The Landscape of Human Essence
In the remote Macedonian mountains, 80-year-old Ljubica lives deeply connected to the land of her ancestors, surrounded by wild, untouched nature. Her daily life unfolds in harmony with the rhythm of the landscape—she gathers medicinal herbs, mushrooms, and forest fruits, tends a herd of goats, makes homemade cheese, and draws strength from mountain springs. Despite solitude, daily challenges, and the threat of wolves, she finds balance and a sense of freedom in simple rituals.
Ljubica is one of the last remaining residents of the village, where only seven people remain. Like her, they are deeply rooted in this land, which has been home to their families for generations. Their lives are a testament to human resilience, humility, and the delicate yet unbreakable bond between people and the environment they call home.
The short documentary The Landscape of Human Essence combines raw reality with poetic animation of memories. It captures the fragility and relentlessness of life in a village where time blurs its boundaries, and the past quietly merges with the present.
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Jana HunterováDirector
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Jessica Mackie HunterProducer
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Pavel SadílekProducer
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Irena AndreevskaProducer
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Jana HunterováEditor
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Pavel SadílekEditor
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Jana HunterováCinematographer
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Pavel SadílekCinematographer
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Jiří PrincCinematographer
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Petra GadasováIllustrator
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Pavel SadílekAnimator
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Valentina HavlováAnimator
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Natálie NovotnáAnimator
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Jiří PrincSound recordist
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Frie J. JacobsComposer
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Jana HunterováWriter
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Jessica Mackie HunterWriter
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Project Type:Animation, Documentary, Short
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Runtime:13 minutes 8 seconds
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Completion Date:April 23, 2025
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Production Budget:2,000 GBP
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Country of Origin:Czechia, North Macedonia, United Kingdom
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Country of Filming:North Macedonia
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Language:Macedonian
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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České vizeÚstí nad Orlicí
June 12, 2025
European Premiere
Second place -
MakeDox FestivalSkopje
North Macedonia
August 21, 2025
Balkan Premiere
Official Selection -
DOTS International Documentary Film FestivalAthens
Greece
October 3, 2025
Greece premiere -
Festival International d’Autrans – Montagne, cinéma and cultureAutrans
France
December 6, 2025
France premiere -
Cena Pavla KouteckéhoPrague
Czechia
February 9, 2026
Nomitation for the Price -
Short Circuit FilmsBrighton
United Kingdom
April 23, 2026
UK premiere -
Ravno Selo Film FestivalRavno Selo
Serbia
Serbian Premiere -
Mestia International Short Mountain Film FestivalMestia
Georgia
Georga Premiere -
UNICA 2026Lugano
Switzerland
Switzerland premiere
Czech Republic nomination -
Asterfest film FestivalStrumica
North Macedonia
Jana Hunterová is a Czech photographer and filmmaker working across documentary and experimental forms, with a focus on long-term projects exploring the relationship between people, landscape, and social change.
Her work has been presented at exhibitions and film festivals in the Czech Republic and internationally. Alongside her artistic practice, she is active in teaching and leads workshops in photography and audiovisual media.
She holds a PhD in Photographic Practice and Theory from the Institute of Creative Photography at Silesian University in Opava and completed the programme How to See / Create Film at Free Cinema in Prague.
I first visited the Demir Hisar region in North Macedonia in 2013 as part of an international artist residency in the village of Sloestica. Since then, I have been returning regularly to document the lives of people in remote mountain areas, where traditional ways of living persist despite increasing challenges.
Although these lives may appear calm, they are shaped by isolation, limited access to services, and the gradual departure of younger generations. What remains is a fragile yet resilient community, holding on to a deep connection with the land.
Moving from photography to film allowed me to expand this long-term work beyond the image. By combining observation, sound, and the presence of the protagonists, I seek to capture not only the visible reality, but also the inner landscape of a disappearing way of life.