The Harangue
Valentino is working on his harangue, helped by his wife, Mafalda.
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Lucrezia RidolfiDirector
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Lucrezia RidolfiWriter
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Martina CiulloWriter
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Benedetta LucaniWriter
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Domenico SuraceKey Cast"Valentino"
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Francesca SciorraKey Cast"Mafalda"
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Bagya D. LankapuraPhotography
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William FrabettiEditor
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Edoardo LoriaComposer
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Bagya D. LankapuraCamera operators
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Dario SpinazzolaCamera operators
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Maria BarlettaProducer
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Silvia ScippaProducer
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Valentina De MaioProducer
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Manuela IannielloProducer
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Queen Ezinne NnodiAssistant directors
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Kevin MacchiarolaAssistant directors
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Rebecca TiberiaAssistant directors
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William FrabettiColorist
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Edoardo LoriaSound Technician
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Project Title (Original Language):L'arringa
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Project Type:Short
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Runtime:6 minutes 11 seconds
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Completion Date:October 27, 2022
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Production Budget:0 EUR
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Country of Origin:Italy
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Country of Filming:Italy
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Language:Italian
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - Accademia del Cinema Renoir
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Digital Cinema Package:Unavailable
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Concorso Corti di Lunga VitaRome
Italy
May 16, 2023
1° Prize
My name is Lucrezia but they usually call me Lucre.
I live in Fiano and I call everyone with the nickname "bimbo".
I've always been an ambitious person, and while I couldn't leave home with my body for a variety of reasons, my mind has always flown away.
My Falkor is cinema.
Michela Occhipinti was also aware of this and, at the end of the Crescere Cinefili project in Livorno, she took me aside and encouraged me to continue.
A year later Paolo Virzì also noticed something in me, and selected me among the four best directors of the 48H Film Project in Rome.
Between Michela and Paolo there were Ciro D'Emilio, Ludovico Di Martino, Piero Messina, Daniele Ciprì and many others, from whom I had the honor of being able to learn, during the advanced training course in Film Direction at the Renoir Cinema Academy.
In fact, it was the latter who brought me to Rome, where I currently go up to weekly to write new projects ready to take off.
Once, someone said about my physicality that they will have to "throw open the doors". I reply: "roll out the red carpet, too, because I'm coming".