The Last Page of Troy
Title: The Last Page of Troy
Duration: 5 min 7 sec
Genre: Experimental / Art House / Philosophical Cinema
In the quiet of a library, a lone woman discovers an ancient copy of Homer’s Iliad. As she turns its pages, the line between past and present blurs. Shadows of Achilles, the looming Trojan Horse, and visions of fire and destruction awaken.
Is history merely a record of wars, or does it live in the silent betrayals within us?
The Last Page of Troy is a poetic meditation on pride, knowledge, temptation, and the recurring cycles of human conflict.
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Shorna AbedinDirector
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Shorna AbedinWriter
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Shorna AbedinProducer
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Project Type:Animation, Experimental, Short, Other
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Runtime:5 minutes 7 seconds
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Completion Date:February 20, 2026
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Language:English
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Shorna Abedin is a Bangladeshi artist, writer, and filmmaker with a background in English Literature (MA, Bangladesh National University). Her work explores the unseen conflicts between light and darkness, knowledge and pride, belief and rebellion.
Through film and visual storytelling, Shorna investigates the psychological and symbolic dimensions of history and human nature. Her films blend literary inspiration, mythological references, and experimental cinematography to create immersive, thought-provoking experiences.
The Last Page of Troy is not a literal retelling of the Trojan War. It is a reflection on the quiet forces that shape civilizations—the choices we overlook, the temptations we ignore, the betrayals we carry within ourselves.
I wanted to explore how history is lived as much in thought as in action. By juxtaposing a library, the Iliad, the Trojan Horse, and the imagery of fire and destruction, the film invites audiences to consider how pride, knowledge, and human desire can become both creation and destruction.
This project is an invitation to pause, reflect, and confront the hidden patterns within our own lives—where the horse is never outside the gate, but always waiting inside the quiet.