The Sin-Eater
1852, Wales: a desperate young mother carries out a forbidden ritual to save the soul of her unbaptised dead baby, but is tricked into taking on a terrifying supernatural burden.
'darkly atmospheric...Holmes’ eerie, unsettling short film resonates down the ages' - Projected Figures
'The Sin-Eater is a slick slice of rural folk-horror that holds a historical mirror up to some uncomfortable modern truths.' - Independent Horror Society
'The Sin-Eater is highly recommended and showcases the exceptional talents of Kelly as director and Matthew as writer.' - Gingernuts of Horror
** English subtitles on Welsh language are hardcoded on the viewing copy. Full English subtitles are an option on the video under CC for all English. Descriptive subtitles and audio description files for screenings are available. Non-English subtitles for screenings available on request.
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Kelly HolmesDirectorAttrition, Family Portrait, Dolls
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Matthew WhiteWriterPaul Dood's Deadly Lunch Break
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David BrownProducerDog Days, Family Portrait
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Carly-Sophia DaviesKey Cast"Jemima"The Eternal Daughter
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Jack Parry-JonesKey Cast"Thomas"Hijack, Attrition
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Sharon MorganKey Cast"Eliza"Gangs of London, Apostle
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Gareth JewellKey Cast"Richard"Bang
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Lewis MacKinnonKey Cast"Samuel"Young Wallander, Attrition
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Alan McLaughlinDirector of PhotographyMatriarch, Attrition
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Project Type:Short
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Genres:Horror, Period Drama, Supernatural
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Runtime:17 minutes
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Completion Date:May 17, 2024
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English, Welsh
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Shooting Format:Arri LF
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Aspect Ratio:1:85
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Galway Film FleadhGalway
Ireland
July 10, 2024
Irish Premiere
In competition - Best Film (Oscar qualifier) -
HorroriginsTuscan, Arizona
United States
September 25, 2024
Official Selection -
Mayhem Film FestivalNottingham
United Kingdom
October 20, 2024
Official Selection -
Soho Horror Film FestivalLondon
United Kingdom -
Bolton Film FestivalBolton
United Kingdom
October 5, 2024
Nominated Best Sci-Fi/Fantasy Film -
Court MétrangeRennes
France
October 5, 2024
French Premiere
In competition for Melies D'argent -
Women X Film FestivalDarlington
United Kingdom
September 21, 2024
Nominated Best Leading Performance, Best Cinematography -
Flatpack FestivalBirmingham
United Kingdom
May 17, 2024
English Premiere
Official Selection -
Females Films ScreensSheffield
United Kingdom
November 23, 2024
Official Selection -
Tuzla Film FestivalTuzla
Bosnia and Herzegovina
October 18, 2024
Bosnia and Herzegovina Premiere
Official Selection -
The Short CinemaLeicester
United Kingdom
June 29, 2024
Official Selection -
Abertoir Film FestivalAberystwyth
United Kingdom
November 19, 2023
PREVIEW - INCOMPLETE FILM
Official Selection -
FilmQuestProvo
United States
November 1, 2023
PREVIEW - INCOMPLETE FILM
WINNER Best Supporting Actor, Nominated Best Fantasy Short Film -
National EisteddfodWales
United Kingdom
August 8, 2024
Largest cultural festival in Europe
Kelly Holmes (she/they) is a director/writer from the UK with a love for telling genre inspired stories. She has had her films commissioned and broadcast on national French television, screened multiple award-winning shorts internationally at BAFTA/OSCAR festivals, and is developing her first horror feature film with Sharp House/Gallus Films. She has participated in multiple talent schemes including the Reykjavik Talent Lab; won the JETS Co-Production Market at Berlinale in 2021, and was selected as part of Frontières Co-Production Market 2021. In 2022 she was Shadow Director and 2nd Unit Director on Sky Studios new drama series A Town Called Malice. And she is currently on the festival circuit with her new BFI Network short film The Sin-Eater.
THE SIN-EATER is a Gothic horror that asks a simple, powerful question: how far will you go to protect the ones you love?
Set in the beautiful but bleak mountains of mid-19th century Wales, it uses a real historical ritual as the backdrop to a story about inequality and injustice, pitting a young woman against a conservative society that mirrors many of the more troubling aspects of today's world.
Sin-eating was a real Victorian ritual in which the sins of the newly dead were "eaten" by another, supposedly freeing up their passage to heaven. It was an important part of mid-19th century Welsh culture: a ceremony that was illegal but widely tolerated. Available to everyone, but mainly used by those who could afford to pay. The Sin-Eater carried out an essential role, but they were usually poor, surrounded by shame and shunned by their society. Our film uses those dichotomies to probe the inequalities and injustices of the time, in a way that's relevant to us all here and now.
This is a woman's story: women at the time were meant to bury emotional grief inwardly and accept responsibility for the death of a child. In our current climate where women’s rights seem to be regressing, and THE SIN-EATER highlights many issues the film-makers are passionate about. The use of Welsh language in the story also reinforces that message: how language, culture and women were suppressed in "polite" society. And so we've centred Welsh as the language of power, depth and emotion in the film.