TAYAL FOREST CLUB

"Ancestors! We’ve gotten stuck here. Can you help us find the way home?” pleads Yukan, an Atayal teenager lost in the forests of his forefathers.

Bullied at school and weighed down at home by his dad’s drinking, Yukan is eager to escape it all. When his best friend, Watan, invites him on a hike, a physically and emotionally bruised Yukan grabs his machete and the two boys head into the woods. But this isn’t just any hike, or just any woods — as Yukan and Watan’s youthful overconfidence runs them up against the realities of nightfall in the dense and mountainous Atayal homelands, other forces begin to reveal themselves. Before they can find a way home, these two young Tayal men must first humble themselves enough to learn the lessons that the land itself has to offer.

In TAYAL FOREST CLUB, Taiwan’s first Indigenous female film director, Laha Mebow shares a coming-of-age tale that interweaves Tayal characters, settings, and symbols with the complexities arising from her community’s interactions with contemporary society.

  • Laha Mebow
    Director
    GAGA, Lokah Laqi! (Hang in There, Kids!)
  • Taylor Hensel
    Producer
    ᎤᏕᏲᏅ (What They’ve Been Taught); Reciprocity Project
  • Adam Mazo
    Producer
    ᎤᏕᏲᏅ (What They’ve Been Taught); Reciprocity Project, Bounty, Dear Georgina; Dawnland; First Light
  • Kavita Pillay
    Producer
    ᎤᏕᏲᏅ (What They’ve Been Taught); Reciprocity Project
  • Tracy Rector
    Producer
    ᎤᏕᏲᏅ (What They’ve Been Taught); Reciprocity Project; Outta the Muck; Manzanar Diverted: When Water Becomes Dust; Sweetheart Deal; Bounty; Dear Georgina; March Point
  • Tracy Rector
    Executive Producer
  • Hindou Ibrahim
    Co-Executive Producer
  • Yo-Yo Ma
    Co-Executive Producer
  • Cristina Mittermeier
    Co-Executive Producer
  • Kiliii Yuyan
    Co-Executive Producer
  • Project Type:
    Documentary, Short
  • Genres:
    Indigenous, Documentary, Environmental
  • Runtime:
    18 minutes 46 seconds
  • Completion Date:
    January 1, 2024
  • Production Budget:
    70,000 USD
  • Country of Origin:
    Taiwan
  • Country of Filming:
    Taiwan
  • Language:
    Mandarin Chinese, Other
  • Shooting Format:
    Digital, ArriRaw
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Laha Mebow

As the first Indigenous woman film director from Taiwan, Laha Mebow is best known for feature films focusing on the Indigenous Tayal community. Her 2022 feature film, GAGA, garnered Laha the coveted best director award at the 2022 Golden Horse Awards, an annual celebration of Chinese language cinema. With it, Laha became the first Taiwanese woman and the first Indigenous director to win the Golden Horse award for best director. Her previous feature, Lokah Laqi! (Hang in There, Kids!) won five awards at the 2016 Taipei Film Awards, including Best Narrative and the Grand Prize*. Lokah Laqi! was Taiwan’s submission to the 2017 Academy Awards for Best Foreign Language Film.

Born in Nan-ao, Taiwan to a mother who was a teacher and police officer father, Laha was raised in the bustling city of Taichung. Following her graduation from the Department of Radio, TV and Film at Shih Hsin University, Laha worked in Taiwan’s film industry, including projects by director Tsai Ming-liang. She later joined Taiwan Indigenous Television, where she further honed her writing and production skills and first began learning about her Tayal heritage. In interweaving Tayal characters and settings with the complexities arising from the Tayal community’s interactions with contemporary society, Mebow has compared her approach to filmmaking to Tayal handloom weaving, a demanding skill that Tayal women of earlier generations were required to master.

Prior to her work in narrative features, Laha has produced four documentary films over the past decade, including Ça Fait Si Longtemps, an Austronesian peoples music documentary that explores the connection between Indigenous pop musicians and Kanaky musicians from New Caledonia.

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Director Statement

Coming home has always been my source of inspiration for storytelling. As someone who grew up as an "Atayal" in the city, I embarked on this filmmaking journey to rediscover my identity, culture, and heritage.

I'm particularly drawn to telling stories through young characters. This story took shape with three central characters: a boy, a hunter, and an alcoholic. The alcoholic figure holds a special place in our community, symbolizing a loss of spirit. Much like the main character in the film, Yukan, in a world where our connections to our origins are increasingly fragmented, many souls can feel shattered. Just like Yukan, I aim to explore how we can find strength by returning home and reclaiming our sense of self.