The Man Outside
THE MAN OUTSIDE - adapted from Wolfgang Borcherts Drama with the same name.
Short:
Soldier Beckmann's return home from duty turns into an odyssey back to nowhere. His fiancée has another man and he can't sleep because of what he experienced in the war. He jumps into the river. But the river and an inner voice doe not begrudge Beckmann his death. Trapped in the ruins of his life, he searches for meaning and slowly loses his mind in the process.
Long:
"A man comes to Germany. He has been away for a long time, the man. Very long. Maybe too long. And he comes back very different from when he left.“
Sergeant Beckmann is one of those "who come home and yet don't come home because there's no home for them anymore."
With a duffel bag over his shoulder, Beckmann runs along a harbor area and reaches the backyard of an abandoned house. He drops the sack and opens a door with a jerk.
God and Death watch what is happening and discuss the reasons why so many take their own lives in these times. Beckmann reappears in the cellar of a woman. She calls herself "The River," smiles at his suicide and spits him out again. "Live first! Let yourself be kicked. Kick back." Beckmann begins his Odysee through the decaying house back to the nothing. He appears in an empty room, startled by the sound of a baby crying. He meets his life-affirming alter ego, who calls himself "The Other.“ Just a voice in his head. He tells this voice how he ended up in the river. Beckmann wakes up in a bathtub. A girl finds him there and takes him to her place. She gives him food and the clothes of her missing husband. The next morning, Beckmann is lying in bed next to the girl, her husband, a war buddy of Beckmann's, is standing in the doorway. He accuses him. Beckmann realizes the parallels to his own homecoming. He, too, found his wife in bed with another man and jumped into the river. "I never want to be Beckmann again!" The Other tries to give Beckmann a new hope and sends him to The Major, his former superior. To him he is to return the responsibility for what is depriving him of sleep. The responsibility for the fallen soldiers that Beckmann led. Beckmann tells the major about a recurring nightmare. This triggers a psychotic episode in him. In a crevice in the wall of the house, he relives the traumatic experiences of his deployment. This amuses The Major. He advises him to make a stage performance out of it. "You should perform somewhere with this act. You should garnish the whole thing with music and effects." In his desperation, which turns into anger, he takes up the suggestion.
Beckmann approaches The Curator and asks for a chance as an artist. "What did you bring to show me?" The Curator asks. Beckmann remembers the song that the river sang and recites it to the curator. But The Curator finds the performance too authentic. "You'll scare the audience away with that." The Other tries to calm Beckmann's frustration and sends him home to his parents. "Home at last." A woman who is a stranger to him now lives in his parents' apartment. She tells him about their suicide. "The old Beckmanns didn't want to anymore. Maybe they just didn't feel like it anymore." While arguing with The Other about the insensitivity of people, Beckmann runs through the house and ultimately falls asleep exhausted in the attic. "Yes I'm asleep. Finally."
Beckmann meets God in a dream and accuses him of taking his child. God, however, wails because no one listens to him anymore. Beckmann follows The Death through the house. "Don't close the door on me!"
The Other tries one last time to convince Beckmann of the goodness of mankind. But Beckmann loads his gun. In the attic of the house he shoots those who he feels betrayed by. Beckmann washes himself and puts away his equipment. He falls asleep and once again meets his war companion in the wall crevice. He asks him not to forget him. "If your murderer doesn't forget you, you can at least die in peace."
Left all alone, Beckmann wanders through the house, desperately searching for something or someone who can give him an answer. "Where are you yes-man? Where are you who begrudge me my death? Where are you all? Doesn't anybody answer?"
Again he meets the dead war companion who wants to take him through the crevice. "We are left with the span between nothing and eternity. Aren't you coming?" Beckmann seems to follow him.
But he awakens in another room of the house to the crying of a child. Beckmann follows the sound and finds the child in an empty room. This encounter seems to change Beckmann. For the first time we see him smile. He walks out of the room, leaving the child behind. The baby turns around, looking directly into the camera, and Beckmann is flushed out of the house the same way he entered it. During the end titles, we see Beckmann dancing with himself on the dam of the river.
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Juergen BergbauerDirector
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Andreas WiedermannDirector
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Andreas WiedermannWriter
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Juergen BergbauerWriter
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Andreas WiedermannProducer
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Juergen BergbauerProducer
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Urs KlebeKey Cast"Beckmann"
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Titus HorstKey Cast"God"
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Evelyn PlankKey Cast"Death"
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Christina MatschossKey Cast"The Girl"
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Götz SchneiderKey Cast"Her Husband"
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Frauke MayerKey Cast"The River"
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Gerorg LorenzKey Cast"The Major"
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Clemens NicolKey Cast"The Curator"
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Project Title (Original Language):Draussen vor der Tür
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Project Type:Feature, Short
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Runtime:47 minutes 47 seconds
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Completion Date:August 20, 2022
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Production Budget:13,000 EUR
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Country of Origin:Germany
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Country of Filming:Germany
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Language:German
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
Jürgen Bergbauer was born in Straubing in 1968. He studied fine art and photography at the San Francisco Art Institute, the Rhode Island School of Design and the Hochschule für Grafik und Buchkunst in Leipzig.
The master student of Professor Joachim Brohm has exhibited in the context of contemporary photography in Berlin, New York, London, Glasgow and Auckland, among other places. He created cinematic and animated projections for musical theater productions such as Stifellio, Rienzi, Comedian Harmonists and The Magic Flute for Opera Inkognito and the Staatstheater Würzburg.
Andreas Wiedermann was born in 1978. After completing his studies in directing at the Salzburg Mozarteum, he assisted Peter Zadek, Andrea Breth, Urs Troller and Thomas Ostermeier, among others, at the Vienna Burgtheater and the Deutsches Theater Berlin.In 1998 he founded the independent theater company THEATER IMPULS. In 2005, together with composer Ernst Bartmann, he founded the independent opera ensemble OPERA INCOGNITA, which gives annual guest performances in Munich of unknown works by well-known composers. His directing work has been seen at the theaters of Trier, Regensburg and the Bavarian State Theater in Munich, among others.
This is our first film project. It happend during the Corona Pandemic. All our actor friends were unemployed. So we decided to start this project on a minimum budget and timeframe. All interior shoots were filmed in one location, an abandond retirement home for working women from the 1920's.
How does one deal with traumata and the loss of meaning?
Today, in times of permanent panic and smoldering global crises, Wolfgang Borchert's "Outside the Door" has lost none of its power and relevance. This stage play, born out of expressionism and post-war Germany, is a timeless parable for human alienation in a reality that appears to be fragmented. As a surreal mystery play the story oscillates between delusion and reality and accompanies the broken protagonist Beckmann on his odyssey back into nothingness.
The faded charisma and the broken aesthetics of the space we filmed in function as ideal soul landscapes for a film in which „decay“ itself is the central theme. The set becomes the protagonist himself.