Private Project

The Seeds We Carry

Project Status:
This film is a work-in-progress but is close to completion. Things left to complete include final editing to refine the pacing, balance between participant stories, and b-roll/cover jump cuts, color grading, additional animation and graphics, a few edits to musical compositions, and final sound design and mixing.

Logline:
The Seeds We Carry is a short documentary weaving intimate portraits of community farm stewards in Southwest Philadelphia. Through the rhythms of planting, cooking, and sharing food, the protagonists reveal how everyday acts of care and resistance nurture belonging, forge cross-cultural kinship, and preserve a sense of home amid the pressures of displacement in a rapidly changing city.

Synopsis:
The film opens with establishing shots of Reinhard Street Community Farm & Kitchen as Tomasa narrates, speaking about the simple wonders of sitting in the garden in the morning and observing its life.

The main protagonists are introduced: Tomasa is from Puebla, Mexico. She grew up doing farm work and cooking for her large family. She finds connection to her family and ancestors through time spent in the gardens of the community farm.

Patrick runs into Tomasa at the farm. He is from Haiti and is excited to share one of his favorite dishes, soup joumou, a pumpkin soup traditionally prepared for Haitian Independence Day (January 1).

Ben is from Pennsylvania and is a farmer and a professional chef. He started the community farm project, and he finds joy in cooking for large numbers of people as well as harvesting fresh ingredients straight from the farm.

Naw Doh and Wah Paw, both born in Myanmar (Burma) and ethnically Karen, have both overcome huge obstacles to make their homes in Philadelphia. Naw Doh is a natural leader who many people rely on in her community, made up primarily of refugees and their children.

Wah Paw came to Philadelphia as a refugee, having spent years in a Thai refugee camp. She struggled at first, especially with communication and transportation, but has been able to thrive in her new home with the help of her community

For the Karen community, plants are not only food; they are medicine. This is especially important for the seniors of the community who grew up with the jungle providing everything they needed to survive. At Reinhard, the Karen community can continue to grow their ancestral crops.

Later, Ben shares about the history of the farm and how it got its start as a part of The People's Kitchen Philadelphia, and Patrick talks about finding fulfillment in the daily work at the farm and sharing food with his neighbors.

Longtime residents of the neighborhood, Mrs. Carr and Ms. Cassandra, talk about their connection to the neighborhood and why they enjoy being in the gardens. Steph, Cassandra's step-son, reminds us that gentrification and displacement are not needed for Black and Brown folks to have beautiful, livable neighborhoods.

Just past the halfway point in the film, we find out that the Karen farmers started growing their traditional crops on Reinhard Street because they lost their land at another farm in South Philadelphia. Naw Doh talks about the pattern of loss and rebuilding home for the Karen Refugee Community. Despite the obstacles, she says, "Wherever we moved, we had to carry our seeds.”

An energetic farm work montage takes us out of the somberness of the previous section. Tomasa shares how she has overcome different challenges and language barriers and shares some anecdotes about a plant called papalo.

For Wah Pah, her mother was her first cooking teacher. Naw Doh reiterates the importance of passing down Karen culinary traditions to the youth who are growing up increasingly Americanized.

Patrick makes the soup joumou, and his wife Maryse talks about its importance to the Haitian people as a symbol of freedom, dignity, and resilience.

As the film begins to come to a close, the film's protagonists are cooking, eating, and sharing food with their families and communities. They share impactful closing statements about connecting back to their roots, the intangible wonders of food, and the importance of mutual learning through cultural exchange.

To close, we are left with a beautiful montage sequence of images from Reinhard Street's annual harvest dinner event that combines the many cuisines and cultures represented in the neighborhood and at the farm.

  • Gabrielle Patterson
    Director
  • Tatiana Bacchus
    Producer
    Associate Producer: Ain't No Back to a Merry-Go-Round, Associate Producer: Stand Up & Shout: Songs from a Philly High School, Producer: The Dennis Boys (short)
  • Gabrielle Patterson
    Producer
  • Naw Doh
    Key Cast
  • Tomasa
    Key Cast
  • Patrick
    Key Cast
  • Benjamin Miller
    Key Cast
  • Wah Pah
    Key Cast
  • Steph Drain
    Key Cast
  • Cassandra Drain
    Key Cast
  • Nyoca Car
    Key Cast
  • Thien Dinh
    Cinematography
  • Jose Mazariegos
    Cinematography
  • Eric Sherman
    Music
  • Alejandro Utria
    Music
  • Project Type:
    Documentary, Short
  • Runtime:
    29 minutes
  • Completion Date:
    May 31, 2026
  • Production Budget:
    36,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English, Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • Work in progress screening: Reinhard St. Harvest Dinner 2025
    Philadelphia
    United States
    October 18, 2025
Director Biography - Gabrielle Patterson

Gabrielle Patterson is an animator, filmmaker, and illustrator based in Atlanta and Philadelphia. Through her work, she seeks to tell immersive stories of resistance rooted in connection, community, and collaboration.

Gabrielle originally found her passion for storytelling through the medium of animation, using hand-drawn and mixed-media techniques to create detailed worlds of light, color, sound, and texture. In 2022, she began to delve into documentary filmmaking as a member of the Philadelphia-based video production cooperative Bonfire Media Collective. Gabrielle has most recently directed and produced two films currently in post-production. Both films focus on human connections to land and the power of grassroots community power to create lasting changes in our individual lives and broader environments.

Condemned: The Toxic Prisons Problem is a feature-length film commissioned by The Toxic Prisons campaign to tell the story of their fight to close prisons built on polluted and toxic land in Pennsylvania and reveal the inherent toxicity of the carceral system. The Seeds We Carry is Gabrielle's first self-initiated film project, a short documentary weaving intimate portraits of community farm stewards in Southwest Philadelphia who find home and belonging through the rhythms of planting, cooking, and sharing food.

As an animator and illustrator, Gabrielle enjoys regularly working with fellow artists to help bring their creative visions to life, collaborating on films, album art, book covers, and music videos. She has also had the privilege of creating work for a diverse array of local and national clients, including Art Philly, WHYY, Journey Arts, The Philadelphia Eagles, BlackStar Projects, The Ocean Conservancy, and Mattel.

Gabrielle holds a B.A. in Fine Arts from the University of Pennsylvania. In her spare time, you can find her playing piano, indoor bouldering, or tending to the plants in her garden.

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Director Statement

I am ever curious to better understand the world around me and the passions and motivations of those who differ from me. I come to documentary filmmaking from a background in visual art and animation. I have always been drawn to the small details, and animation has allowed me to explore the possibilities that arise when those details are put in motion.

My journey into documentary filmmaking has forced me to spend much more time than I ever have in the past looking at the big picture of what I am creating. Working with individuals who have so generously shared their personal stories with me means a different responsibility of care for how I create art using these stories. Filmmaking has caused me to think with a mindset that is inclusive of all of the parts of creating an artistic work, from initial conception to production, post-production, distribution, and impact.

Success for me looks like the ability to spend time with the stories that fascinate me. I want to dig deep. I've learned so much by not only interviewing the people who make up my film, but being in true community with them. Most importantly, I want to approach my subject matter with the time and spaciousness to explore the possibilities, whether the result is a 1-minute experiment or a feature-length film.