Private Project

TOWARDS

TOWARDS has two protagonists, one old man and a young one, a collective image of a single individual trying to return to the beginning, which, however, turns out to be the end. The protagonists are portrayed naked before the world, and their individuality dissolves in the cold darkness of space.
The first episode, titled MemoryImages, takes place in a dilapidated movie theatre with a slab of ice as screen. A succession of archival images of the most important state visits to Albania is projected on the frozen screen, visits made by high-level representatives from the USSR, PRC, and USA, up to the most recent archival images from the 1997 Albanian Shock Therapy. The second episode, titled Desertion, takes place in the womb of a spaceship. This is eternal space, limbo, where the protagonists try to conceive, or reactivate, the beginning of a new historical phase: a collective one. 

  • Armando Lulaj
    Director
    TOWARDS
  • Armando Lulaj
    Writer
    TOWARDS
  • Andrei Vasilenko
    Producer
    TOWARDS
  • Alexandra Chistova
    Producer
    TOWARDS
  • Koshta Collective
    Producer
    TOWARDS
  • Viacheslav Vorobyov
    Key Cast
    "C1 (actor) "
    TOWARDS
  • Vincent W J van Gerven Oei
    Key Cast
    "C2 (actor) "
    TOWARDS
  • Ivan Burlakov
    DOP
    TOWARDS
  • Andrei Derghachev
    Music
    TOWARDS
  • Project Type:
    Experimental
  • Runtime:
    24 minutes 24 seconds
  • Completion Date:
    March 1, 2024
  • Production Budget:
    120,000 USD
  • Country of Origin:
    Albania
  • Country of Filming:
    Russian Federation
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.35:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Armando Lulaj

Armando Lulaj (Tirana, 1980) is a writer of plays, texts on risk territories, filmmaker, and producer of conflict images. His research is oriented towards accentuating the border between economical power, fictional democracy, and social disparity in a global context. His main topics of interest are the archives and the structure of power. In 2003 he founded in Tirana, Albania, the DebatikCenter of Contemporary Art. DCCA is a nexus of artists and filmmakers which seek to shed light on the ways in which our contemporary society works but also offer the necessary tools to imagine alternative futures and strategies of resistance to the status quo. Lulaj’s work is part of important public and private collections. Among others Exhibitions and Film Festivals include: 52nd Venice Biennale (2007); 63rd Berlinale International Film Festival (2013); Utopian Days, Total Museum of Contemporary Art, South Korea (2014); Lost in Landscape. MART Museum, Rovereto (2014); 56th Venice Biennale, Albanian Pavilion (2015); Cinéma du reel Film Festival, Centre Pompidou, Paris (2016); The Whale that was a Submarine, Ludwig Museum of Contemporary Art, Budapest (2016); HISTORICODE, Scarcity and Supply, Third Nanjing International Art Festival, China (2016); Global Chengde'' International video art exhibition, Chengde, China (2017); BILBAO, Artra Gallery, Milan (2020); South by Southwest Siskel Film Center, Chicago (2020); Material Zone 2, Alt Medium Gallery, Tokyo (2020); Open Air Festival, Haus der Kulturen der Welt, Berlin (2020); No Room For Maneuver #3, Artra Gallery, Milan (2022); The House That Woodrow Built, Zeta Center for Contemporary Art, Tirana (2022), etc. Among Publications: Albanian Trilogy: A Series of Devious Stratagems, Sternberg Press, Berlin (GE); CONTROL, Silvana Editoriale, Milan (IT); Broken Narrative: The Politics of Contemporary Art in Albania, Punctum Books, California (USA).

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Director Statement

TOWARDS tells an Albanian story that takes place in the near future. Following the historical ruptures of past relations with the USSR and the PRC in the 60s and ’70s, Albania is once again isolated from the world stage as it has ruptured relations with the USA. Based on “Drejt Epsilonit te Eridanit” (Towards Epsilon Eridani, 1983) by Arion Hysenbegas, the best-known adult science fiction novel published in Albania during socialism, the film combines the lost promise of socialist solidarity and brotherhood with the curse of current neoliberalism. The story begins right after the last diplomatic break, and is set in a world that is falling apart. In this world the protagonist C (the writer of the book), and his reflection C1 (the protagonist of the book), embark on a journey within themselves, where memories, cinema, mistakes and political sins go beyond communism and neo-imperialism. This path towards the common ideal also activates a need for "historical desertion". The journey happens also into the past where the past political friendships and diplomatic relations are scrutinizes, in an attempt to find ways to mend the broken histories and reactivate the idea of the collective once again. Albania's three greatest political loves - Russia, China and the United States - are represented only as archives of a past full of mistakes and failures: such as Nikita Khrushchev's visit in 1959; Chou En Lai's visit in 1966; the visit of the American Secretary of State, James Baker, in 1991, and finally the footage of the Shock Therapy of 1997 - the first serious crisis of capitalism in Albania. The past is also represented by original Albanian postage stamps from the 1960s, ’70s, and late 2000s, stamps portraying cosmos and space travel, but mostly historical stamps depicting political figures such as Stalin, Mao, George W. Bush and Lenin. Only by reactivating the past in the cosmos could we have a chance to repeat it again, correctly, on our common Earth.
The two episodes of TOWARDS are of equal length and consist of 9 scenes each. The narratives of the two episodes work both independently and combined, thus producing a third, complete narrative. The film has no beginning or end, but a meeting point in time within the narrative. Its non-linear, episodic structure moves through time and space, is abstract, fragmented, and relates the book's narratives to a wider political constellation of ideas about cosmos and space. The original text of the book, "Towards Epsilon Eridani", has been used as the starting point towards a multi-layered film regarding time and space, past and present, archive and cinema, colonization of space and other possible futures.