Script File

The Secret World of Danny Lopez

A secret Latina history, pop music fantasies, sex, war, and child snatching… True tales of a precocious TWEEN in 1970s Texas.

DANNY is a 10-year-old kid moving back to Texas after a year in Egypt. But is Rizik even his right name? By the end of the pilot he realizes it would be more accurate to call himself DANNY LÓPEZ DE LA PEÑA. In events that take us through the pilot, Danny discovers that his supposedly white mother, LINDA, is an illegal alien with a fake name and a fake birth certificate. Her parents brought her over when she was seven and then abandoned her. They were wetbacks. That’s the word people used. She was raised by a white family as their servant and took their name. But her real name is VERONICA LIN LÓPEZ DE LA PEÑA. Danny’s father IVAN comes from a Jewish family in San Antonio. Ivan’s father got wealthy selling black market cheese during WW II. Ivan is magnetic, sexy, volatile, and probably bipolar. After his split with Linda (Veronica) Ivan took Danny and his two older brothers JEFF and JAKE to Cairo, along with their new teen-aged stepmother, AMY. A Jewish man in Egypt, Ivan sells arms to the Palestinians. The pilot begins as the family returns to Texas from Egypt. During that time, Ivan refused to allow Danny or his brothers to live with their mother, Linda, or even to see her very often. Danny has fantasized about her desperately, pretending to BE her. Which is where the pop music fantasies come in. But finding out he is half Latino is only the first surprise. Danny also learns that his mother Linda isn’t the birth mother of his two older brothers. They have another mother, a secret mother. Ever since Danny can remember, he has wished his mom would belong just to him. And now she does. We also meet Danny’s grandparents on Ivan’s side, HELEN and LENNY. In the pilot as she yells at him about his mistress. "I don’t know what the hell you do with her since you’re bleeding from your goddamned penis." She has a way with words. Amy, the teen-aged stepmom with braces, is quite loving and kind. She knows how much Danny wants to be with his mom, and she tells him she thinks he should be. But she never says so to Ivan. She loves him. They have sex a lot. Sometimes he beats her up. Like he did with Linda. He also hits his kids sometimes. Not often. But enough so they were always afraid it might happen again. Most people think they are very lucky children to have such an exciting life. And it is exciting. In the first scene of the pilot, Danny sits in the first-class lounge of a 747. He reads "Valley of the Dolls" and sips a rum and Coke. Just like writer/creator Samuel Garza Bernstein did when he was a kid. "The Secret World of Danny López de la Peña" is not intended to follow "The Big Bang Theory" on CBS. It couldn’t have been made until this precise moment in the television marketplace. It’s set in the 1970s but everything about it is modern and geared to what audiences are watching right now, shows like "Transparent," "Catastrophe," "Vida," "GLOW," "Fleabag," "Dear White People," "Chewing Gum," "Insatiable," "13 Reasons Why," "Flowers," and "Casual." It explores the wild intersections of modern life where comedy and drama crash right into one another. And yes, Danny is an abused child. But so much of what he experiences is funny and weird and hopeful. His childlike sense of fun keeps the show firmly out of the world of self-pity and soap opera. After all, if a 10-year-old can laugh at the chaos, you can too. Though it may give you pause afterwards. Did I just laugh at child abuse? A little bit…

  • Samuel Garza Bernstein
    Writer
  • Project Type:
    Television Script
  • Genres:
    One-Hour Drama/Comedy
  • Number of Pages:
    59
  • Country of Origin:
    United States
  • Language:
    English
  • First-time Screenwriter:
    No
  • Student Project:
    No
  • Writers Guild of America WAP Honoree
    Los Angeles, CA
    March 19, 2018
    Comedy Pilot Honoree
  • C21 Content London Drama Summit
    London, UK
    December 1, 2018
    Best Drama Pilot Nominee
  • Los Angeles Film Awards
    Los Angeles, CA
    March 25, 2019
    Official Selection
  • Rome Film Awards
    Rome, Italy
    March 15, 2019
    Official Selection
Writer Biography - Samuel Garza Bernstein

Born to a Mexican mother and a Jewish father in a family with lots of secrets. My mom had fake papers. I was told her name was Sally and her maiden name was Mayfield. Her real name was Aracélia De La Gárza. My dad came from a wealthy Texas family but embraced what he felt were worthy liberal causes—like brokering arms for the Palestinians when we lived in Egypt—as you do. He hustled the family all over the world, occasionally on the lam, sometimes just for fun, in Cairo, Honolulu, Austin, Phoenix, Albuquerque, New York, Los Angeles, and Ft. Collins, Colorado. ǁ I've written and produced in multiple tv formats and genres, indie film, both musical and non-musical theater, and am the author of three books. ǁ Husband Ronald Shore and I co-founded Babyhead Productions in 1997 and have been together since 1994—married in a non-legally binding ceremony performed by a rabbi in 1996; legally married in Canada in 2003; and then, for good measure, legally married again in the United States in 2013. ǁ I'm a CASA volunteer (Court Appointed Special Advocate) to a fantastic foster kid, spent ten years heading a mentoring program for LAUSD high school writers, have facilitated rap groups for LGBTQ kids, and Ronald and I are being held hostage by three incorrigible dachshunds. Send help.

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Writer Statement

I’m making a career turn back to television now. This year I was chosen for the WGA writers access project under Glen Mazzara, and it was a wonderful, exciting start. I hope to build on that creative momentum now.

I have had an unusual trajectory in my writing career. I started off 20 years ago in independent film, then wrote a couple of movies for Showtime, including the one my partner and I produced, “Bobbie’s Girl,” that earned an Emmy nomination for Bernadette Peters. At that time, Showtime was making 30 small movies a year. I thought my future would be there. Then the president was fired, and they stopped making movies.

My adventures in episodic television did not follow a straight path. Often, I found the marketplace wasn’t all that welcoming of the kinds of things that I felt passionate about. The kinds of things the streaming market place is now supporting wholeheartedly. This prompted me to plot a return to series television two years ago, which including creating this pilot script.

I live for the moment in tv when something funny makes me cry or something sad makes me laugh.

The most influential writers for me as a kid were Nora Ephron (for her magazine essays) and Jacqueline Susann. I discovered Ms. Ephron when I was eleven. Her funny, brilliant, utterly personal observational skill taught me that marginalized voices are not the “other,” with straight white guys being the norm. When I was about seven, I found a copy of “Valley of the Dolls.” I was hooked. Ms. Susann’s pulpy masochistic world was a place that I now understand mirrored the abusive world I lived in. Now it is Susann’s utter belief in her own voice that stays with me, not in terms of style, but in total commitment. She fully realized her vision, such as it was. (For the record, I have no interest in writing show-biz sex novels.)