Private Project

The Mailbox of Dreams

Chen Qingqing’s ‘The Dream Mailbox’ is a poetic self-portrait that stitches personal memory into China’s historical tapestry. Through her iconic textile installations, she builds a visionary archive where dreams and history collide—a timeless letter to the unresolved past.

  • Dong Wang
    Director
  • Vincent Zheng
    Director
  • Qingqing Chen
    Producer
  • Vincent Zheng
    Executive Producer
  • Qingqing Chen
    Writer
  • DongZi
    Writer
  • Vincent Zheng
    Writer
  • Qingqing Chen
    Key Cast
  • Vincent Zheng
    Editor
  • Zenhui Li
    Music
  • Project Type:
    Documentary, Experimental, Short
  • Runtime:
    30 minutes
  • Completion Date:
    October 17, 2025
  • Production Budget:
    15,000 USD
  • Country of Origin:
    China
  • Country of Filming:
    China
  • Language:
    Mandarin Chinese
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • MINT Chinese film festival
    Kendal
    United Kingdom
    Non-screening
    Official selection-Semi-Finalist
  • Film For Mother film festival
    Beijing
    China
    April 24, 2026
    Word Premiere
    Official Selection
Director Biography - Dong Wang, Vincent Zheng

Wang Dong
Ceramist, Author, Director, Producer

Born in Beijing in an art-loving family, she graduated with BA degree in Sculpture and has dedicated herself to ceramics ever since. Her first book, The Art Garden: French Women Making Pottery, was the first publication to introduce ceramics in China by taking it as a lifestyle.

She is the director of the music video The Wheel of Time (2022) and the experimental poetry short film A Poet on the Cruise(2023), and the producer of the art feature film Ceramic Utopia (2025). Her works have been selected and awarded at numerous international film festivals.

Her latest short film, The Mailbox of Dreams (2025), is currently coming soon.

Co-Director
Vincent ZHENG was born in 1984 and grew up in a Yi minority village in the Wumeng Mountain, southwest of China, studied and graduated journalism at university, after engaged in near ten occupations, set off to make film in 2011, till now he is an independent professional filmmaker, as director, screenwriter, producer.
Films and Film Festival Awards(excerpted),
Nonfiction Feature “Ceramic Utopia”(2024)

36th Girona International Film Festival - Honorable Mention

12th Riga Pasaules Film Festival - Official Selection
Documentary Feature “Reincarnation”(2022),

7th RapidLion - The South African International Film Festival - Official Selection

2nd Sugar Loaf Film Festival - Best Documentary Award Winner
Short “The Black Sheep”(2021),

19th Festival international Signes de Nuit - Paris - Jury Award


26th Capri, Hollywood International Film Festival - Capri Spacial Award

41st Thomas Edison Film Festival - Honorable Mention Award

8th International Festival Signs of the Night - Bangkok - Main Award
Short “The Grassland of Soul”(2012),

Institut National des Langues et Civilisations Orientales Paris - Permanent collection

Add Director Biography
Director Statement

陳慶慶做為中國特殊的疤痕體當代藝術家,她的一生如同尺子的刻度把重要的信息都記錄在她的玩具盒子裡,在這裡有大量的信息如同一個個的寄往未知世界的郵箱,如夢幻泡影般等待一個出發,她也像一個蜘蛛 在真實的世界裡採集蛛絲馬跡做成一個夢網,生活於此。

**Chen Qingqing: The Archaeologist of a Scarred Soul**

Chen Qingqing is not merely an artist, she is a living archive. As a distinctive representative of China's "scarred" generation of contemporary artists, her life has been meticulously measured and documented, not in years, but in scars, memories, and the silent witnesses of her collected objects. Her body of work is a profound testament to resilience, acting as a tactile memory palace where personal history and collective unconsciousness intertwine.

**The Film: A Web of Memories Waiting to Be Sent**

"The Mailbox of Dreams" is not a traditional narrative. It is a lyrical and meditative journey into Qingqing's world—a world she has built like a spider, spinning a delicate yet resilient web from the scattered silken threads of reality. Within this web, countless toy boxes serve as her repositories, each object a frozen moment, a sealed letter addressed to the unknown, a dream suspended in time, waiting for its moment of departure.
These boxes are her units of measurement, the scale (kèdù -刻度) of her existence. They are not merely containers of nostalgia; they are philosophical inquiries into time, loss, and the fragile vessels we use to contain what cannot be held. This film explores the space between the tangible (the objects) and the intangible (the dreams and memories they evoke). It poses a question: How do we mail a letter to a past that can never be reached, or to a future that is yet to be defined?

**Visual Language: Dreamscapes and Tactile Poetry**

Visually, the film mirrors her artistic process. We move through textures—the grain of weathered wood, the dust on a forgotten toy, the intricate weave of her metaphorical dream net. The camera becomes an archivist's hand, gently brushing against these artifacts, inviting the audience to feel the weight of memory and the lightness of dreams. The composition is often still, like a curated box, allowing each frame to breathe and reveal its hidden stories.

This film is an invitation to witness an artist who has transformed the very notion of her scars into a universal language of hope and curiosity. It is a contemplation on how we all collect, preserve, and ultimately send our experiences out into the void, hoping for a connection.

We hope "The Mailbox of Dreams" serves as a resonant echo for every viewer who has ever kept a box of secrets, dreamed an impossible dream, or looked at a simple object and seen an entire universe within it.