The Thing About Beecher's Gate

Fan of frozen beverages, loud shirts and drive-in movies. Attempted filmmaker. Lover. Not fighter.

Jeremy learned everything he needed to know about the world through a VCR. This is why he still avoids abandoned summer camps and can't do math. Horror wasn't his earliest genre of choice, but it was waiting for him; horror accounted for half of his all-time favorite movie, GHOSTBUSTERS. The other half probably accounts for how he ended up working on a live comedy show in college, where he met the merry band of talented, tolerant friends that would form DANGEROUS DAYS PRODUCTIONS. Named after his first attempt to make a Serious-with-a-capital-S movie, Dangerous Days was the earliest working title for BLADE RUNNER, which he shamelessly ripped off for his first Serious-with-a-capital-S movie. Now, it means something else. Horror has a near-impossible flexibility, more than perhaps any other genre. Metaphors become monsters. Zombies are never just zombies. Ordinary people are tested beyond the limits of rational fear by aliens, vampires and other assorted evils until all that's left is their most primal essence. Horror can say a lot behind the screams. Dangerous Days Productions attempt to do just that, to find fresh angles on scary stories that seem all told out and hide a message among the mayhem. And if that doesn't work, God willing, they're at least occasionally funny. For better or worse, that's his only filmmaking absolute: It doesn't matter what you're saying if it's not entertaining. Whatever project of his you might be watching or reading, he just wants to show you a good time.
And maybe spook you once in a while.