Experiencing Interruptions?

THE THINGS WE KEEP

When Kate receives word her estranged mother is unable to take care of herself, she reluctantly returns to pack up her momłs house and send her to a nursing home. Unfortunately, it's a big task: her mother has been a hoarder for as long as Kate can remember. As she cleans, her mother warns: bad things will happen if you take away my things. Kate battles her mother's dementia-driven hostility and uncovers disturbing items underneath the detritus. Specifically: a sinister-looking mold-like mark underneath the wallpaper. As Kate unravels the mystery of her mother’s obsession and illness, she discovers that the hoarding was actually self-preservation. There is evil in the house’s walls, and they must be covered at all costs. An allegorical tale of intergenerational trauma between mothers and daughters.

  • Joanna Fernandez
    Director
    Seraphim, American Girl, Curtains, Snuff
  • Joanna Fernandez
    Writer
    Seraphim, Curtains, Snuff
  • Tim Truesdell
    Producer
  • Lilith Mo
    Producer
  • Yaxing Lin
    Producer
  • Jenny O'hara
    Key Cast
    "Sheila"
    The Devil, Mystic River, Extract, Transparent
  • Rebecca Holopter
    Key Cast
    "Kate"
  • Anne Cofell Saunders
    Executive Producers
    The Boys, Battlestar Gallactica, Star Trek Discovery
  • Project Type:
    Short, Student
  • Genres:
    Horror, Drama, Magical Realism, thriller
  • Runtime:
    14 minutes 53 seconds
  • Completion Date:
    June 12, 2024
  • Production Budget:
    36,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital, Red, 2k
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - USC
Director Biography - Joanna Fernandez


Joanna Fernandez is a genre writer and director who earned her BFA at NYU's TSOA. While in USC's MFA program, she was awarded the Jeffrey Jones Award for Excellence in Writing. After working as a showrunner's assistant for BEACON 23, her film SERAPHIM won the Jury award at the Austin Film Festival. Her MFA horror thesis has earned her the Fox Fellowship Endowment, and the prestigious SCA finishing fund. The origin of myth, the complexities of morality, and the study of monsters and scapegoats are central themes in her work.

Add Director Biography
Director Statement

This film speaks to my tortured relationship with my mother, which has been further complicated by her diagnosis of early-onset Alzheimer's. As an Alzheimer's patient, she's been through countless neuroimaging, all of which revealed CTE, a condition common in footballers who have had repeated blows to the head. The rapid deterioration of my mother's memory has stemmed from the severe brain damage from the abuse she suffered from her mother (my grandmother), as a child. The symptoms of CTE include impulsivity, explosivity, and aggression. The violence that terrorized me as a child was a direct consequence of the violence that terrorized my mother. My mom never had a chance. The idea that we become our parents is a terrifying concept to me that keeps me awake at night. I'm 26 years old, but my mother calls me "mom," and I feel a massive responsibility to provide her with the empathy and care she never received from her mother. I'm committed to putting an end to the intergenerational trauma that plagued my family.

Fairytales and myths have long been a tool for people to deal with the horrors that plagued them. Horror, at its best, uses the genre as a means to tackle human drama and conflict. I would like to express my truth using this lens and create a powerful narrative about the nature of intergenerational trauma and motherhood.
Hoarding is a form of Obsessive Compulsive Disorder that is categorized by severe emotional attachment to inanimate objects. International OCD Foundation estimates that one in every 50 people struggles with severe hoarding. Hoarding both relieves anxiety and generates it: the more hoarders accumulate, the more insulated they feel from the world and its dangers. But of course, the more they accumulate, the more isolated they become from the outside world, including family and friends. Even the thought of discarding or cleaning out hoarded items produces extreme feelings of panic and discomfort. THE THINGS WE KEEP dives into the psychology of a hoarder and examines the nature of compulsion and trauma, and how they intersect.As someone who has struggled with OCD and anxiety, I know firsthand how the mind can play tricks on us and the devastating impact mental illness can have on our lives and those around us. "The Things We Keep" is a personal exploration of these themes, drawing on my own experiences and those of others affected by mental illness. Through horror, I hope to shed light on the often-misunderstood world of OCD and compulsions and the games our minds play on us. Please support this film, not just for the scares but for the message we want to deliver about the importance of mental health awareness and breaking the cycle of intergenerational trauma.