The Letter
Paralyzed by second thoughts about his upcoming wedding, a haunted man is forced to confront his deep-seated family trauma when his estranged half-brother arrives unannounced.
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Louise Lohmann ChristensenDirectorbeautiful Strangers, It's probably not John.
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Louise Lohmann ChristensenWriterbeautiful Strangers, It's probably not John.
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Louise Lohmann ChristensenProducerbeautiful Strangers, It's probably not John.
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Daniel DeutschProducer
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Tom MeredithDirector of PhotographyLodestar, Samosa, Rabit Rabit, Charon, The History of monsters
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Aaron CammackKey Cast"Benji"
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Daniel DeutschKey Cast"Elias"
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Amy CraterKey Cast"Aubrey"
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Ryan Parker KnoxKey Cast"Dad"
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Bryn BoothKey Cast"Benji's mom"
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Elizabeth Von IsserKey Cast"Aubrey's mom (voice only)"
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Elliot GilmoreKey Cast"Young Elias"
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Louise Lohmann ChristensenEditbeautiful Strangers, It's probably not John.
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Thomas HassScoreBeautiful Strangers
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Darren BartonLive soundIt's probably not John
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Tom MeredithColorist
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Louise Lohmann ChristensenSound designer
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Hans MøllerSound design
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Hans MøllerAudio Mix
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Project Type:Short
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Genres:Drama, Suspense, Chamber Piece
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Runtime:19 minutes 3 seconds
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Completion Date:January 3, 2026
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Production Budget:6,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Louise is a Danish-American filmmaker who began her creative journey as an actor and singer. Trained at the William Esper Studio in New York City, she has performed on national stages in Denmark and recorded albums in both Copenhagen and NYC. She transitioned to writing and directing in 2022, and The Letter marks her third short film. As a director, she is deeply inspired by symbolism, poetry in motion, and the inherent duality of existence.
I am deeply interested in how narratives shape our understanding of ourselves, our lives, and how we interact with the world. In The Letter, I explore this through Ben, a character who has grown up with a internalized narrative of abandonment and unworthiness, before introducing a force that challenges those exact beliefs. I chose to frequently jump between timelines and memories to explore the feeling of a shared consciousness and fate between two individuals who are permanently connected, for better or worse.I enjoy leading the audience astray by presenting ambiguous scenes that can carry multiple meanings or relate to more than one character. Ultimately, the film seeks to answer the questions: Are you merely what you are told you are? What narrative do you want to believe in? And is the absolute truth always the right choice—morally speaking?