The Note
To connect with her new class, an inexperienced teacher asks each student to anonymously share a personal secret. Chaos ensues when a note reads: I have HIV.
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Jen Nee LimDirectorElsa
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Jen Nee LimWriterElsa
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Leon CheoProducerTwo is Enough, SIN-SFO
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Cheryl Chitty TanKey Cast"Ms. Kang"
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Kymberly NaushadKey Cast"Top Student"
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Project Type:Short
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Runtime:16 minutes
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Completion Date:July 7, 2021
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Production Budget:18,000 USD
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Country of Origin:Singapore
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Country of Filming:Singapore
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Language:English
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Shooting Format:Digital
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Aspect Ratio:1.85:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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23rd Through Women's Eyes International Film FestivalFlorida
United States
March 10, 2022
World -
32nd Inside Out Toronto 2SLGBTQ+ Film Festival 2022Toronto
Canada
May 27, 2022
Canada Premiere -
2nd International Children Care Film Festival 2022Paris
France
June 30, 2022
Europe -
27th Aichi International Women’s Film Festival 2022Nagoya, Aichi
Japan
September 10, 2022
Asian Premiere
Official Selection -
15th Kansai Queer Film Festival 2022Kyoto, Kansai
Japan
September 24, 2022
Jen Nee LIM has more than 15 years’ experience as Producer/Writer, with stints in film acquisition, marketing and distribution. She first wrote and produced feature film Truth Be Told (Best Original Film, Asian Film Festival of Rome) in 2007. Most recently, she produced the International Emmy-nominated web series People Like Us (2016, 2019). However Jen is finally pursuing directing, honing her vision with more short films, starting with documentary short Elsa (2019), which won the Special Mention Award at the 4th SeaShorts Film Festival 2020. Her creative vision and interest lie in stories about women and children in Asia. The Note (2021) is her first narrative short.
The Note is a simple story about a well-intentioned teacher who gets everyone in trouble. She is the proverbial Pandora in Pandora’s box who unleashes mayhem on humanity. But did she? Digging deeper into this myth and our patriarchal history, it becomes apparent who commonly soldiers the blame and shame. My intention was never a whodunit story, but to ask how do we live in a society that constantly judges? Replace HIV with something else and the resulting stigma and discrimination would probably exist still. My approach is subtle and yet, not quite so. With free camera movements, are we there observing or judging? The suffragette colour palette of purple, green and white/yellow is a nod to women’s empowerment. How the characters are named or unnamed is my irreverent way of representing societal power imbalance. Lastly, I pay homage to Stanley Kubrick with one of his most famous scene that helps speak volumes about humanity.