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The Continuous War Train

"The Continuous War Train" is a 3D animated film by Ken Rinaldo that critiques America's deep-rooted obsession with military power, a cornerstone of its economy. The film highlights the pervasive influence of the military-industrial complex and the glamorization of violence in the entertainment industry, examining how these forces shape societal attitudes towards violence as a means to resolve political conflicts.

The narrative begins with a seemingly innocuous, colorful train journeying through a Midwestern town, laden with conventional, robotic, and futuristic space weaponry. As the train progresses, the initially mundane sounds of wheels on tracks crescendo into harrowing echoes of a woman screaming, machine-gun fire, and the cries of infants. This continuous train, carrying everything from Humvees and tanks to jets, rockets, and cutting-edge military technologies, symbolizes a relentless march under the guises of "defense" and "security."

The film interweaves 3D animations that nod to contemporary superhero films with historical WWII footage and clips from modern conflicts, creating a compelling critique of how militarism is marketed and consumed. Accompanied by a powerful soundtrack, the work generates an emotionally potent commentary on the consequences of glorifying military prowess.

  • Ken Rinaldo
    Director
  • Ken Rinaldo
    Writer
  • Emily Subr
    Assistants
  • Danner Seyffer Sprague
    Assistants
  • Trademark Gunderson
    Assistants
  • Song Chow
    Assistants
  • Laura Black
    Assistants
  • Trademark Gunderson
    Sound Designer
  • Trademark Gunderson
    Editor
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    6 minutes 52 seconds
  • Completion Date:
    May 11, 2018
  • Production Budget:
    3,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Shooting Format:
    animation
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • TAIWAN CONTEMPORARY CULTURE LAB
    Taipai
    Taiwan
    November 9, 2018
    Taiwan
    Commission by the Exhibition
  • B3 BIENNALE OF MOVING IMAGE ,
    Frankfurt
    Germany
    oct, 9, 2020
    B3 Biennale
    Official Selection of the Festival
  • SPACE: WILLING N DEALING
    Seoul
    Korea, Democratic People's Republic of
    March 29, 2020
    Korean Premiere
    Official Invited Selection
  • SALONE DELGI INCANTI
    Trieste
    Italy
    Nov 17, 2018
    Italian Premiere
    Official Selection of Festival
  • MUSEU DE HISTORIA NATURAL E DA CIENCIA
    Lisbon
    Portugal
    November 9, 2018
    Portuguese Premiere
    Official invited Selection
  • THE URBAN ART SPACE
    Columbus
    United States
    October 10, 2019
    North American Premiere
Director Biography - Ken Rinaldo


Ken Rinaldo is internationally recognized as a pioneer in bio art, 3D animation and robotic interactive art installations. These installations develop hybrid ecologies with humans, machines, plants, animals, and more than human others by constructing idealized social, biological, and machine symbionts. Film, video and 3D animation are essential means by which Rinaldo explores ways of developing and supporting these conceptual concerns.
His work interrogates fuzzy boundaries and posits that as new machinic & algorithmic species arise, we need to understand the complex constructive and destructive ecologies that a semi-living species may shape. Trans-species communication enhanced by machine learning will empower animal agency, insect, bacterial, and emergent machine intelligence while expanding understanding of more than human others.

Rinaldo’s works have traveled to 35 countries, receiving an Award of Distinction at Ars Electronica, First prize at Vida 3.0 for Autopoiesis, First Prize for his Video Opera for Dying Insects at the Great Plains Nature Center Video competition, A United Nations Green Leaf Award, and commissions from Nuit Blanche, Vancouver Olympics, and Te Papa and Kiasma Museums.

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