To The Water

Grief-stricken Ann, living alone in the Irish countryside, is haunted by visions of a young boy.

  • Savvy Hanna
    Director
  • Savvy Hanna
    Writer
  • Sonny Daly
    Producer
  • Feyga Byrne Hanna
    Producer
  • Saoirse Carey
    Key Cast
    "Ann"
  • Ru Schaffalitzky
    Key Cast
    "Daniel"
  • Cathal Coade Palmer
    Key Cast
    "Colin"
  • Ted Daly
    Cinematographer
  • Eoin Richardson
    Composer
  • Savvy Hanna
    Editor
  • Project Type:
    Short
  • Genres:
    Horror, Thriller, Drama
  • Runtime:
    8 minutes 4 seconds
  • Completion Date:
    March 21, 2025
  • Production Budget:
    1,500 EUR
  • Country of Origin:
    Ireland
  • Country of Filming:
    Ireland
  • Language:
    English
  • Shooting Format:
    Digital
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • The Creative Guts Short Film Festival
    Concord, New Hampshire
    United States
    August 22, 2025
    World Premiere
    Heartstrings - Most Moving Film Award
  • Underground Cinema International Film Festival
    Dun Laoghaire
    Ireland
    September 7, 2025
    Irish Premiere
  • Dublin International Short Film and Music Festival
    Dublin
    Ireland
    October 3, 2025
  • Roscommon International Film Festival
    Roscommon
    Ireland
    October 10, 2025
  • Terror on the Tyne Horror Film Festival
    Newcastle Upon Tyne
    United Kingdom
    October 25, 2025
    UK Premiere
    Best First Time or Student Film
  • Wicklow Stories Film Festival
    Wicklow
    Ireland
    November 15, 2025
Director - Savvy Hanna
Director Statement

To The Water was inspired by a childhood love of Irish mythology and a current love of poetry. The name To The Water is taken from a line in the poem “The Stolen Child” by Irish poet W. B. Yeats. The poem tells of a fairy taking a child away “to the waters and the wild” to protect him from the sadness and grief of the human world.

To The Water interprets this grief as a mother’s loss of her son. She struggles with this grief throughout the film, until she is finally able to let go and her son can live in the land of the fairies, free from the sadness she feels in the human world.

While fairies aren’t explicitly featured in the film, as I aimed for a more grounded story, they can still be found hidden in my location choices. The tree in the middle of the road, which features prominently in the film, was a favourite landmark of mine as a child, as I believed it was home to fairies. This “fairy tree” was the basis for my script, and I pulled on this location for inspiration to tell this story of grief wrapped in hints of Irish mythology and literature.