To The Water
Grief-stricken Ann, living alone in the Irish countryside, is haunted by visions of a young boy.
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Savvy HannaDirector
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Savvy HannaWriter
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Sonny DalyProducer
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Feyga Byrne HannaProducer
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Saoirse CareyKey Cast"Ann"
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Ru SchaffalitzkyKey Cast"Daniel"
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Cathal Coade PalmerKey Cast"Colin"
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Ted DalyCinematographer
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Eoin RichardsonComposer
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Savvy HannaEditor
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Project Type:Short
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Genres:Horror, Thriller, Drama
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Runtime:8 minutes 4 seconds
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Completion Date:March 21, 2025
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Production Budget:1,500 EUR
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Country of Origin:Ireland
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Country of Filming:Ireland
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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The Creative Guts Short Film FestivalConcord, New Hampshire
United States
August 22, 2025
World Premiere
Heartstrings - Most Moving Film Award -
Underground Cinema International Film FestivalDun Laoghaire
Ireland
September 7, 2025
Irish Premiere -
Dublin International Short Film and Music FestivalDublin
Ireland
October 3, 2025 -
Roscommon International Film FestivalRoscommon
Ireland
October 10, 2025 -
Terror on the Tyne Horror Film FestivalNewcastle Upon Tyne
United Kingdom
October 25, 2025
UK Premiere
Best First Time or Student Film -
Wicklow Stories Film FestivalWicklow
Ireland
November 15, 2025
To The Water was inspired by a childhood love of Irish mythology and a current love of poetry. The name To The Water is taken from a line in the poem “The Stolen Child” by Irish poet W. B. Yeats. The poem tells of a fairy taking a child away “to the waters and the wild” to protect him from the sadness and grief of the human world.
To The Water interprets this grief as a mother’s loss of her son. She struggles with this grief throughout the film, until she is finally able to let go and her son can live in the land of the fairies, free from the sadness she feels in the human world.
While fairies aren’t explicitly featured in the film, as I aimed for a more grounded story, they can still be found hidden in my location choices. The tree in the middle of the road, which features prominently in the film, was a favourite landmark of mine as a child, as I believed it was home to fairies. This “fairy tree” was the basis for my script, and I pulled on this location for inspiration to tell this story of grief wrapped in hints of Irish mythology and literature.