    Aosta
    Italy
    Awarded: Best Historical Film, Best Sound Design Finalist: Best Experimental Film, Best Documentary Short, Best Editing
  • Aphrodite Film Awards
    New York
    United States
    Official Selection
  • Rome Independent PRISMA Awards
    Rome
    Italy
    Official Selection
  • DUMBO Film Festival
    Brooklyn
    United States
    Official Selection
  • Feel the Reel
    Scotland
    United Kingdom
    Official Selection
  • Beyond Earth Film Festival
    Chennai
    India
    June 23, 2019
    Finalist
  • Silicon Beach Film Festival
    Los Angeles
    United States
    June 18, 2019
    Official Selection
  • Revelation Film Festival
    Perth
    Australia
    July 7, 2019
    Official Selection
  • Dallas Medianale
    Dallas
    United States
    July 18, 2019
    Official Selection
  • University Film and Video Association
    Minneapolis
    July 30, 2019
    Gold Award Experimental
  • Manifesto Film Festival
    Amsterdam
    Netherlands
    September 6, 2019
    Official Selection
  • YoFi Film Festival
    New York
    United States
    November 1, 2019
    Official Selection
  • Under The Stars International Film Festival
    Bari
    Italy
    January 23, 2020
    Official Selection
  • Alexandre Trauner ART/Film Festival
    Szolnok
    Hungary
    October 15, 2019
    Official Selection
Director Biography - Julie Goldstein

Education: Master of Fine Arts in Filmmaking/Animation, The School of the Art Institute of Chicago (Recipient, Graduate Fellowship); Bachelor of Science in Art and Philosophy, The University of Wisconsin - Madison

Professional Industry Experience: Grand Valley State University, Visual and Media Arts, Assistant Professor; The Department of Media Arts, The Art Institute of Colorado, Faculty and Academic Department Chair, Denver, Colorado; Artifact Pictures, Founder and CEO, Philadelphia, PA; Ringling School of Art & Design, Faculty, Sarasota, FL; The University of Pennsylvania, The University of the Arts, Temple University, Adjunct Faculty, Philadelphia, PA; over 20 years experience directing, editing and producing a variety of commercial and independent projects, ranging from feature-length children’s animation to 3D visualizations for a multimedia opera.

Industry Awards/Honors: Several award-winning shorts and animated films have been screened at film festivals around the world including THAW (Best of Festival), Hamburg Short Film Festival (Audience Choice Award), New York Children’s Film Festival, BAM Kids, etc; Recipient of several production grants from WYBE-MiNDTV Philadelphia; Recipient of the Art & Change Grant from the Leeway Foundation; Studio profiled in Create Magazine; Awarded the Athena PowerLink business mentorship by the National Association of Women Business Owners

Special Achievements: Animation Juror, Philadelphia Film Festival; Juror, Chicago Children’s International Film Festival; Presentation, Cartoon Network Animation Exhibit, The Franklin Institute; Publication: “Concept Mapping, Mind Mapping and Creativity”, ACM Siggraph.

Add Director Biography
Director Statement

As we are confronted with the receding dominance of analog image making and entering a new era in the evolution of digital media, our experience of images and information has become increasingly intangible. One part history and one part poetry, Virtual Memory is a meditation on the essence of mechanical image-making and its impact on human consciousness, from the physical process of photography and film, to the alternate universe created by computers and virtual reality. Using a compilation of found material, the film bids a kind of fond farewell to the 20th century.

Once there was a time when images were made from head to hand.

Devices came into being which allowed the chemical capture of light.

Persistence of vision, motion.

Electrical capture of light. Distribution and broadcast, reception with the set.

Computers - the pixel - a fraction of light - more like pointillism, a comic.

The speed, multiplicity of transmission - active viewership.

The generation of synthetic images to replicate the real, not necessarily in terms of realism of representation, but in terms of realism in interaction.

Interaction, an extension of active viewing. Randomness increases.

Screen being replaced by an immersive experience. Projection of a holographic image.

Virtual becomes a replacement space.

virtual memory

a film by
eilujion (julie goldstein)

produced at
artifact pictures

conceived and edited by
julie goldstein

narration written and read by
erika mijlin

music

lenox
moby (mobygratis.com)

invisible walls
factum par fictio
habitual ritual
effects of elevation
double the daily dose
accelerated lifestyle
headphonetic
nebulous notions
revolution void

archival footage supplied by the
Internet Moving Images Archive
(at archive.org)
in association with
Prelinger Archives :

The City (1939)
American Documentary Films, Inc.

Our Shrinking World (1946)
Young America Films, Inc.

The Information Machine (1958)
Charles and Ray Eames

Photography (1946)
Holmes Burton Films, Inc.

Freedom and Power (1952)
Raphael G. Wolff Studios, Inc.

Television Remote Control (Tuner) (ca. 1961)
Jam Handy Organization

A Communications Primer (1953)
Charles and Ray Eames

Design for Dreaming (1956)
MPO Productions

Classic Television Commercials (1948)
Various Producers

The Town and the Telephone (ca. late 1950s)
Owen Murphy Productions

The Nation at Your Fingertips (1951)
Audio Productions, Inc

How to Use Classroom Films (1963)
Centron Productions

Facts About Projection (1975)
International Film Bureau

Kodak Instamatic Commercial

Logic By Machine (The Computer and the Mind of Man)
National Educational Television

On the Air (1937)
Jam Handy Organization

Basic Typing, Part I: Methods (1944)
U.S. Navy

Destination Earth (1956)
John Sutherland Productions/American Petroleum Institute

Polaroid Dealer Announcement (1964)
Bay State Film Productions, Inc.

Your Movie Camera and How to Use It (1948)
Paul Burnford / The Hollywood 35mm Film Company

How Motion Pictures Move And Talk (1940)
Bell & Howell Co.

Finding His Voice (1929)
Western Electric Company, Inc.

The Old Family Album Goes Modern (ca. 1930s)
Marquee Motion Pictures

WJR: One of a Kind (ca. 1966)
Jam Handy Organization

Sound Recording and Reproduction (1943)
Encyclopaedia Britannica Films

Electronics At Work (1943)
Westinghouse Electric Corp.

Magic in the Air (1955)
Jam Handy Organization