The Accused Showed No Remorse
Amid protests in Iran, Simin secures the temporary release of her teenage son after a harrowing stint in prison. Nima returns home withdrawn, and when he suddenly disappears, Simin navigates tense, chaotic streets to find him. Just as hope flickers, a single gunshot leaves everything in painful uncertainty.
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Ramin SoltaniDirector
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Ramin SoltaniWriter
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Ramin SoltaniProducer
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Project Type:Short, Student
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Runtime:19 minutes 20 seconds
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Completion Date:September 10, 2025
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Production Budget:15,000 USD
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Language:Persian
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - ESCAC
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Digital Cinema Package:Unavailable
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Kaohsiung Film FestivalKaohsiung
Taiwan
October 11, 2025
World Premiere
Official Selection -
Iranian Short Film Academy Awards (ISFA)Tehran
Iran
November 10, 2025
National Screening
Best Short Film -
Nahal International Student Short FilmTehran
Iran
December 8, 2025
National Screening
Best Actress -
Sehsüchte International Student Film FestivalPotsdam
Germany
April 25, 2026
European Premiere
Official Selection
Distribution Information
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Pooyan SedghiDistributorRights: All Rights
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Ramin SoltaniDistributorCountry: IranRights: All Rights
Ramin Soltani is an Iranian filmmaker and screenwriter. A graduate of Soore University with a Bachelor of Arts (BA) in Cinema, he makes films that trace the friction between private life and public power, told in a stripped-down realist style.
His short films include Hidden (2020) and The Accused Showed No Remorse (2024). He is developing his debut feature, According to an Eyewitness, and is pursuing a Master’s degree in Film Directing at the Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) in Barcelona.
The Accused Showed No Remorse tells the story of a woman who, amid the "Woman, Life, Freedom" protests, tries to save her child from an uncertain fate. The film unfolds during a time of political crisis, but focuses on a deeply human and familial experience: loneliness, fear, and the fragile bond between a mother and her son.
For me, this film is a response to the social reality in Iran, not through analysis or slogans, but from the perspective of a woman taking action against the gradual disappearance of her child. The camera follows her as she searches through streets heavy with anxiety and silence.
In making this film, I aimed to keep the narrative simple, human, and unadorned. I did not create a hero or pass judgment; I simply followed the story of a woman who, despite despair, still searches for signs of life.