Virtual Memory
Once there was a time when images were made from head to hand.
Devices came into being which allowed the chemical capture of light.
Persistence of vision, motion.
Electrical capture of light. Distribution and broadcast, reception with the set.
Computers - the pixel - a fraction of light - more like pointillism, a comic.
The speed, multiplicity of transmission - active viewership.
The generation of synthetic images to replicate the real, not necessarily in terms of realism of representation, but in terms of realism in interaction.
Interaction, an extension of active viewing. Randomness increases.
Screen being replaced by an immersive experience. Projection of a holographic image.
Virtual becomes a replacement space.
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Julie GoldsteinDirector
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Erika MijlinWriter
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Artifact PicturesProducer
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Julie GoldsteinEditorFrom Philadelphia to the Front
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Julie GoldsteinSound / Image Design
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Project Type:Documentary, Experimental, Short
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Runtime:22 minutes 44 seconds
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Completion Date:January 1, 2019
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Country of Origin:United States
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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David Lynch Graduate School of Cinematic ArtsFairfield, Iowa
United States
February 10, 2019 -
Los Angeles International Short Film Festival ~ Independent Shorts AwardsLos Angeles, California
United States
Best Director (Female), Best Editing -
South Film and Arts Academy FestivalRancagua
Chile
April 16, 2019
Best Historical Film, Best Editing -
Gold Movie AwardsLondon
United Kingdom
Best Experimental -
Mindfield Film FestivalAlbuquerque, New Mexico
United States
Gold Award Best Experimental Short Film, Silver Award Best Director, Bronze Award Best Editing -
Global ShortsLos Angeles
United States
Honorable Mention -
MADRIFF • Madrid Indie Film FestivalMadrid
Spain
Official Selection -
Oniros Film Awards™Aosta
Italy
Awarded: Best Historical Film, Best Sound Design Finalist: Best Experimental Film, Best Documentary Short, Best Editing -
Aphrodite Film AwardsNew York
United States
Official Selection -
Rome Independent PRISMA AwardsRome
Italy
Official Selection -
DUMBO Film FestivalBrooklyn
United States
Official Selection -
Feel the ReelScotland
United Kingdom
Official Selection -
Beyond Earth Film FestivalChennai
India
June 23, 2019
Finalist -
Silicon Beach Film FestivalLos Angeles
United States
June 18, 2019
Official Selection -
Revelation Film FestivalPerth
Australia
July 7, 2019
Official Selection -
Dallas MedianaleDallas
United States
July 18, 2019
Official Selection -
University Film and Video AssociationMinneapolis
July 30, 2019
Gold Award Experimental -
Manifesto Film FestivalAmsterdam
Netherlands
September 6, 2019
Official Selection -
YoFi Film FestivalNew York
United States
November 1, 2019
Official Selection -
Under The Stars International Film FestivalBari
Italy
January 23, 2020
Official Selection -
Alexandre Trauner ART/Film FestivalSzolnok
Hungary
October 15, 2019
Official Selection
Education: Master of Fine Arts in Filmmaking/Animation, The School of the Art Institute of Chicago (Recipient, Graduate Fellowship); Bachelor of Science in Art and Philosophy, The University of Wisconsin - Madison
Professional Industry Experience: Grand Valley State University, Visual and Media Arts, Assistant Professor; The Department of Media Arts, The Art Institute of Colorado, Faculty and Academic Department Chair, Denver, Colorado; Artifact Pictures, Founder and CEO, Philadelphia, PA; Ringling School of Art & Design, Faculty, Sarasota, FL; The University of Pennsylvania, The University of the Arts, Temple University, Adjunct Faculty, Philadelphia, PA; over 20 years experience directing, editing and producing a variety of commercial and independent projects, ranging from feature-length children’s animation to 3D visualizations for a multimedia opera.
