The Rapping
The Rapping is a short experimental noir horror film inspired by Edgar Allan Poe’s The Raven.
A man reading alone begins to hear a faint, rhythmic sound. What starts as an almost imperceptible disturbance grows increasingly insistent, echoing from nowhere and everywhere at once. Whether something has entered his home or his mind becomes impossible to determine.
Shot in stark black and white, the film relies on minimalism, silence, and disorienting sound design to build a slow, psychological dread. Its audio landscape incorporates real recordings from NASA’s InSight Mars lander, lending an otherworldly texture to the experience.
Originally conceived as a standalone work, elements of The Rapping were later incorporated into the horror short Gumdrop, expanding a shared psychological universe between the two films.
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Gordon HayesDirectorLost in Space: A Documentary
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JZ MurdockWriterLost in Space: A Documentary
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Gordon HayesProducerLost in Space: A Documentary
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JZ MurdockProducerLost in Space: A Documentary
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Nikolas HayesProducer
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Nikolas HayesKey Cast"Man"Don't Kill Grandpa Until We Strangle the Babysitter
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Project Type:Short
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Runtime:7 minutes 57 seconds
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Completion Date:November 12, 2018
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Production Budget:100 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:1920x1080
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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The Midnight Film FestivalNew York
United States
January 12, 2019
North American Premiere
Festival Selection -
Once A Week Online Film FestivalLincoln
United States
January 2, 2019
Online Premiere
Winner of the Week
Gordon Hayes has held a variety of jobs from in the USAF, to being an IT tech writer and administrator. He is now a writer and filmmaker, active in his local PNW indie filmmaking community. He holds a B.A. in Psychology and studied cinema and screenwriting. at Western Washington University with various seminars along the way. One series with director Stanley Kramer.
We wanted to try something subdued in this film. Where smaller is bigger rather than bigger is always better.