Telephone
Activist screendance documentary celebrating emotionally rich, poetic audio description for dance which allows blind and visually impaired people to be included fully in the joy of artistic expression.
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Krishna WashburnDirector
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Heather ShawDirector
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Heather ShawProducer
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Krishna WashburnProducer
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Emil Bognar-NasdorComposer
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Alex RomaniaEditor
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Ryan WoodhallSound Engineer
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Ian SanbornASL Performer
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Cameron Lucas EggersASL Interpreter
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Michelle MantioneKey Cast"Dancer and Audio Describer"
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Arielle ColeKey Cast"Dancer"
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Ogemdi UdeKey Cast"Audio Describer"
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Lillian E. WillisKey Cast"Dancer and Audio Describer "
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Davian "DJ" RobinsonKey Cast"Dancer"
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Camille Tokar PavliskaKey Cast"Dancer "
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Seta MortonKey Cast"Audio Describer "
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Alejandra OspinaKey Cast"Audio Describer "
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Christopher "Unpezverde" NúñezKey Cast"Dancer"
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Jessica ReisKey Cast"Dancer"
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M. RodriguezKey Cast"Audio Describer "
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Marielys Burgos MeléndezKey Cast"Dancer"
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Louisa MannKey Cast"Dancer"
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Ellice PatersonKey Cast"Audio Describer"
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Alice Jane KlugherzKey Cast"Audio Desciber "
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Mayke van VeldhuizenKey Cast"Dancer"
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Pelenakeke BrownKey Cast"Dancer"
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Alyson Ayn OsbornKey Cast"Audio Describer "
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Toby MacNuttKey Cast"Dancer"
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Geelia RonkinaKey Cast"Audio Describer"
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Constantina ZavitsanosKey Cast"Audio Describer "
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Heather ShawKey Cast"Dancer and Audio Describer"
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Krishna WashburnKey Cast"Dancer "
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Abigail RenoKey Cast"Credit Voiceover Artist"
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Alex RomaniaCinematographer and Color Corrector for Michelle Mantione's footage
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Project Type:Documentary, Feature, Short, Other
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Genres:screendance, documentary, audiodescription, activisism, disabilityrights, dancefilm
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Runtime:43 minutes 38 seconds
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Completion Date:November 22, 2022
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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New York UniversityNew York
United States
December 2, 2022
Premiere -
Leadership Network for Accessible EducationBoston
United States
January 26, 2023 -
Carrollwood Cultural CenterTampa, Florida
United States
February 4, 2023 -
EstroGenius FestivalNew York
United States
April 23, 2023 -
Theater for the New CityNew York
United States
August 15, 2023 -
Abilities Dance BostonBoston
United States
September 17, 2023 -
University of PittsburghPittsburgh
United States
October 1, 2023 -
San Francisco Dance Film FestivalSan Francisco
United States
October 8, 2023 -
Rutgers UniversityNew Brunswick
United States
October 11, 2023 -
Mill Valley Film FestivalMill Valley
United States
October 14, 2023
West Coast -
Carnegie Mellon UniversityPittsburgh, PA
United States
October 24, 2023 -
New Museum Los Gatos in Partnership with Los Gatos LibraryLos Gatos, CA
United States
November 5, 2023 -
Movement ResearchNew York
United States
November 15, 2023 -
Sans Souci Festival of Dance CinemaBoulder, Colorado
United States
November 27, 2023 -
Carleton CollegeNorthfield
United States
January 17, 2024
Minnesota -
Ohio Dance/ReelAbilities Film Festival Columbus/Arts Possible OhioColumbus
United States
April 26, 2024
Ohio -
Conservatory of Dance at Purchase College, SUNYPurchase, New York
United States
April 29, 2024
Krishna Christine Washburn Bio
Krishna Christine Washburn is the artistic director and sole teacher of Dark Room Ballet, a pre-professional dance curriculum designed for the educational needs of blind and visually impaired people like herself, the only course of its kind in the English- speaking world. Dark Room Ballet is sponsored by Movement Research, a progressive movement arts institution in New York City.
