TATA
A daughter spends an endless night with her recently deceased father in the traditional Serbian wake. Confronted with the loss of the person she both treasured and feared her whole life, the quietest night becomes the loudest.
-
Sanja StankovićCast
-
Ružica HajdariCast2024 Clermont-Ferrand ISFF Award for Outstanding Performance; Balkan, Baby; Cassandra; Je suis Karl; Der Kroatien-Krimi; Oray; Tatort
-
Oliver MitanovskiCast
-
Elias StankovićDirector
-
Lina HofmannAssistant Director (AD)
-
Elias StankovićWriter
-
Daniel Arthur EdwardsSound & SounddesignEin Tag im Dezember; Wasteland
-
Elias StankovićDirector of Photography
-
Daniel Arthur EdwardsAssistant CameraEin Tag im Dezember; Wasteland
-
Elias StankovićEditing
-
Daniel Arthur EdwardsEditingEin Tag im Dezember; Wasteland
-
Project Title (Original Language):TATA
-
Project Type:Short
-
Genres:Drama
-
Runtime:8 minutes 28 seconds
-
Completion Date:February 13, 2025
-
Production Budget:100 EUR
-
Country of Origin:Germany
-
Country of Filming:Germany
-
Language:Serbian
-
Aspect Ratio:1.90:1
-
Film Color:Color
-
First-time Filmmaker:Yes
-
Student Project:No
-
Digital Cinema Package:Unavailable
-
First Film International FestivalTallinn
Estonia
October 25, 2025
Best First International Short Film -
Female Characters Film FestBelgrade
Serbia
Semi Finalist in the Selection Process
Elias Stanković is a 20-year-old German filmmaker. As the son of a Serbian mother and a Turkish father, he grew up navigating multiple cultures, confronting both the richness of diverse traditions and the challenges of belonging. His films create immersive worlds that invite viewers to empathise with complex emotions, blending striking visuals with narratives that honor tradition while boldly daring to break through them.
Stanković’s debut short film, TATA (2025), is a deeply personal exploration of loss, grief and unresolved fear, shaped by cultural rituals and personal experience. Drawing from real experiences, the film delves into the weight of mourning and letting go, knowing that some wounds may remain unhealed. With a minimalist and realist approach, TATA crafts quiet tension while delivering real emotional depth. At its core, TATA is an unfiltered, honest portrayal of raw human emotion.
I've always admired how strong mothers can be. How strong my mother can be. Somehow, they seem invincible — like nothing can bring them down. When they do end up hurt and vulnerable, it's as if a whole world collapses for their children. Children see their mothers as powerful and unshakable, without a doubt. But that belief can be false. And sometimes, it is.
I saw my mother exhausted, scared, and almost traumatised during the time she cared for my grandfather in his final months and weeks — while the cancer ate him from the inside, day by day. Even though she feared him, she was the only one he had in his final days.
I wanted to create something deeply personal — exploring old Serbian traditions and honoring a unique and emotional way of letting go. Breathing fresh air while guarding the man who held you from the beginning of your life, and who now lies in silence. Wounds that haven’t healed likely never will. But it's time to move on.