Trojan Women re-imagined
Trojan Women re-imagined is a captivating short film that challenges the fallacy of assumptions and explores the limitations inherent in dominant narratives. The film is an anti-war narrative of 17’ minutes based on a compilation of excerpts from poets, writers, play writers, historians, philosophers, sophists, rhetoricians and composers throughout the centuries, exploring the illusive nature of truth. In this thought provoking, re-imagined version of Euripides’ homonymous tragedy, Helen is the symbol of illusory beliefs and pursuits, and the Trojan War denotes the futility of conflict and the consequences of power abuse.
The narrative challenges conventions and societal norms and prompts viewers to question their own perceptions and biases, and to reconsider the stories that shape their understanding of the world. The repetition of the phrase “truth, where is the truth” is central in this version and encourages viewers to engage critically with the narratives that surround them and the different realities they generate.
The film is based on a combination of evocative music and images of more symbolic value than realistic narrative. The actors are present only through their voices while they navigate through their memories, struggles and thoughts. This is a deliberate choice to create space for the viewers to delve into their own reflections. In addition, all ‘actors’ are ordinary people from around the world (USA, Australia, Germany, UK, Egypt and Greece). This was again a deliberate choice to underscore the universality of the topic under discussion: the painful consequences when rigid ‘truths’ and ‘realities’ prevail.
The film serves as a touching reminder of the power of storytelling. Through the exploration of timeless themes such as conflict and power dynamics, the film reveals the intrinsic futility of violence and oppression. It seeks to foster a profound sense of empathy and understanding while advocating for social consciousness and the imperative for change.
-
Vicky KaraiskouDirector
-
Vicky KaraiskouWriter
-
Vicky KaraiskouProducer
-
Adrienne ChristiansenKey Cast
-
Amanda Kim PhilipsKey Cast
-
Kristen PseeKey Cast
-
Nandia El-ShibinyKey Cast
-
Nik TzikasKey Cast
-
Kristin MidelfortKey Cast
-
Sebastian PlateKey Cast
-
Virginia MichailKey Cast
-
Dimitra FexiKey Cast
-
Andromachos DimitrokallisKey Cast
-
Vicky KaraiskouKey Cast
-
Andromchos DimitrokallisMusic
-
Ares MitroliosEditing
-
Andromachos DimitrikallisImages
-
Vicky KaraiskouImages
-
Constantinos KilazoglouΑudio editing & sound design
-
Project Type:Experimental, Short
-
Runtime:17 minutes 38 seconds
-
Completion Date:April 10, 2022
-
Production Budget:1,000 EUR
-
Country of Origin:Greece
-
Country of Filming:Greece
-
Language:English
-
Shooting Format:mp4
-
Film Color:Color
-
First-time Filmmaker:Yes
-
Student Project:No
-
International Conference of Memory Studies Association, Communities and Change Film ProgramNewcastle
United Kingdom
July 3, 2023
UK
Peer reviewed selected
Dr. Vicky Karaiskou is an Associate Professor at the Open University of Cyprus, where she also holds the prestigious position of Director of the UNESCO Chair in Visual Anticipation and Futures Literacy towards Visual Literacy. She has served as a visiting professor at renowned universities in Greece, Italy, The Netherlands, Corsica, and Sweden. She was honored as an Andrew J. Mellon Distinguished Visitor-in-Residence in the Fine Arts at Macalester College, USA, further solidifying her recognition as a thought leader.
At the forefront of her research endeavors lies the exploration of visuality, visual literacy, and the ramifications of cultural memory and identity politics. Dr. Karaiskou's groundbreaking work delves into the profound implications of cultural and national visual narratives, shedding light on how they shape collective memory and societal perceptions.
In addition to her academic pursuits, Dr. Karaiskou is actively engaged as a research partner in numerous European projects. Her recent venture into film making with the short film Trojan Women re-imagined exemplifies her commitment to pushing boundaries and challenging conventional norms, offering audiences a thought-provoking exploration of the power of imagery in shaping our collective consciousness.
For an extended CV, please see the “CV-Vicky-Karaiskou-2023” file at https://www.ouc.ac.cy/index.php/el/profiles/vicky-karaiskou
More on her work at:
https://ouc.ac.cy/unesco-chair
http://ouc.academia.edu/VickyVayiaKaraiskou
http://cy.linkedin.com/pub/vicky-karaiskou/55/7a/19b
https://www.researchgate.net/profile/Vicky-Karaiskou
Trojan Women re-imagined is a testament to the transformative power of storytelling and the enduring resonance of visuals in our collective consciousness and our shared human experience. My goal, as a director, is to provoke thought, spark dialogue, and ignite a deeper sense of awareness among viewers. Through the visual narrative, the film invites viewers to contemplate the intricate interplay among perceptions, assumptions, memory, and identity. What we know is based on what we perceive. What we perceive depends on our experiences and the interpretative filters we employ, while the boundaries of our identity are our feelings. Where is the truth? Whose truth is more valid and what are its consequences? The film invites viewers to reflect on the power of dominant narratives to shape our understanding of the past and current events. Trojan Women re-imagined is a cinematic journey that deliberately applies a sense of dreaming and self-reflection. Are there different characters in the film or do we listen to the multiple voices that reside in our thoughts fighting to create our reality?