Experiencing Interruptions?

The Family Tree


The struggle of a 65 year-old man pursuing his dream of growing a family-owned Christmas tree farm against the opposition of the local government in Onondaga County.

  • Amanda Kari McHugh
    Director
    https://www.imdb.com/name/nm4166354/
  • Amanda Kari McHugh
    Producer
    https://www.imdb.com/name/nm4166354/
  • Lillian Rose Mauser-Carter
    Editor/Co-Producer
    https://www.imdb.com/name/nm6268059/?ref_=fn_al_nm_1
  • Thomas Ouziel
    Sound Designer
    https://www.imdb.com/name/nm3818211/?ref_=ttfc_fc_cr6
  • Dan Duggan
    Composer
    http://www.esperanceproductions.net/cd1-3.html
  • Project Type:
    Documentary, Feature
  • Genres:
    drama, Christmas
  • Runtime:
    1 hour 25 minutes
  • Completion Date:
    July 15, 2023
  • Production Budget:
    113,358 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • Sundance Collab's "Documentary Filmmaking: Crafting Your Story in Post" Lab
    Los Angeles
    United States
    September 25, 2020
    Private Lab facilitated and taught by Maxine Trump
    Official Selection
  • Canon + Female Filmmaker's "Almost Finished" Screening/Workshop
    Los Angeles
    United States
    April 30, 2018
    First 5 minutes of the film screened for a private audience of film professionals
    Official Selection
  • Kickstarter Launch Party
    New York City
    United States
    March 8, 2015
    Trailer Premiere for Kickstarter launch party
    "Staff Pick" for Kickstarter campaign
Director Biography - Amanda Kari McHugh

Amanda Kari McHugh received her BFA in Acting from The University of the Arts in 2009. During this time she started and ran a club on campus, which hosted a webradio show and hosted a concert series. It was here that she learned the power of social media and crowd-sourcing, and found her knack for producing.

For her last semester, she attended the esteemed National Theater Institute to study directing, scene design, and playwriting. After a short and successful stint as a film actor and becoming SAG-AFTRA, she switched sides of the camera to pursue a career in documentary film, with the intention of marrying docs with events to increase engagement and encourage social change.

Throughout her freelance career she’s worked in the production and the art departments on History Channel, Discovery channel and Bravo shows, helped raise nearly 300k for a feature documentary about the Twin Peaks star, Catherine Coulson, co-founded two non-profits, shot photos and video for events all over the country and Costa Rica, wrote for several culture-focused publications and directed and shot several documentary and short film projects.

While most of the world was retreating in 2020, McHugh leaned in. She created a 50s-style PSA on COVID-19 Etiquette which has played in the pre-show of drive-ins all over the country and been featured on LA Cityview’s News Channel 35, and ABC’s News Channel 9 in Syracuse. Her feature-length documentary “The Family Tree,” is now in post-production, and has been featured at Canon Burbank with Female Filmmakers and workshopped with Sundance Collab.

McHugh’s passion for creating social change through the content she creates is what led her to Newmark’s Engagement Journalism MA program (expected graduation: Dec 2022). For the last year, she has been honing her skills in community engagement, qualitative research, data analysis, metrics and outcomes, advanced reporting skills, social media tools, SEO, Google analytics, advanced interview skills, and video and audio journalism.

In this program, the community she's been focusing on is those impacted by adoption whom the media doesn't cover enough: namely birth mothers and adoptees. She started the TikTok channel @voicesofadoption, where her first post went viral, garnering over 137k views and nearly 2k comments in just a few days.

Currently, she is working full-time as a broadcast production intern at StoryCorps, where she is pitching stories every week and cutting tape that will be heard by millions of listeners on NPR's Morning Edition.

Add Director Biography
Director Statement

I’m proud to say that Terry A. McHugh is my father and his story is a story that millions of Americans can relate to.

Born in 1949 as a second-generation Christmas tree
farmer in Western New York, like most baby boomers who are lower to middle-class, his values were developed such that work, more than anything, defined you. My father never wanted to retire, in fact he saw it as a death sentence; and he wanted to make sure that I was raised to believe that if you pursue your passions hard enough, you will never want to retire.

That being said, these values butt up against the expectation of his generation to always provide for one's family, long after they even really need you to. So he found himself working at a local
electric company for over two decades, primarily working in sustainable energy practices such as upcycling and electric vehicles. Following the loss of this job, he then worked for a century-old wealthy industrialist as a property manager, who shared in his distaste for retirement. So it wasn’t until he reached his mid-60s, that Terry began to pursue a dream that aligned with his life’s passion: having a small Christmas tree farm of his own, with a barn to service the farm, and
work on all of his creative projects in. The events following the purchasing of the land gave him many reasons to throw his arms up and quit, but he refused. But he also often compared himself to Don Quixote, self-conscious that people saw him as chasing windmills.

Growing up, I had a giant banner next to my bed that read “PERSEVERENCE” next to it; so as you can see, the apple doesn't fall far from the “tree,” so-to-speak. I also have changed careers
several times throughout my twenties and now into my thirties; moving from acting, to working in the art and prroduction department on set, to working as an event photographer and journalist, to now pursuing my masters in Engagement Journalism at the Newmark School of Journalism at CUNY, in thinking about how I can apply these skills to impact producing.
Every time I pivoted, I would start to wonder if it was too late to start something new and be able to have a successful
career.

The making of this film itself has been very reflective for me. At each stage of learning, shooting, re-budgeting, going through another cut and fundraising, I have looked to my father as inspiration to not give up.

Eight years later after beginning filming, this rings true to this day.

It’s rather poetic that I write this to you close to the three-year anniversary of my dad’s unexpected stroke. Just over three years ago today, he went outside to go mow the lawn around the trees, and when my mother went out to get him, she found him lying on the grass barely conscious. In the weeks following, as my dad lost more and more brain functioning, his one working arm continued to move through the air as though he was organizing the shelves in his barn. He even tried to get
out of bed multiple times, much to the chagrin of his nurses. Towards the end, I showed him the rough cut of this film and we wept, as I promised him that I would carry on his legacy.
When I finally committed to documentary filmmaking in 2014, it was because it was the best way that I knew how to make an impact on the world, by raising up stories of the everyday hero. As an audience member when we see someone like us making a change in their lives without material wealth, without extensive family connections, without natural luck in the world, facing
systemic challenges that are designed to keep us small, it sparks something within us to get up and keep trying.

We need these stories to be lifted up now more than ever. We need stories to remind us to keep protesting police brutality, to keep fighting for universal healthcare, to keep fighting for the environment. We need average people to remember that their fight, whether it’s working for a mutual aid fund helping those out of work, or sending out texts reminding people to vote, or teaching their children about recycling. Reminding us that all of this does matter and it's what today's hero looks like.
My dad faced non-stop curveballs that included swift and unfair legislation changes and debt-inducing legal fees; which is not unlike the curveballs, changing legislation and economic devastation that we are all facing currently.

So, we need a film that’s going to encourage people to never give up, just like my dad didn’t, right up until the day he died.