The Continuous War Train
"The Continuous War Train" is a 3D animated film by Ken Rinaldo that critiques America's deep-rooted obsession with military power, a cornerstone of its economy. The film highlights the pervasive influence of the military-industrial complex and the glamorization of violence in the entertainment industry, examining how these forces shape societal attitudes towards violence as a means to resolve political conflicts.
The narrative begins with a seemingly innocuous, colorful train journeying through a Midwestern town, laden with conventional, robotic, and futuristic space weaponry. As the train progresses, the initially mundane sounds of wheels on tracks crescendo into harrowing echoes of a woman screaming, machine-gun fire, and the cries of infants. This continuous train, carrying everything from Humvees and tanks to jets, rockets, and cutting-edge military technologies, symbolizes a relentless march under the guises of "defense" and "security."
The film interweaves 3D animations that nod to contemporary superhero films with historical WWII footage and clips from modern conflicts, creating a compelling critique of how militarism is marketed and consumed. Accompanied by a powerful soundtrack, the work generates an emotionally potent commentary on the consequences of glorifying military prowess.
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Ken RinaldoDirector
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Ken RinaldoWriter
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Emily SubrAssistants
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Danner Seyffer SpragueAssistants
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Trademark GundersonAssistants
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Song ChowAssistants
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Laura BlackAssistants
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Trademark GundersonSound Designer
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Trademark GundersonEditor
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Project Type:Animation, Experimental, Short
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Runtime:6 minutes 52 seconds
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Completion Date:May 11, 2018
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Production Budget:3,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Shooting Format:animation
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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TAIWAN CONTEMPORARY CULTURE LABTaipai
Taiwan
November 9, 2018
Taiwan
Commission by the Exhibition -
B3 BIENNALE OF MOVING IMAGE ,Frankfurt
Germany
oct, 9, 2020
B3 Biennale
Official Selection of the Festival -
SPACE: WILLING N DEALINGSeoul
Korea, Democratic People's Republic of
March 29, 2020
Korean Premiere
Official Invited Selection -
SALONE DELGI INCANTITrieste
Italy
Nov 17, 2018
Italian Premiere
Official Selection of Festival -
MUSEU DE HISTORIA NATURAL E DA CIENCIALisbon
Portugal
November 9, 2018
Portuguese Premiere
Official invited Selection -
THE URBAN ART SPACEColumbus
United States
October 10, 2019
North American Premiere
Ken Rinaldo is internationally recognized as a pioneer in bio art, 3D animation and robotic interactive art installations. These installations develop hybrid ecologies with humans, machines, plants, animals, and more than human others by constructing idealized social, biological, and machine symbionts. Film, video and 3D animation are essential means by which Rinaldo explores ways of developing and supporting these conceptual concerns.
His work interrogates fuzzy boundaries and posits that as new machinic & algorithmic species arise, we need to understand the complex constructive and destructive ecologies that a semi-living species may shape. Trans-species communication enhanced by machine learning will empower animal agency, insect, bacterial, and emergent machine intelligence while expanding understanding of more than human others.
Rinaldo’s works have traveled to 35 countries, receiving an Award of Distinction at Ars Electronica, First prize at Vida 3.0 for Autopoiesis, First Prize for his Video Opera for Dying Insects at the Great Plains Nature Center Video competition, A United Nations Green Leaf Award, and commissions from Nuit Blanche, Vancouver Olympics, and Te Papa and Kiasma Museums.