Tempo Rubato
The night before her 18th birthday recital, an overworked and talentless pianist is abducted by three ghouls and thrust into a world of chaos.
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Sonny NewmanDirector
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Sonny NewmanWriter
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Sonny NewmanProducer
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Chris SanchezProducer
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Ula RossProducer
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Isabella ThatcherKey Cast"The Pianist"
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Katie HerlingKey Cast"Chico"
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Joaquin HosfeldKey Cast"Harpo"
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Martha ThatcherKey Cast"Groucho"
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Guy AmbrousoKey Cast"The Shadow"
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Kiana MoattariKey Cast"The Ballerina"
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Maria NewmanKey Cast"The Mother"
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Scott HosfeldKey Cast"The Father"
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Matthew NewmanMusic
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Sasha BrustinovMusic
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Sonny NewmanMusic
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Project Type:Short
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Genres:Comedy, Silent Film, Fantasy
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Runtime:25 minutes
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Completion Date:January 29, 2025
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Production Budget:4,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Buried Alive Horror Film FestivalAtlanta, Georgia
United States
November 7, 2025
World Premiere
Official Selection -
Broken Film FestivalGuelph, Ontario
Canada
April 17, 2026
Canadian Premiere
Official Selection -
The Real Twin Peaks FestivalNorth Bend, Washington
United States
February 22, 2026
Official Selection -
Malibu Coast Music FestivalMalibu, California
United States
March 16, 2026
Official Selection
Sonny Newman (they/them) is an American filmmaker based in Los Angeles. Their work is distinguished by its formal playfulness, off-kilter humor, and dedication to uniquely filmic experiences.
In music, "Tempo Rubato" refers to a momentary disregard for tempo, allowing an expressive quickening or slackening without altering the overall pace.
More potently, it can be thought of as stolen time.
TEMPO RUBATO grew out of a desire to embody this concept through image, sound, and story. I was most excited to create two approaches to movie-time: one rigid, edited strictly to the metronome, with hard cuts, minimal movement, and distance; the other fluid, featuring images that transform and disrupt space-time continuities. In this sense, the film is about the organization of time through form, with a protagonist caught between forces of order and chaos.
As a plus to these formal considerations, TEMPO RUBATO gave me the chance to synthesize some of my favorite cinematic obsessions: Maya Deren, silent comedy, Looney Tunes, German Expressionism, and the Marx Brothers.
(It may or may not also pull heavily from my experience as the less-than-musical child of acclaimed musicians)
My hope for TEMPO RUBATO is really very simple: time gobbles things up. I wanted to steal some. I hope you can grab a bit for yourself as well.