Industry Awards/Honors: Several award-winning shorts and animated films have been screened at film festivals around the world including THAW (Best of Festival), Hamburg Short Film Festival (Audience Choice Award), New York Children’s Film Festival, BAM Kids, etc; Recipient of several production grants from WYBE-MiNDTV Philadelphia; Recipient of the Art & Change Grant from the Leeway Foundation; Studio profiled in Create Magazine; Awarded the Athena PowerLink business mentorship by the National Association of Women Business Owners
Special Achievements: Animation Juror, Philadelphia Film Festival; Juror, Chicago Children’s International Film Festival; Presentation, Cartoon Network Animation Exhibit, The Franklin Institute; Publication: “Concept Mapping, Mind Mapping and Creativity”, ACM Siggraph.
As we are confronted with the receding dominance of analog image making and entering a new era in the evolution of digital media, our experience of images and information has become increasingly intangible. One part history and one part poetry, Virtual Memory is a meditation on the essence of mechanical image-making and its impact on human consciousness, from the physical process of photography and film, to the alternate universe created by computers and virtual reality. Using a compilation of found material, the film bids a kind of fond farewell to the 20th century.
Once there was a time when images were made from head to hand.
Devices came into being which allowed the chemical capture of light.
Persistence of vision, motion.
Electrical capture of light. Distribution and broadcast, reception with the set.
Computers - the pixel - a fraction of light - more like pointillism, a comic.
The speed, multiplicity of transmission - active viewership.
The generation of synthetic images to replicate the real, not necessarily in terms of realism of representation, but in terms of realism in interaction.
Interaction, an extension of active viewing. Randomness increases.
Screen being replaced by an immersive experience. Projection of a holographic image.
Virtual becomes a replacement space.
virtual memory
a film by
eilujion (julie goldstein)
produced at
artifact pictures
conceived and edited by
julie goldstein
narration written and read by
erika mijlin
music
lenox
moby (mobygratis.com)
invisible walls
factum par fictio
habitual ritual
effects of elevation
double the daily dose
accelerated lifestyle
headphonetic
nebulous notions
revolution void
archival footage supplied by the
Internet Moving Images Archive
(at archive.org)
in association with
Prelinger Archives :
The City (1939)
American Documentary Films, Inc.
Our Shrinking World (1946)
Young America Films, Inc.
The Information Machine (1958)
Charles and Ray Eames
Photography (1946)
Holmes Burton Films, Inc.
Freedom and Power (1952)
Raphael G. Wolff Studios, Inc.
Television Remote Control (Tuner) (ca. 1961)
Jam Handy Organization
A Communications Primer (1953)
Charles and Ray Eames
Design for Dreaming (1956)
MPO Productions
Classic Television Commercials (1948)
Various Producers
The Town and the Telephone (ca. late 1950s)
Owen Murphy Productions
The Nation at Your Fingertips (1951)
Audio Productions, Inc
How to Use Classroom Films (1963)
Centron Productions
Facts About Projection (1975)
International Film Bureau
Kodak Instamatic Commercial
Logic By Machine (The Computer and the Mind of Man)
National Educational Television
On the Air (1937)
Jam Handy Organization
Basic Typing, Part I: Methods (1944)
U.S. Navy
Destination Earth (1956)
John Sutherland Productions/American Petroleum Institute
Polaroid Dealer Announcement (1964)
Bay State Film Productions, Inc.
Your Movie Camera and How to Use It (1948)
Paul Burnford / The Hollywood 35mm Film Company
How Motion Pictures Move And Talk (1940)
Bell & Howell Co.
Finding His Voice (1929)
Western Electric Company, Inc.
The Old Family Album Goes Modern (ca. 1930s)
Marquee Motion Pictures
WJR: One of a Kind (ca. 1966)
Jam Handy Organization
Sound Recording and Reproduction (1943)
Encyclopaedia Britannica Films
Electronics At Work (1943)
Westinghouse Electric Corp.
Magic in the Air (1955)
Jam Handy Organization