The Bastard Son
A young man decides to kill his brother to keep his father's inheritance, until he is surprised by the consequences of a past infidelity.
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Patricio EscartínDirector
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Patricio EscartínWriter
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Patricio EscartínProducer
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Víctor Manuel OrtigozaKey Cast"Andrieu"Héroe de Barrio
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Andree LópezKey Cast"Ricardo"
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Natalia HernándezKey Cast"Josefina"
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Emiliano FajardoKey Cast"Abogado"
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Patricio EscartínKey Cast"Hijo bastardo"
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Fabricio EscartínKey Cast"Hermano muerto"
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Gabriel CamachoPhotographer
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Gabriel CondeMontage
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Patricio EscartínMontage
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Project Title (Original Language):El hijo bastardo
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Project Type:Short
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Genres:Noir, Crime
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Runtime:5 minutes 6 seconds
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Completion Date:August 28, 2019
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Production Budget:1,000 MXN
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Country of Origin:Mexico
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Country of Filming:Mexico
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Language:Spanish
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Shooting Format:Digital
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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The Lift-Off SessionsPinewood
United Kingdom
July 9, 2020
México Premiere
Official Selection -
First-Time Filmmaker SessionsPinewood
United Kingdom
August 13, 2020
México Premiere
Official Selection
Distribution Information
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ZoowomanDistributorCountry: SpainRights: Internet
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Cortos de MetrajeDistributorCountry: WorldwideRights: Internet
Patricio Escartín is a young filmmaker, who worked as director, producer, and screenwriter in El Hijo Bastardo (2019), an independent production and his debut feature. With just 20 years old, the director, still in training, has participated in independent short films such as Cómo me veo (2019) by Elisa Jiménez and Héroe de Barrio (2020) by Víctor Manuel Ortigoza. In addition, he is in the process of future projects.
"The bastard son" emerged as a project through I wanted to explore the theme of betrayal, after a story about an inheritance and a murder came to my mind after hearing "Veridis Quo" by Daft Punk (musical theme that i used for the shortfilm). I wanted to narrate through three time lines to give more dynamism to the story, alternating each one of the events so that they are told at the same time. For the on-camera shooting, I filmed with an Iphone 6 with the intention of exploring filmmaking with cell phones, as well as trying to save money. I also opted for high contrast to immerse the viewer in a dark environment that reflected the psychological state of the protagonist.