This Little Piggy Goes to Market
A livestream turns into a trap when an OnlyFans foot model is pushed past her limits by her demanding subscribers.
Told through an escalating split-screen, the film blurs the line between live streamer and viewer until our own watching becomes participation.
Piggy is a film about voyeurism, performance, and a social media system that both rewards and punishes exposure.
If you're watching, you're already in it.
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Katherine Connor DuffDirectorPay Deferred, The Slate
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Katherine Connor DuffWriterPay Deferred, The Slate, If I Were to Speak of War
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Katherine Connor DuffProducerPay Deferred, The Slate, Liz's Class Act
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Jessica HeathProducer
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Milo ShearerProducer
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Jarro MalabananProducer
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Siena SolinaKey Cast"Penelope"Landman, Evil Nun, The Ritual
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Frank KruegerKey Cast"@joestoes"Euphoria, High Potential, S.W.A.T
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Krosby Joao RozaKey Cast"@legalnightmare"Arthouse, Wemedge
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Ezra ParterKey Cast"@yahooallnight"Apolcalypse Tips with Lester Pipps
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Cavin MorhardtKey Cast"@rigortortoise"Lazarus, Birds of Prey
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Ross GoslaKey Cast"@bathslut"Mercy, Bothered
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Chad AddisonKey Cast"@toejam"The Pitt, F.B.I
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Starla ParrishKey Cast"Lyft Passenger"The Nurse's Secret Marriage, Chapters of our Lives
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Jim BarnesKey Cast"@walterjackson"You Are My Destiny
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Cameron CaseKey Cast"@peepscreep"Rag & Bone, Pay Deferred
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Project Type:Short
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Genres:Dark Comedy, Satire, Dramedy
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Runtime:14 minutes 32 seconds
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Completion Date:March 25, 2026
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Production Budget:12,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Red Komodo X
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Dances with FilmsLos Angeles
United States
June 20, 2026
World Premiere
Official Selection
If nuclear winter comes to Hollywood, you will find me writing on the walls of my bunker and directing the roaches.
My name is Katherine Connor Duff and I am a writer/director whose second short film Pay Deferred screened at LA Shorts, Big Apple Film Festival in New York, among others, and whose last play garnered Best Drama and an interview with KCRW.
As a writer my genre is dark comedy, my wit is my strength, and my saving grace is my closeted optimism.
As a director I am a guardian of my written word, a conductor of actors, and a learned disciple of Ernst Lubitsch and Howard Hawks.
This Little Piggy Goes to Market started out as something amusing, a little joke about my foot-loving ex melded with my discomfort around social media. But the longer I worked on my script, the less it felt like a straight forward comedy.
What interested me most was the dynamic I had built: a woman performing to viewers that shape her in real time and a machine of subscribers demanding more content. That felt all too familiar. I have been both the woman and the machine...and I'll go so far as to say that I believe most of us have.
The film is constructed through split screens, with multiple stories unfolding simultaneously. This visual language places the viewer in the dual position of both subject and spectator, and ultimately collapses the line between them.
The audience is not separate from this film. You're inside it.