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THIS IS ME: Letters from the Front Lines

THIS IS ME: Letters from the Front Lines captures the resilience, determination and hope of the human spirit, following the paths of military veterans and first responders as they share what it means to be true warriors on the front lines – and fight the invisible enemy that all humanity is currently battling. At a time when most have been asked to halt and withdraw, others, like soldiers are charging forward.

  • Jacques Heim
    Director
    America's Got Talent, The 16th Asian Games, Cirque du Soleil's KÁ, Le Plus Grand Cabaret
  • Aaron Mendez
    Cinematography
    UFC Ultimate Insider, Ironman World Championship, Alcatraz: Search for the Truth, Brew Dogs
  • France Nguyen Vincent
    Writer
    Nederlands Dans Theater
  • Jim Vincent
    Artistic Consultant & Dramaturg
  • Jean-Yves Tessier
    Lighting Design
  • Thor Steingraber
    Producer
    Martha Graham in Immediate Tragedy
  • Simon Greenberg
    Sound Design & Engineering
  • Noah Alexander
    Sound Mixer
  • Simon Greenberg
    Music Composers
  • Robert Allaire
    Music Composers
  • Jean-Pierre Bedoyan
    Music Composers
  • Dr. Sasan Najibi
    Key Cast
    "Chief of Staff"
  • Mariella Keating
    Key Cast
    "ICU Nurse"
  • Lucas Haas
    Key Cast
    "EMT"
  • France Nguyen Vincent
    Key Cast
    "France"
  • Tyler Grayson
    Key Cast
    "U.S. Army"
  • La'Vel Stacy
    Key Cast
    "U.S. Navy"
  • Chris Loverro
    Key Cast
    "U.S. Army"
  • Shannon Corbeil
    Key Cast
    "U.S. Air Force"
  • Dusty Alvarado
    Associate Producers
  • Amy Tuley
    Associate Producers
  • Chris Mendez
    Assistant Camera
  • Theodore Caleb Haas
    Assistant Camera
  • Majella Loughran
    Rehearsal Director
  • Kate Dougherty
    Rehearsal Director
  • Steven Jasso
    Technical Director
  • Matt Wagner
    Acrobatic Trainer
  • Adam Davis
    Set Designers
  • Mike McCluskey
    Set Designers
  • Tina Trefethen
    Set Designers
  • Daniel Wheeler
    Set Designers
  • Jeremy Railton
    Set Designers
  • Derion Loman
    Performers & Co-Choreographers
  • BethanyRose Boutwell
    Performers & Co-Choreographers
  • Daniel Jacob Glenn
    Performers & Co-Choreographers
  • Majella Loughran
    Performers & Co-Choreographers
  • Matt Wagner
    Performers & Co-Choreographers
  • Steven Jasso
    Performers & Co-Choreographers
  • Kate Dougherty
    Performers & Co-Choreographers
  • Lex Shimko
    Performers & Co-Choreographers
  • Abraham Meisel
    Performers & Co-Choreographers
  • Evan Turner
    Performers & Co-Choreographers
  • Amanda MacLeod
    Performers & Co-Choreographers
  • George Simian
    Photographer
  • Project Type:
    Documentary, Experimental, Short
  • Genres:
    Documentary, Drama, Dance
  • Runtime:
    36 minutes 30 seconds
  • Completion Date:
    July 31, 2020
  • Production Budget:
    50,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    RED
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • The Soraya's Together Apart
    Los Angeles
    United States
    July 31, 2020
    North American Premiere
    Official Selection
  • Los Angeles Film Awards
    Los Angeles
    United States
    Best Musical/Dance Film
Director Biography - Jacques Heim

Jacques Heim was born and raised in Paris, where his earliest artistic experience came from street performing. He attended Middlebury College (B.F.A. in Theater, Dance, and Film), the University of Surrey in England (Certificate for Analysis and Criticism of Dance), and the California Institute for the Arts (M.F.A. in Choreography). Not strictly a dancer or acrobat, Heim calls himself an “architect of motion.” He is rather like a drill sergeant or a football coach who loves pushing dancers beyond their own physical and emotional limits to make them feel that they can conquer anything, to make them realize that they are heroes.

Heim is named after his grandfather, the late and revolutionary fashion designer who, in 1946, launched the first ever two piece bathing suit called Atome, later renamed The Bikini, and also invented le pret a porter, or Ready to Wear. Just as his grandfather broke ground in the fashion industry, Heim challenges and break the mold of conventional wisdom surrounding dance, developing the unique and incomparable aesthetic of Architecture in Motion®.

In addition to founding DIAVOLO and serving as its Artistic Director, Heim has worked extensively in dance, theater, television and special events throughout the world. In 2017, he created five new performances based on DIAVOLO creations for NBC’s America’s Got Talent, which resulted in the Company becoming one of the top ten contestants in AGT’s finale at Hollywood’s Dolby Theater. Heim recently directed DIAVOLO’s special appearance on Le Plus Grand Cabaret du Monde’s New Year’s Eve 2017, one of the most watched TV shows in France. DIAVOLO also appeared on Helene Fischer’s 2017 Christmas Spectacular, where the German superstar sang while rigged atop one of the Company’s massive structures.

In 2004, Heim choreographed KÀ for Cirque du Soleil at the MGM Grand, Las Vegas, a destination show featuring apparatus inspired by DIAVOLO structures. In 2010, he was invited to be a Creative Director for the Opening Ceremony of the 16th Asian Games, in Guangzhou, China. Mr. Heim also worked with Guy Caron and Michael Curry as a consulting choreographer on Ice Age Live!, a “mammoth” arena show which made its world premiere at London’s Wembley Stadium in November 2012 and is now touring throughout Europe.

Heim has received three USA Fellowship nominations and four Alpert Award nominations. He has also been the recipient of the Martha Hill Choreography Award of the American Dance Festival; the Special Prize of the Jury at the 6th Saitama International Dance Festival; a Brody Arts Fund fellowship; a James Irvine Foundation Fellowship; and he is the 2016 Barney Creative Prize recipient.

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Director Statement

THIS IS ME: Letter from the Front lines is a film about celebrating Warriors. During these times, we are fighting a war against this invisible enemy, with medical personnel and medicine.

I wanted to shift the perspective of what could be perceived, by putting our Military Veterans and First Responders in pedestrian attire because, in a way, they are just regular amazing humans, like you and I. We put France and our dancers, who represent civilians, in Military-inspired clothing to represent that actually we, as civilians, are Warriors at this time. We are civilians who lost the lives of our family members, lovers, friends, we lost our jobs, and lost our way of life as we know it. It feels like we are, in a way, Warriors on the front lines, trying to figure out how to get our life back.