The End was just The Beginning
When Catarina finds out that she is pregnant, she questions the responsibility and consequences of bringing a child into this world and age.
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Antonio AleixoDirector
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Antonio AleixoWriter
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Patricia HibonProducer
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Mariana MonteiroKey Cast"Catarina"
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Joana CoelhoKey Cast"Sofia"
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Rodrigo SoaresKey Cast"Vasco"
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Joana Cardoso CoelhoKey Cast"Carla"
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Marta MotaKey Cast"Vasco's Wife"
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Filipe AmorimKey Cast"Diogo"
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Maria SimõesKey Cast"Mãe do Diogo"
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Carolina AleixoKey Cast"Child 01"
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Pedro AleixoKey Cast"Child 02"
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Yasmin PereiraKey Cast"Child 03"
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Patricia HibonExecutive Producer
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João Bernardo SouzaExecutive Producer
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João Bernardo SouzaDirector of Protography
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Pedro FrancoComposer
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Francisco Dinis MaiaAssistant Director
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Tomás FidalgoFirst Camera Assistant
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João BordeiraSecond Camera Assistant
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João BordeiraHead Gaffer
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Ivo MagalhãesHead Grip
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Miguel MarésDrone Operator
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Bruno SopaSound Director
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Tiago SantosSound Assistant
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Mariana BarretoArt Director
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Rita Prieto AlvesStylist
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Sara CastroMakeup Artist
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Antonio AleixoOffline Editor
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Ana MarquesGrading
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Miguel LimaSound Post Producer
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Tiago Inácio3D Artists
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João Boaventura3D Artists
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André BandeiraVFX Artist
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Ricardo CruzSet Photographer
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Rita JoãoMaking Of
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Ana SantosMaking Of
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Project Title (Original Language):O Fim era Apenas o Início
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Project Type:Short
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Genres:Sci-Fi, Drama
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Runtime:17 minutes 6 seconds
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Completion Date:July 1, 2024
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Country of Origin:Portugal
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Country of Filming:Portugal
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Language:Portuguese
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Shooting Format:Digital, RED, 4K
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Two times nominated (2019 and 2023) and Awarded by the Portuguese Film Academy with a Sophia Award for best short documentary (2019) amongst other international awards before and after, I’m a storyteller at heart with a sharp eye for rhythm and emotions. I live to inspire others and take pride in realising that, from film to film, I become better at what I do.
From a young age I've always been passionate about post apocalyptic movies. Yet I've always considered that the collapse of a globalised and capitalist society didn't necessarily have to be a bad thing. And that became quite more evident once the Covid19 pandemic hit. All of a sudden, I felt relieved for having the time to slow down. So I guess that ended up fuelling this idea of turning into a movie this present pressure to survive and succeed, together with the hypothesis of a future where none of that exists, yet happiness does.