The Epic of Enkidu
When the catastrophic king Gilgamesh meets the grass-fed Enkidu, things don't go according to the clay tablets. A fractured take on the cuneiform tale, featuring doom, despair, deception, and sheep.
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Mike A SmithDirectorCooped (2014), Missionary (2005), Hominid (2004)
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John Morgan AskewMusic
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Jason T EdwardsSound Design
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Project Type:Animation, Short
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Genres:Adventure, Comedy, Mythology, Cartoon, Nature, Mesopotamia
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Runtime:9 minutes 26 seconds
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Completion Date:December 5, 2025
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Animayo International Film FestivalGran Canaria
Spain
May 7, 2026
Official Selection -
ASIFA-East Animation FestivalNew York, NY
United States
May 22, 2026
1st PLACE INDEPENDENT FILM -
Nevada City Film FestivalNevada City, CA
United States
June 28, 2026
Official Selection -
Los Angeles Animation FestivalLos Angeles, CA
United States
December 7, 2025
JUDGES SPECIAL AWARD FOR STORY IN 2D -
Sea Slug Animation FestivalSeattle, WA
United States
February 28, 2026
BEST OF THE PACIFIC NORTHWEST -
Golden Kuker-Sofia International Animated Film FestivalSofia
Bulgaria
May 9, 2026
Official Selection -
Portland Panorama Film FestivalPortland, OR
United States
April 18, 2026
Official Selection -
Chitkara Animation FestivalRajpura, Punjab
India
March 13, 2026
Official Selection -
Athens AnimfestAthens
Greece
April 18, 2026
Official Selection -
Flagstaff International Film FestivalFlagstaff, AZ
United States
August 2, 2026
Official Selection
Mike first began animating as a kid with a borrowed Super 8 camera and some plasticine. Since then, he's dug his way into a career in archaeology, thrown away a mountain of bad drawings, and made hand-drawn shorts including The Epic of Enkidu (2025), Cooped (2014), and Missionary (2005). From 2009 to 2011, Mike served as president of ASIFA Portland, the Pacific Northwest chapter of the international animation society.
This project began as a Fractured Fairy Tale-style goof on the Epic of Gilgamesh. Modern retellings of myth from the perspectives of secondary characters (Madeline Miller's Circe or John Gardner's Grendel) sparked the idea. Paging through books on ancient Mesopotamia became a comfortable rabbit hole.
The 4,000-year-old source material describes the chest-pounding friendship between the tyrannical king Gilgamesh and the wilderness-raised Enkidu. When the hubris of the two results in Enkidu’s death, Gilgamesh undertakes a despondent, doomed search for the secret of immortality. The Epic of Enkidu presents a glumly slapstick take on this, wondering what might have been lost in those broken clay tablets. Could Enkidu really leave the wilderness behind? Was Gilgamesh bright enough to understand what was going on?
It took some time to find the final image of the film, to realize that I couldn't get it out of my head, and to make that ending a beacon for several long years of production. The finished work is meant as a fractured paean to cuneiform, the animal kingdom, and what it is to be mortal.