Experiencing Interruptions?

The Unnecessary Salvation of Mary McDaniel

With an unprepared prison chaplain filling in for their regular therapist and a new inmate thrust into their midst, the participants in a weekly group therapy session are thrown off balance and the session spirals into new revelations as the women open up about their disturbing pasts.

  • Julie Carmen
    Director
    Fright Night Part 2, The Milagro Beanfield War, In the Mouth of Madness
  • Herman Johansen
    Writer
    Dead for a Dollar, The Land
  • Herman Johansen
    Producer
    Dead for a Dollar, Big Sky, Surrounded
  • Julie Carmen
    Producer
  • Jenney McAfee
    Key Cast
    "Mary McDaniel"
  • Bettina Kenney
    Key Cast
    "Anna"
  • Paul Lilley
    Key Cast
    "Chaplain"
  • Kirsten Krieg
    Key Cast
    "Kelli"
  • Jewel Greenberg
    Key Cast
    "Judy"
  • Susie Duff
    Key Cast
    "Prison Guard"
  • Project Type:
    Short
  • Runtime:
    21 minutes 41 seconds
  • Completion Date:
    March 10, 2020
  • Production Budget:
    15,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Glendale (CA) International Film Festival
    Glendale CA
    United States
    Official Selection
  • Anatolian Short Film Festival
    Istanbul
    Turkey
    December 2, 2020
    Audience Award - Best Short Film
  • Monthly Indie Shorts

    November 15, 2020
    Jury Award - Best Short Film
  • Roma Short Film Festival
    Rome
    Italy
    January 7, 2021
    New Horizons Best Short Film
  • Monthly Indie Shorts

    November 15, 2020
    Jenney McAfee - Best Actress
Director Biography - Julie Carmen

Born and trained in New York City, Julie Carmen began her acting career off-off-Broadway, danced on Broadway in "Zoot Suit" but John Cassavetes launched Julie's film career, casting her as the Puerto Rican mom in Gloria opposite Gena Rowlands. Julie studied extensively with Sanford Meisner at the Neighborhood Playhouse, with Uta Hagen at HB Studio but more recently with Patsy Rodenburg and Sara Mornell. Julie joined the Academy of Motion Pictures Arts and Sciences in the class of 2016. She was inducted into the New Mexico Film and Television Hall of Fame in 2018 for her iconic Southwestern roles in Robert Redford's Milagro Beanfield War and Gore Vidal's Billy the Kid opposite Val Kilmer. Julie sat on the Board of Directors of IFP/West, now Film Independent, for six years during which time she created the The Independent Spirit John Cassavetes Award in order to magnify Cassavetes' experiential shooting style. Julie sat on the Board of Women in Film for four years.

She is extremely grateful to have co-starred in films for John Cassavetes, Michael Mann (I), Robert Redford (I), John Carpenter (I), Nicolas Roeg, William A. Graham, Seth Zvi Rosenfeld, Franc Reyes, Tommy Lee Wallace, Carl Schultz, Dan Petrie, Jr., Michael Olmos, Tom Dolby, Tom Williams and on television for Karen Arthur (I), Betty Thomas (I), David Milch, Paris Barclay, Debbie Allen, Deborah Kampmeier and Quentin Tarantino.

Julie is known for her ageless chameleon qualities, effortlessly shape shifting into extremely diverse roles. She played Angelina Jolie's elegant plantation owner mother, fighting to free their slaves; she's often remembered as Nina the sexually insatiable environmental revolutionary in the HBO series Dream On; John Leguizamo's lesbian freedom fighting mother; the existential book editor opposite Sam Neill in John Carpenter's In the Mouth of Madness but Julie's favorite incarnation was Regine Dandridge in the horror cult classic Fright Night Part Two. Julie plays La Doña in the new anthology Tales of the Walking Dead airing September 18th and she plays Sara Martinez on Grey's Anatomy airing October 6th, 2022.

Add Director Biography
Director Statement

When bad things happen to good women who then do bad things, who is the sinner?
I see The Unnecessary Salvation of Mary McDaniel as an exploration of the role of higher power in the lives of victims turned sinners.
I have spent a lifetime in parallel careers as a psychotherapist and as an actress, and believe bearing witness to people’s stories connects us.