Script File
The Day of Arafah
The Day of Arafah follows the story of 21 year old Hadeel, a Jordanian Muslim woman who covers her skin religiously with makeup to hide her secret skin condition. Her dilemma begins when the love of her life Bassel finally proposes to her. Hadeel is thrilled, but she knows she will have to reveal her secret to him, she will have to take off the mask. Hadeel keeps delaying the engagement, and makes excuses to prolong it, which triggers Bassel’s insecurity and affects their relationship
Bassel-who is 20 years Hadeel senior and works as a barber opposite to Hadeel’s lingerie shop- always felt so lucky to have such a beautiful educated young woman, that
everyone think is way out of his league. But how long could it last?
At a beauty clinic, a doctor uses wet wipe to clean Hadeel’s face. For the first time, we see her face without makeup. White patches appear on her skin. Hadeel has vitiligo, a disorder that causes depigmentation. She asks the doctor for a faster solution. The doctor tells her about a new treatment that restores the pigmentation more quickly, but it’s expensive.
Hadeel asks her beloved grandmother, who she lives with, for advice. The grandmother instructs her to keep her vitiligo secret in the hope that he will fall in love with her and sign the marriage contract before he learns of her condition. Hadeel is left sad and confused. Her grandmother also hands her some money toward the faster medical treatment and convinces everyone in the family to keep quiet this time and not scare the suitor away. Hadeel believes Bassel should know about the vitiligo, but she also has high hopes of being cured, especially after the doctor showed her the before and after pictures.
As Hadeel gathers money to pay for the expensive treatment, she receives an intimate video of her and Bassel kissing after he proposed from an unknown facebook account. Hadeel is thrown into a fright. She doesn’t want her controlling hot-headed brother to find out about the scandalous video. She asks Bassel to bring his family and propose to her family immediately.
Bassel comes to visit Hadeel’s family with his inquisitive stepmother. But how far will Hadeel go with her secret? And how long can this love last?
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Ala'a Al QaisiDirectorPink Swing
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Ala'a Al QaisiWriterPink Swing
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Project Title (Original Language):Yawm Arafa
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Project Type:Screenplay
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Genres:Drama
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Number of Pages:95
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Country of Origin:Jordan
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First-time Screenwriter:Yes
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Student Project:No
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Debut Festure Film Fund ($130K) Royal Film CommissionJordan
December 4, 2020
Debut Feature Film Fund -
Elgouna Film Festival CineGouna PlatformEgypt
October 27, 2020
IEFTA Awrad- El Gouna Film Festival -
Rawi Screenwriting LabJordan
Ala'a Al Qaisi is a Jordanian-Australian Writer-Director. After intense competition, the Royal Jordanian Royal Film Commission's jury headed by the Academy Award Winner Hany Abu- Assad ("Paradie Now", "Omar") has selected Ala’a for its Debut Feature Fund . The RFC is funding the upcoming production of The Day of Arafah of USD 130K, plus a grant of using the gift of King Abdullah II to the RFC, Arri Alexa camera and all its attachments, and many more sponsorships and logistic support.
The Day of Arafah has also been selected at 2020 El Gouna Film Festival Platform for development prize and won the IEFTA Award which will enable her to participate in Cannes film Festival.
Ala’a participated in the RFC Rawi Screenwriting Lab. She has developed The Day of Arafah under the mentorship of the well-known filmmakers Annemarie Jacir (“Wajib” “When I Saw You”), Karim Traidia (“The Polish Bride” “The Ghandi Murder”) and Abu Bakr Shawky ('Yomeddine" Cannes Film Festival)
She has received several awards for her screenwriting from The University of Jordan, The Hashemite University, and The Jordan Language Center. Ala'a Al Qaisi moved to Australia in 2009. While there, she studied filmmaking at Sydney Film School and graduated from Actors Centre Australia. Ala’a worked on numerous short films there including two she directed: "Walk in My Shoes," and "Pink Swing." Both films were featured at the Sydney Film School Festival, where she was awarded The Sydney Film School Courage, Curiosity and Compassion Award in 2013.
Ala’a Al Qaisi recently returned to Jordan at the request of The Royal Jordanian Film Commission to develop and produce The Day of Arafah
Pink Swing Film: https://www.youtube.com/watch?v=dLw6-SluktA&t=19s
Funds & Awards
Secured Funds: The Debut Feature Film Fund $130k/ The Royal Film Commission- Jordan
Selection at El Gouna Film Festival CineGouna Platform/Egypt
Won the IEFTA Award including participation at The Cannes Film Festival's workshops in 2021
Hadeel is a young woman in a conservative Arab society who struggles to reconcile her desires and aspirations with what her society wants her to be. She tries to please the society, while simultaneously breaking its rules and taboos in secret. But how long can she maintain her dual lives?
Hadeel is an Arab woman who must live with her doubts about her looks. She always feels like people are looking at her, like people are noticing her physical flaws. Body shaming and image shaming is a phenomenon, woman experience every day. We are always reminded that we are too fat, too skinny, too white, too dark. Hadeel believes she will never find love without makeup and that no one will accept her with vitiligo.
In a society where women are valued mainly for their beauty, Hadeel is worthless. Imagine you must always cover your skin and become very anxious if your foundation fades away. This is how my heroine feels every day. Applying makeup religiously, Hadeel slowly sank so deep into this new identity that she lost herself. She doesn’t want to acknowledge the face beneath makeup. She doesn’t like this new, fake identity that she has created, but she has no choice but to live with it.
Hadeel works in a lingerie shop, where she sells lingerie to young and pretty girls and she sees how they were courted and became engaged thanks to their beauty. This kind of job affirms the social belief that women must look pretty and sexy for men and men expect this from them.
While I am conscience of the prevalence of misogyny in all societies, I want to use this film to draw particular attention to its role in Jordanian society, where it reaches a level of intensity and social control. In addition to emphasising the suppression of women in Jordan, the film will explore Jordanian culture in all of its complexity and dignity.
The story takes place two weeks before Eid Al Adha, when Hadeel’s brother buys a cow to slaughter as a sacrifice for the festival. The cow’s presence triggers Hadeel’s insecurity. It brings back a troubled past of bullying and abuse: she was called La Vache Qui Rit, or “the laughing cow”. We see how the relationship between Hadeel and the cow develops, how their paths cross as Eid Al Adha approaches.
“The Day of Arafah” means the day of awakening. It begins just before noon and lasts until sunset. Pilgrims, in white clothes, gather on Mount Arafah and take their stand of faith before God, entreating His mercy and acceptance. On the Day of Arafah, while the pilgrims go through their spiritual journey, Hadeel will be in her higher state of inner awakening, when she hits rock bottom. While the pilgrims raise their hands for god to accept them, Hadeel will raise her hands to her higher self to accept herself and the skin she lives in.