Krishna holds a Masters of Education from Hunter College, a BA from Barnard College, and multiple certifications from the American College of Sports Medicine with a focus in biomechanics.
Dark Room Ballet has been featured in USA Today, BLOOM Magazine, Speak Out for the Blind podcast, the Eyes on Success podcast, Bloomberg Quicktake news, and more.
Krishna has performed with many leading dance companies including Jill Sigman’s thinkdance, Infinity Dance Theater, Heidi Latsky Dance, Marked Dance Project, and LEIMAY. She has collaborated with many independent choreographers, including Patrice Miller, iele paloumpis, Perel, Vangeline, Micaela Mamede, Apollonia Holzer, and notably with A. I. Merino.
Krishna has been a popular guest educator, in particular in the fields of self-audio description and curriculum development for blind and visually impaired dance students. She has taught workshops at The New School, Philadelphia’s Hook and Loop, Gibney Dance, Indiana Blind Children’s Foundation, and has been company mentor to the ShaLeigh Dance Works dance company for the development of their interactive dance theater project, enVISION, led by her mentee, DJ Robinson.
Krishna has spoken about ableism in dance education at the 92nd Street Y, New York University, National Dance Educators Organization, and ArtSpark Texas.
Krishna is also co-director of Telephone, an on-going activist screen dance documentary project meant to promote innovative artistic philosophies relating to audio description for dance, with choreographer and filmmaker Heather Shaw.
Heather Shaw Biography
With diverse experience as a choreographer, dancer, actor, curator, and screendance filmmaker, Heather Shaw received her early dance training from Santa Cruz Ballet Theater and TDC of the Bay Area. Heather gained her BA in Philosophy (with a Theater/ Dance minor) from UC Berkeley. Additionally, she is a graduate of the two year acting program at The Meisner Technique Studio in San Francisco, CA.
Heather’s professional dance experience includes being a company dancer with both MKM Bollystars and Daurden Contemporary Dance Theater in Los Angeles, and currently with ArcTangent Dance in San Jose, CA. In 2020, Heather was selected as one of five Project Tier Choreographers from across the country for Regional Dance America’s NCI.
Heather is currently the Artistic Director and Choreographer for Montage Contemporary Company, a contemporary dance company providing performance and repertory opportunities for adult dancers. She is on staff as a ballet and contemporary teacher at Montage Dance Productions, TDC of Los Gatos, and Ayana Ballet. Heather previously taught Barre and movement classes across the Los Angeles area, including at Equinox and on the FOX Studios lot. Her choreography has been performed at YAGP, California Dance Classics, ONYX Dance Co and more. Heather is the co-director of the activist screendance documentary, Telephone, with Krishna Washburn.
As a curator, Heather has served as Performing Arts Manager at the Oshman Family JCC and Co-Curator of TEDxPaloAlto. Her artistic interests include exploring the intersection of movement, sentience, cultural behavior, and aesthetics, and creating a dance community that is accessible to all.
The first of its kind, Telephone is a documentary screendance film bringing awareness to the important art form of audio description (AD) for dance. Audio description allows blind and visually impaired people to be included fully in the joy of artistic expression.
Co-directed by Dark Room Ballet founder Krishna Washburn and choreographer/filmmaker Heather Shaw, Telephone is the first screendance documentary created specifically with a visually impaired audience in mind, while facilitating an immersive sensory experience for audience members of all sight levels.
Initiated in the early days of the global pandemic in 2020, the film features diverse disabled and non-disabled artists from across the globe, demystifying and legitimizing AD, not just as an access tool, but as a beautiful, rich art form in its own right.
Telephone is at the forefront of a completely new approach to audio description. Most of what is considered “best practice” for AD is meant for television or film. A neutral AD voice describes the visuals and does not express emotional content. In television and film, the performers' voices (layered over the AD) inform the audience of the emotional themes. However, in dance, performers rarely speak. Is the neutral AD voice really the best choice for dance? How do those listening to the AD connect with the emotional content of the performance?
The audio describers of Telephone are reshaping the world's perception of AD, adding emotional context and allowing their words to dance in the same way a dancer's body moves. The result is a beautiful merge of poetry and movement, proving that: dance is visceral, not merely visual.